Reviews tagging 'Confinement'

The Jasmine Throne by Tasha Suri

109 reviews

achingallover's review

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adventurous challenging dark emotional mysterious tense slow-paced
  • Plot- or character-driven? A mix
  • Strong character development? Yes
  • Loveable characters? Yes
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? Yes

4.0


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herfleurs's review against another edition

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adventurous challenging emotional informative inspiring lighthearted mysterious reflective medium-paced
  • Plot- or character-driven? Plot
  • Strong character development? Yes
  • Loveable characters? Yes
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? It's complicated

5.0

 "We'll always be angry if we remain chained to your empire."


Priya é simplesmente a personagem feminina de fantasia que eu sempre quis ler. Ela é tão bem escrita, o arco dela é maravilhoso. Tudo sobre ela é mostrado e faz total sentindo com tudo que foi sendo desenvolvido. Ela é extremamente empática, todas as conexões que ela forma durante o livro você pode sentir o quão ela se importa. Ela também é orgulhosa, forte, inteligente e poderosa. Nada disso foi derramado como um monte de informação, ou descrito por outro personagem. 
 
 A autora construiu um romance sem nenhum momento resumir para aparência física de ambas personagens.
 Malini que é uma princesa da linhagem imperial, sendo assim extremamente privilegiada mas ainda diminuída por causa da sociedade patriarcal, conseguiu coisas enormes, juntar tropas etc e nenhuma parte disso a autora reduziu a aquela ambiguidade onde muitas autoras não conseguem criar personagens femininas manipuladoras sem se apoiar completamente na aparência delas. Eu não sei colocar isso muito bem em palavras mas pra quem isso também incomoda em outros livros vai me entender aqui.
 
 Todas as narrações são importantes, eu fiquei receosa de que o príncipe sem nome (Rao) não fosse ter um arco bom, e confesso que queria mais dele, mas pelo menos na segunda metade do livro vemos mais profundidade.
 
 As relações foram tão bem mostradas aqui, de sangue, de família, de conveniência. Bhumika também é uma das personagens mais bem aprofundadas que já li, ela literalmente tem várias camadas e todas são exploradas.
 
 O romance meio slow burn é maravilhoso! O fato delas serem moralmente cinzas é perfeito. Malini é manipuladora e 100% disposta a conseguir o que quer, e ver ela usando Priya, mais de uma vez, é *chef kiss*
 
 Uma das melhores leituras do ano, extremamente ansiosa para os próximos!

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crazyrandom_music's review against another edition

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adventurous dark emotional tense fast-paced
  • Plot- or character-driven? A mix
  • Strong character development? Yes
  • Loveable characters? Yes
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? Yes

5.0


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kkulhannie's review against another edition

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challenging dark tense medium-paced
  • Plot- or character-driven? Character
  • Strong character development? Yes
  • Loveable characters? Yes
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? Yes

5.0


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freya's review

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dark emotional medium-paced
  • Plot- or character-driven? A mix
  • Strong character development? It's complicated
  • Loveable characters? Yes
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? Yes

4.0


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tachyondecay's review

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adventurous dark mysterious tense slow-paced
  • Plot- or character-driven? Character
  • Strong character development? It's complicated
  • Loveable characters? It's complicated
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? Yes

3.0

Sisters are so inconvenient, right? We’re always messing with your attempts to run an orderly, oppressive empire hostile to any religion except your own. Best to just ship us off to some quiet, out-of-the-way prison where we can languish until we decide to jump onto a pyre like a good girl. But, of course, there is always the possibility we will instead align ourselves with a plucky maidservant who has nascent powers granted by her culture’s nearly-exterminated religion, and then … well, that would be bad.

The Jasmine Throne by Tasha Suri intrigued me because its description just felt so fresh. This is a fantasy novel about political intrigue and rebellion, but most of the main characters are women. Moreover, it takes place in a fairly limited number of locations, none of which are the capital of the empire. Throughout the story, Suri challenges our expectations of what it means to be revolutionary, and reminds us that the revolution is merely the beginning of any attempt to take back one’s land and culture. I received an e-ARC from NetGalley courtesy of Orbit.

