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frogggirl2's review against another edition
dark
medium-paced
- Plot- or character-driven? Plot
- Strong character development? No
- Loveable characters? No
- Flaws of characters a main focus? Yes
2.5
"Yes, the world has laws, which are consequences for your actions. But remember that there is nothing you cannot choose to do. Only consequences you fear to face" (p. 248).
The things I liked from the original book (the main character, the scheming and the intrigue) are all still present, but less so, and any strategy and characterization gets buried under too much effluvia. The book would be massively better if every one of these sections that is not part of the main plot was excised. I don't need any other characters' points of view - the plot just follows Baru going from place to place, and yet it's sufficiently boring and convoluted as it is. This doesn't develop the same depths of relationship or examine a cast of side characters in the same complex way as the first book, either. Everyone here, including Baru, seems completely incompetent (what happened to the highly qualified, goal oriented, self contained heroine Baru from the first book?) - it's hard to believe they can even stay alive, let alone run this incredibly potent empire.
This book is a messy slog and a complete disappointment after the excellent first book in the series.
The things I liked from the original book (the main character, the scheming and the intrigue) are all still present, but less so, and any strategy and characterization gets buried under too much effluvia. The book would be massively better if every one of these sections that is not part of the main plot was excised. I don't need any other characters' points of view - the plot just follows Baru going from place to place, and yet it's sufficiently boring and convoluted as it is. This doesn't develop the same depths of relationship or examine a cast of side characters in the same complex way as the first book, either. Everyone here, including Baru, seems completely incompetent (what happened to the highly qualified, goal oriented, self contained heroine Baru from the first book?) - it's hard to believe they can even stay alive, let alone run this incredibly potent empire.
This book is a messy slog and a complete disappointment after the excellent first book in the series.
Content Warnings
Graphic: Blood, Body horror, Child death, Torture, Alcohol, Colonisation, Self harm, Violence, Cancer, Gore, Miscarriage, Murder, Pandemic/Epidemic, Physical abuse, Death, Pregnancy, Terminal illness, and Suicide
sheiksleopardthong's review against another edition
adventurous
challenging
dark
emotional
tense
medium-paced
- Plot- or character-driven? A mix
- Strong character development? It's complicated
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
5.0
Slower than the first book, The Monster introduces a LOT of characters, and I found myself struggling to keep them all straight until near the end. However it's so so so good. Intense and dark and intricately woven. Dickinson has such a mastery of poetic prose. I love a book I need to put down sometimes because you want to punch and vomit on a character (looking at you Cosgrad).
Content Warnings
Graphic: Cancer, Colonisation, Body horror, Death, Excrement, Xenophobia, Blood, and Forced institutionalization
Moderate: Suicidal thoughts, Fire/Fire injury, War, Racism, Lesbophobia, Injury/Injury detail, Miscarriage, Abortion, Alcoholism, Blood, Schizophrenia/Psychosis , Pregnancy, Homophobia, Violence, Panic attacks/disorders, Sexism, and Murder
Minor: Vomit
beldaran1224's review against another edition
dark
emotional
sad
tense
slow-paced
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.0
I finished this sequel with feelings very similar to the first book: I want to read more...but I don't. There is something very compelling about the world and the characters (especially the explorations of the means vs the ends. Despite this, I find myself very conflicted about the book - the narrative is so befuddled and deliberately obfuscated by the author that I find myself getting frustrated by it multiple times throughout the book. I understand why the author is obfuscating: in the first book, we're meant to be kept guessing about Baru's loyalties and in the second, we're meant to be kept guessing about whether she is merely dancing to Itinerant's plan or actually acting on her own...but it gets old.
That said, there's a lot to like here. The flashbacks and other perspectives, especially the ones for Tau-Indi, are exceptionally well done. I enjoy the way Dickinson uses Baru's injury as a method of narrative obfuscation, though I wish they had been less aggressive in doing so. The world gets broader and deeper in this book, too. I enjoy the way the text plays withBaru's relationships with those around her, including Iraji, Tau-Indi, the diver and more. I also enjoy the increasingly important question of whether Baru is compromised beyond hope and the exploration of the opposing theories of empire put forth by Itinerant and Hesychast .
Besides the obfuscation I mentioned above, there are a couple other gripes I have with the text. The first is that the plotting is a bit lackluster. The first novel was redeemed by an insanely compelling and heartbreaking ending, and this book's endingjust didn't leave me with the same impact or curious about the specific reveal that occurred so much as leaving me hopeful that the final book will have a more propelling plot. I'm also not enjoying the character of Tain Shir .
