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Also I'm reading HP to my kids. The difference in the writing style is astonishing. Quite impressed by how they bear no similarities in writing style or voice. I was hoping that like HP #3 that Career of Evil would mark a dramatic shift in the writing ability-- both of them being the third book in the series. I didn't get that impression (maybe after a few more come out I'll see it differently). But again, as always, a delight to enter into these characters and their world. If JK Rowling does anything similar its that, she cares about her characters-- even the awful ones.
The mystery was amazing. I didn't see the solution coming at all, even though during the whole novel we get little chapter from the point of view of the killer. Too often these kinds of novels are predictable for people who have read many before, but here it was a nice surprise. And when the solution came, it seemed believable, which is also a very good point.
The aspect that I didn't like was the usual Strike/Robin/Matthew dynamic (not a spoiler - if you've read the first two installments, you know what I'm talking about). At first I was glad the evolution of the relationship was slow. So many of these detective type novels would have had Robin and Strike jumping in bed together in chapter 5 of novel 1, but here there was an actual friendship developing. But I quickly got annoyed at them constantly rehashing the same thoughts for the entire novel. "Will he fire me even though I'm useful?" and "why do I feel this way for him/her" and "why and I thinking of him/her right now?" I just wanted to slap them and tell them to get a grip on their feelings, already.
But all in all I keep a very good impression of this installment. I just hope the next one doesn't still keep going the same way for the Robin/Strike relationship and that we get some resolution sooner rather than later.
The authors writing isn't dumbed down which can happen so easily in crime writing novels. She shows excellent powers of observation in describing characters and sets the book up so that you can't wait for the next storyline to arrive.
I might have been able to adjust my expectations and enjoy the book anyway, but I was also frustrated by the sloppy storytelling and poor pacing. The amount of repetition here is maddening. Both Robin and Strike seem to be caught in temporal loops in which they go through the same memories and feelings over and over again. This might be true-to-life, but it’s boring to read. Less important—but no less irritating—is the seemingly endless reiteration of details that become less meaningful with each recollection. It simply is not necessary to remind the reader that the faux leather sofa in Cormoran’s office makes an unfortunate farting sound whenever someone sits on it.
But most disappointing to me was the way Rowling deals with the relationship between Cormoran and Robin. Utterly predictable and, therefore, hugely dispiriting.
The ending is a mess. The murder is no more baroque than those in The Cuckoo’s Calling or The Silkworm, but those books had a comedic quality that made overelaborate schemes seem plausible. Here, it just seems absurd, and the way in which Strike goes about resolving the case beggars belief. Then there’s the epilogue, which I either don’t quite understand or find ridiculous. Either way, I can’t say that I’m looking forward to the next Galbraith novel.
Overall, I continue to enjoy Cormoran and Robin as lead characters and have enjoyed seeing their relationship progress. The strength of this book in the series is in developing more of them.
I think my favorite part of this book is that it delves into Robin's past and present. We get to learn more about what led her to quit Uni, and why she is still with Matthew. We see her still trying to navigate their rocky relationship as their engagement heads toward the wedding. At the same time, Cormoran is in a superficial relationship and seems unable to commit to any woman other than Robin. The chemistry between Robin and Cormoran is interesting, and I found myself flip-flopping on my feelings about them finally expressing theirs.
The most challenging aspect for me was the slogging journey to unveil the perpetrator. I think it served to explore the dynamic of Robin and Cormoran more deeply, but felt excessively drawn out. I think it also helps to take the rosy glasses off of Strike as he repeatedly let his bias and personal opinions of the suspects get in the way.
- jkr knows what she's doing when it comes to dialogue and voice. No one can outdo the way every character sounds like a unique, real individual.
- good cliffhangers
- sexual tension without ever being gross
- the way the bad guy could easily have been any of the suspects and you really didn't know who it was until the reveal
Things I didn't like:
- too. Long. I just can't handle books over 350-400 pages. It gets to be daunting. I psyche myself out
- some of it dragged. Could have been tighter in parts. I skimmed a bunch of the middle....