The two principal characters are Malini, a Parijati princess, and Priya, an Ahiranyan maidservant. Malini’s people have conquered several nations and turned them into vassals; Ahiranya itself is ruled by a Parijati regent who is sympathetic, in general, to the Ahiranyans—and he has married an Ahiranyan wife, who is our third main character—yet who nevertheless is willing to do “what’s necessary” to keep order. The entire political situation, as well as aspects of the different cultures, is loosely based on cultures located in what is now India. This departure from Eurocentric inspiration would by itself feel refreshing (not that Suri is unique in this, but it still isn’t common enough to feel common!). But it’s the dynamic between Malini and Priya, and the story that the two of them create together, that makes The Jasmine Throne stand out.

Malini has led a sheltered life, and it shows. Politically savvy, she wants to depose her brother, the Emperor Chandra, and replace him with her other brother, Aditya. Yet she has very little idea of how exigencies in life force people to desperation. This is a lesson she learns from Priya, a maidservant who was once something more, a child in training to be a priestess to the “Deathless Waters” of the Hirana, which just prior to the Parijati occupation were gifting children with powers that could have been, in the right (or wrong) hands, influential in the conflicts to come. This is what Ashok wants—like Priya, he grew up in the Hirana, and he wants to wield the powers of the waters against the occupying empire. But Ashok’s bar for “acceptable violence” is far lower.

There’s a lot that can be unpacked here. In particular, I want to focus on the ways in which each main character thinks change should be achieved. Malini wants to build an overwhelming military force to challenge the sitting emperor. Priya initially has very few ambitions for Ahiranya; she is just trying to survive and only ends up drawn into this conflict as a matter of survival. Somewhere along the way, her spiritual experiences result in a shift of her perspective. But she always opposes the militancy of Ashok, who is nearly uncompromising in his belief that violent uprising is the only way to free Ahiranya, even if it means lots of innocent people will die. Finally, Bhumika is a mixture of the traits of these others. She has more of a taste of power, as the regent’s wife, yet she would also avoid bloodshed if possible. She is far more pragmatic at politics than Priya too. All of these characters are fighting, in one way or another, for liberation. But they also don’t always agree, and that makes for fascinating conversations and plenty of potential for betrayal.

It would be easy to carve up some of these attributes along male/female lines. This book definitely has themes related to smashing the patriarchy—the ending fairly certainly communicates this! Yet this is not as simple as “men = aggressive” and “women = collaborative.” There’s a lot of aggression pent up in Malini and many of the other female characters, whereas some of the men are chill and not all that aggressive. In this way, Suri challenges that patriarchy is about natural differences between how men and women interact. It is indeed a system propped up by cultural and social constructs. We see this even in the cultural differences between Malini and Priya.

One thing I wish we had more time to explore would be the religions and cultures in the book. We get a small amount of exposition around the nameless god, whose followers receive a ritual name that is actual a prophecy for them to fulfill. That’s a very cool concept. But it’s less clear to me what kind of fire deity Chandra worships. In comparison, we learn much more about the yaksa, the Hirana, and other important parts of Ahiranyan spirituality. However, overall I was left wanting more on that level. Priya’s transformations, this idea of “hollowing out,” hints at something larger on a spiritual/moral level. I wanted to understand the deep cultural divides and how they might have shaped someone like Chandra into a tyrant and left such a mark on Malini.

On the other hand, I enjoyed that we never visited the capital except in flashbacks. It’s cool how all this action is taking place on the edges of the empire, rebellion brewing from discontent and malcontents. Suri captures the way that sprawling dominions can be fractious and hard to fully control: even when you sound out representatives, those representatives often have a difficult time enforcing your will.

I’m loath to comment on the romantic subplot given my aromantic tendencies and how much I tend not to pay attention to these things. Basically, you’ve got a lovely women-loving-women love story here, and there is definitely some payoff near the end (but it is not, let me be clear, a happily-ever-after type of romance). If that’s your thing, this book will not disappoint on that level.

