Reviews tagging 'Racial slurs'

Girls Against God by Jenny Hval

12 reviews

alexitaa's review

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dark sad slow-paced
  • Plot- or character-driven? N/A
  • Strong character development? No
  • Loveable characters? No
  • Diverse cast of characters? No
  • Flaws of characters a main focus? It's complicated
This book…. I wish I didn’t read it, it was such a snooze. It was just a girl ranting, about who knows what? Maybe I didn’t understand it but, i just didn’t think it was good.

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jesterjaster's review

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i've been trying to get thru this for SO LONG bc i liked paradise rot but this one just isn't for me. some of the prose was great but it spiralled. might've been better as a poetry collection or something bc some parts i did enjoy. also n-word on page 13?? erm.

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sunny27's review

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challenging dark mysterious slow-paced
  • Plot- or character-driven? A mix
  • Strong character development? No
  • Loveable characters? No
  • Diverse cast of characters? No
  • Flaws of characters a main focus? It's complicated

1.0

Unnecessary racial slur. The only thing I enjoyed was the title. 

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musical_alex's review

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dark mysterious tense slow-paced
  • Plot- or character-driven? Character
  • Strong character development? No
  • Loveable characters? It's complicated
  • Diverse cast of characters? No
  • Flaws of characters a main focus? Yes

4.25


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imrereads's review against another edition

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dark reflective slow-paced
  • Plot- or character-driven? Character
  • Strong character development? It's complicated
  • Loveable characters? It's complicated
  • Diverse cast of characters? No

2.5

Her har eg veldig blanda kjensler. Fyrst og fremst levde dette på inga måte opp til Perlebryggeriet, som eg elska. Det er ein del eg lika godt her, den draumeaktige kvaliteten, linjene mellom hekseri og teknologi, den skiftande tidslinja. Eg tykkjer det er teke opp interessante tema, til dømes tenkte eg mykje på dette med at eg-personen hatar gud, i motsetting til å ikkje tru på gud.

Samtidig er det store delar av romanen som står som uforståelege for meg. Det var rarare og rarare jo lengre me kom, utan at eg klarte å forstå kva det var som vart forsøkt sagt. Kanskje er det ikkje riktig av meg å leite etter meining, kanskje er det det meininglause som er meininga. Likevel falt ikkje det heilt i smak for meg. Dei store mengdane avføring, mensblod og groteske seksuelle bileta falt heller ikkje i smak hos meg. Det er òg uforståeleg for meg kvifor det var nødvendig å nytte rasistiske ord, som n-ordet.

Alt i alt føles dette litt uferdig. Den sterke stemma eg las i Perlebryggeriet var vanskeleg å finne her, sjølv om den dukka opp i blant. 

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livsliterarynook's review

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challenging dark medium-paced
  • Plot- or character-driven? Character
  • Strong character development? It's complicated
  • Loveable characters? It's complicated
  • Diverse cast of characters? No
  • Flaws of characters a main focus? Yes

3.5


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nensreads's review

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I have a hard time reading books were a white author uses slurs without censor especially post 2010s 

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sunday_evening's review

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challenging dark mysterious slow-paced
  • Plot- or character-driven? N/A
  • Strong character development? It's complicated
  • Loveable characters? It's complicated
  • Diverse cast of characters? No
  • Flaws of characters a main focus? It's complicated

3.0

I enjoyed several little bits of prose in the book, and I liked the dream-like writing/imagery towards the end. However I actually think for once it would’ve helped me to read this book physically, not via audiobook. Due to the stream-of-consciousness style of the book it made it hard to focus. I would’ve given it 4 stars but I had to knock it down to 3 because at approximately 6% of the way through Hval, a white Norwegian author, drops the n-word hard r with absolutely no warning. It was completely unnecessary and Hval could’ve easily referred to it as the “n-word” or even just referred to “racial slurs” or “slurs” in general within the context of the scene. I’m not sure if this was a bad translation choice, or if it’s generally more acceptable for white people to fully say slurs in this type of context in Norway, but either way it should’ve been adapted in a different way for the English version.  Not cool. It kind of ruined the book for me.

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librarymouse's review

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challenging dark reflective slow-paced
  • Plot- or character-driven? Character
  • Strong character development? It's complicated
  • Loveable characters? It's complicated
  • Diverse cast of characters? It's complicated
  • Flaws of characters a main focus? Yes

4.0

Surrealism and self-reflection reform as magic in this novel. It is disgusting, devoted, and drenched in adoration and bodily fluids.

I could read this novel a dozen more times and still have trouble categorizing it. It is angsty, lyrical, and shows the process of decontaminating oneself of the harshly imposed shame Christianity often ascribed to difference while avoiding the pitfalls of textual shame - the avoidance or curation of language. Hval writes this novel viscerally, with bodies, their parts, their fluids, and the conceptualization and actualization of sins being given true names and tangible descriptors. The struggle between the individual and externally oppressive religion is relatably detailed, and through that lens, this novel has the same impact when consumed as stained glass church windows divorced from their context.

So many readers who came of age on the internet were first introduced to the concept of a queer tenderness or queerness treated like literary fiction rather than something inherently pornographic, through the realm of fanfiction or short stories written to Tumblr prompts, as was very common in the 2010s. Rather than pulling me out of the story, despite how tenuous my grasp on the continuity of this book was, the narrator intermittently addressing the reader directly as "you" harkens back to that very specific reader insert fanfiction feeling, and the love expressed by the narrator for the reader creates that gorgeous, fluid, and velvety sense of adoration. This is an effect that I remember keenly feeling and craving at the young age of the girl in the puberty portrait that is so often brought up in this novel. I don't know that I can claim this specific tone to be authorial intent, but the mood created for the reader by the form and language of this book, with specific focus on the intersection between naturalism and internet subcultures, intertwines beautifully with the content.

I really don't know if I can recommend this novel to others. It is a lot, but it is also gorgeous. 

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mcdal's review against another edition

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