That said, there's a lot to like here. The flashbacks and other perspectives, especially the ones for Tau-Indi, are exceptionally well done. I enjoy the way Dickinson uses Baru's injury as a method of narrative obfuscation, though I wish they had been less aggressive in doing so. The world gets broader and deeper in this book, too. I enjoy the way the text plays with
Besides the obfuscation I mentioned above, there are a couple other gripes I have with the text. The first is that the plotting is a bit lackluster. The first novel was redeemed by an insanely compelling and heartbreaking ending, and this book's ending
Content Warnings
Graphic: Racism, Homophobia, Colonisation, Violence, Grief, Fire/Fire injury, Torture, Medical trauma, and Lesbophobia
Moderate: Schizophrenia/Psychosis , Injury/Injury detail, Drug use, Toxic friendship, Genocide, Ableism, Stalking, Sexual assault, Xenophobia, Transphobia, Trafficking, Slavery, Sexual content, Gore, Gaslighting, and Cancer
Minor: Drug use, Drug abuse, Pregnancy, and Forced institutionalization
hedsek's review
adventurous
challenging
dark
tense
medium-paced
- Plot- or character-driven? A mix
- Strong character development? It's complicated
- Loveable characters? No
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
3.0
I found the book really hard to follow, maybe even more so than the first part. Baru seems like a completely different person, which makes sense given the things she's done, but in a very weird teenagery way for some reason. I am super confused by her relation with almost everyone, but maybe it's supposed to be that way? There was some beautiful prose though, and as with the previous book the ending was very climactic and makes me want to read the next book.
Content Warnings
Graphic: Cancer, Addiction, Alcoholism, Colonisation, Lesbophobia, and Death
Moderate: Schizophrenia/Psychosis , Sexual content, Torture, Homophobia, Blood, Racism, Injury/Injury detail, Biphobia, Body horror, Fire/Fire injury, Genocide, Death of parent, Murder, Physical abuse, Suicidal thoughts, Gore, War, and Violence
Minor: Child death, Drug use, Cursing, Miscarriage, and Pregnancy
mazomazli's review
adventurous
dark
tense
medium-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
3.75
I really loved the first one, but like many others I found this one to be quite slow until the very end.
The author is very detailed about their worldbuilding and you can tell they have taken their time and done the work. It’s because of this that a certain topic that wasn’t particularly addressed so far and was just there. That I was deeply bothered by it. I haven’t seen anyone else address it so I will do so now:
Men in this book often take on traits women in the real world (western countries specifically) like makeup for example. There were multiple scenes where side male characters were treated as wh*res much like women experience today all of the time. It made me deeply uncomfortable as I was going in with the love of powerful women to see them enact the same exact violence in my lived experiences. It wasn’t explained why it was like this or given much context. It wasn’t even needed for the plot. It doesn’t make sense either. In real world examples of matriarchy-adjacent (as most western historians state that there’s never been a true one) this type of violence does not happen. These societies are usually quite equal and the women take on the task of passing down knowledge.
The author’s attempt to address colonization and all of that desperately needed some non-western research. Especially when the majority of character are coded as BIPOC. I just really wanna know why was it necessary to do these scenes with men being mistreated in sex by women? Like what was the benefit?
Additionally, while most of sapphic people I’ve come across have greatly enjoyed this series I find myself alone in some of my thoughts. As an early 20s sapphic woman, I would think I would relate a lot more to Baru. Unfortunately I just… didn’t. What I felt from the series so far is the sexual side of sapphicness and very little of the romantic feelings. I admit I am very much WLW and NBLW romantic and more of a demisexual. I did not feel represented in the end unfortunately which is okay, not every story will do so.
Finally, the biggest book comparison that can be made with this series is the Locked Tomb. There are several key elements that align both series especially with the outcomes of the main sapphic relationship. the butch girl dies and weird brain sh!t happens in the second book . These could’ve been very equal books for me, especially since the locked tomb is one of my all time favorites. I can follow the confusion for the most part and greatly appreciate complex plots. However due to all the reasons above I didn’t enjoy this nearly as much as I had hoped.
The author is very detailed about their worldbuilding and you can tell they have taken their time and done the work. It’s because of this that a certain topic that wasn’t particularly addressed so far and was just there. That I was deeply bothered by it. I haven’t seen anyone else address it so I will do so now:
Men in this book often take on traits women in the real world (western countries specifically) like makeup for example. There were multiple scenes where side male characters were treated as wh*res much like women experience today all of the time. It made me deeply uncomfortable as I was going in with the love of powerful women to see them enact the same exact violence in my lived experiences. It wasn’t explained why it was like this or given much context. It wasn’t even needed for the plot. It doesn’t make sense either. In real world examples of matriarchy-adjacent (as most western historians state that there’s never been a true one) this type of violence does not happen. These societies are usually quite equal and the women take on the task of passing down knowledge.
The author’s attempt to address colonization and all of that desperately needed some non-western research. Especially when the majority of character are coded as BIPOC. I just really wanna know why was it necessary to do these scenes with men being mistreated in sex by women? Like what was the benefit?
Additionally, while most of sapphic people I’ve come across have greatly enjoyed this series I find myself alone in some of my thoughts. As an early 20s sapphic woman, I would think I would relate a lot more to Baru. Unfortunately I just… didn’t. What I felt from the series so far is the sexual side of sapphicness and very little of the romantic feelings. I admit I am very much WLW and NBLW romantic and more of a demisexual. I did not feel represented in the end unfortunately which is okay, not every story will do so.
Finally, the biggest book comparison that can be made with this series is the Locked Tomb. There are several key elements that align both series especially with the outcomes of the main sapphic relationship.
Content Warnings
Graphic: Colonisation, Confinement, Death, Body horror, Pregnancy, Racism, Sexual assault, Torture, Violence, War, Blood, Homophobia, Cancer, Injury/Injury detail, and Sexual content
Moderate: Ableism, Outing, Forced institutionalization, Medical content, Vomit, Alcohol, Classism, Child death, Death of parent, and Sexual assault
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