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beldaran1224's review against another edition
dark
emotional
sad
tense
slow-paced
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.0
I finished this sequel with feelings very similar to the first book: I want to read more...but I don't. There is something very compelling about the world and the characters (especially the explorations of the means vs the ends. Despite this, I find myself very conflicted about the book - the narrative is so befuddled and deliberately obfuscated by the author that I find myself getting frustrated by it multiple times throughout the book. I understand why the author is obfuscating: in the first book, we're meant to be kept guessing about Baru's loyalties and in the second, we're meant to be kept guessing about whether she is merely dancing to Itinerant's plan or actually acting on her own...but it gets old.
That said, there's a lot to like here. The flashbacks and other perspectives, especially the ones for Tau-Indi, are exceptionally well done. I enjoy the way Dickinson uses Baru's injury as a method of narrative obfuscation, though I wish they had been less aggressive in doing so. The world gets broader and deeper in this book, too. I enjoy the way the text plays withBaru's relationships with those around her, including Iraji, Tau-Indi, the diver and more. I also enjoy the increasingly important question of whether Baru is compromised beyond hope and the exploration of the opposing theories of empire put forth by Itinerant and Hesychast .
Besides the obfuscation I mentioned above, there are a couple other gripes I have with the text. The first is that the plotting is a bit lackluster. The first novel was redeemed by an insanely compelling and heartbreaking ending, and this book's endingjust didn't leave me with the same impact or curious about the specific reveal that occurred so much as leaving me hopeful that the final book will have a more propelling plot. I'm also not enjoying the character of Tain Shir .
That said, there's a lot to like here. The flashbacks and other perspectives, especially the ones for Tau-Indi, are exceptionally well done. I enjoy the way Dickinson uses Baru's injury as a method of narrative obfuscation, though I wish they had been less aggressive in doing so. The world gets broader and deeper in this book, too. I enjoy the way the text plays with
Besides the obfuscation I mentioned above, there are a couple other gripes I have with the text. The first is that the plotting is a bit lackluster. The first novel was redeemed by an insanely compelling and heartbreaking ending, and this book's ending
Content Warnings
Graphic: Racism, Homophobia, Colonisation, Violence, Grief, Fire/Fire injury, Torture, Medical trauma, and Lesbophobia
Moderate: Schizophrenia/Psychosis , Injury/Injury detail, Drug use, Toxic friendship, Genocide, Ableism, Stalking, Sexual assault, Xenophobia, Transphobia, Trafficking, Slavery, Sexual content, Gore, Gaslighting, and Cancer
Minor: Drug use, Drug abuse, Pregnancy, and Forced institutionalization
mazomazli's review
adventurous
dark
tense
medium-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
3.75
I really loved the first one, but like many others I found this one to be quite slow until the very end.
The author is very detailed about their worldbuilding and you can tell they have taken their time and done the work. It’s because of this that a certain topic that wasn’t particularly addressed so far and was just there. That I was deeply bothered by it. I haven’t seen anyone else address it so I will do so now:
Men in this book often take on traits women in the real world (western countries specifically) like makeup for example. There were multiple scenes where side male characters were treated as wh*res much like women experience today all of the time. It made me deeply uncomfortable as I was going in with the love of powerful women to see them enact the same exact violence in my lived experiences. It wasn’t explained why it was like this or given much context. It wasn’t even needed for the plot. It doesn’t make sense either. In real world examples of matriarchy-adjacent (as most western historians state that there’s never been a true one) this type of violence does not happen. These societies are usually quite equal and the women take on the task of passing down knowledge.
The author’s attempt to address colonization and all of that desperately needed some non-western research. Especially when the majority of character are coded as BIPOC. I just really wanna know why was it necessary to do these scenes with men being mistreated in sex by women? Like what was the benefit?
Additionally, while most of sapphic people I’ve come across have greatly enjoyed this series I find myself alone in some of my thoughts. As an early 20s sapphic woman, I would think I would relate a lot more to Baru. Unfortunately I just… didn’t. What I felt from the series so far is the sexual side of sapphicness and very little of the romantic feelings. I admit I am very much WLW and NBLW romantic and more of a demisexual. I did not feel represented in the end unfortunately which is okay, not every story will do so.
Finally, the biggest book comparison that can be made with this series is the Locked Tomb. There are several key elements that align both series especially with the outcomes of the main sapphic relationship. the butch girl dies and weird brain sh!t happens in the second book . These could’ve been very equal books for me, especially since the locked tomb is one of my all time favorites. I can follow the confusion for the most part and greatly appreciate complex plots. However due to all the reasons above I didn’t enjoy this nearly as much as I had hoped.
The author is very detailed about their worldbuilding and you can tell they have taken their time and done the work. It’s because of this that a certain topic that wasn’t particularly addressed so far and was just there. That I was deeply bothered by it. I haven’t seen anyone else address it so I will do so now:
Men in this book often take on traits women in the real world (western countries specifically) like makeup for example. There were multiple scenes where side male characters were treated as wh*res much like women experience today all of the time. It made me deeply uncomfortable as I was going in with the love of powerful women to see them enact the same exact violence in my lived experiences. It wasn’t explained why it was like this or given much context. It wasn’t even needed for the plot. It doesn’t make sense either. In real world examples of matriarchy-adjacent (as most western historians state that there’s never been a true one) this type of violence does not happen. These societies are usually quite equal and the women take on the task of passing down knowledge.
The author’s attempt to address colonization and all of that desperately needed some non-western research. Especially when the majority of character are coded as BIPOC. I just really wanna know why was it necessary to do these scenes with men being mistreated in sex by women? Like what was the benefit?
Additionally, while most of sapphic people I’ve come across have greatly enjoyed this series I find myself alone in some of my thoughts. As an early 20s sapphic woman, I would think I would relate a lot more to Baru. Unfortunately I just… didn’t. What I felt from the series so far is the sexual side of sapphicness and very little of the romantic feelings. I admit I am very much WLW and NBLW romantic and more of a demisexual. I did not feel represented in the end unfortunately which is okay, not every story will do so.
Finally, the biggest book comparison that can be made with this series is the Locked Tomb. There are several key elements that align both series especially with the outcomes of the main sapphic relationship.
Content Warnings
Graphic: Colonisation, Confinement, Death, Body horror, Pregnancy, Racism, Sexual assault, Torture, Violence, War, Blood, Homophobia, Cancer, Injury/Injury detail, and Sexual content
Moderate: Ableism, Outing, Forced institutionalization, Medical content, Vomit, Alcohol, Classism, Child death, Death of parent, and Sexual assault
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