My final nitpick? This book felt very long as an ebook. I’m not sure that’s anything Suri has done here; I think long books in general feel longer on e-readers. However, I suspect that this book’s pacing is in general rather slow. Suri takes her time developing each character and bringing them together, and maybe in my impatience I was hoping that would happen faster.

All in all, I’m very glad I picked up The Jasmine Throne. Will I read the sequel? Not sure yet. But I heartily recommend this book for anyone who wants something different in their fantasy, who wants a romance between women, who wants a story that’s a little different.

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queenmackenzie's review

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adventurous dark emotional tense medium-paced
  • Plot- or character-driven? Character
  • Strong character development? Yes
  • Loveable characters? Yes
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? Yes

5.0

What a powerful book! The Jasmine Throne absolutely swept me away, I have never read anything quite like it. Suri has built an incredible and concrete world with Parijatdvipa. As soon as I read the prologue, I knew I was in for a ride. The central story is set in Ahiranya, which used to be a powerful nation that almost ruled the entire continent (I think, the map was sadly not ready for the ARC I read) during what was called the Age of Flowers. But then a group of women from Parijat burned themselves on a pyre to gain the power to stand against Ahiranya. Since then Parijat has ruled, worshipping the Mothers who sacrificed themselves, and Ahiranya has been crumbling, its religious power lost during the burning of the temple and all its Elders and children at the order of the Emperor, its people and lands consumed by the rot. 

‘But Priya, who’d once been taught traditional Ahiranyi as a temple daughter, knew that the Ahiranyi had never had names for the forest. Ahiranya was the forest. The woodland was as unnamable as each breath of air, as indivisible as water.’

I absolutely love the flower imagery that pervades the book. You see it immediately in the title, and it continues throughout. Especially within Ahiranya, with their Age of Flowers and the Yaksa they worship, who were creatures made of growing things, and are said to have become the sacred trees of the forest when they died. As I said, a fantastic world with so much rich history, folklore, religion, and politics. It felt so incredibly real. 

The characters certainly add to this. I felt immediately the strength of each of them, especially Malini and Priya, the main point of view characters. They nearly walked right off the pages, their personalities so crisp and original. Priya is a maidservant in Hiranaprastha, but she is much more than the orphaned girl who the Regent’s wife took pity on; her past is linked to the Hirana, the temple in which the Ahiranyi Elders and temple children used to worship, and in which they all burned. Malini is the sister of Emperor Chandra, a dangerous man who has twisted the faith of the Mothers to his own ideal of a pure world. He imprisons Malini in the Hirana as punishment for refusing to burn on the pyre as willing sacrifice, after she conspires to restore the throne to her elder brother, Aditya. In this way, Priya and Malini’s fates collide, and they each need the other to reach their goals. 

‘Priya. A common name across all of Parijatdvipa. A sweet name for round-cheeked little girls and meek brides alike. This woman was neither.’

These women are hard-edged, and so are most characters in The Jasmine Throne. Though both Priya and Malini act out of a desire to better the world around them, they both have a very interesting relationship with the monstrous, and what it means to become the person you need to be in order to bring about that change. Alongside that is the powerful conversation this book is having about empire, about conquered lands, the erasure of culture and language along with a conquered nation’s power, the damage wrought by the people trying to liberate themselves. As I said, what a powerful book. I don’t want to say much more because this is the kind of story that holds joy in the unfolding, and all I can do is urge all fantasy readers to pick this up, because I am sure it will not disappoint. The perfect blend of sweeping empire and close character study, of frantic scenes and still, yet powerful, moments. An immediate favourite. 

I received a free copy of this book from NetGalley in exchange for an honest review. 

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2treads's review

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dark mysterious slow-paced
  • Plot- or character-driven? A mix
  • Strong character development? No
  • Loveable characters? No
  • Flaws of characters a main focus? No

3.0

The premise for this tale is familiar: a divided empire with a leader bent on erasing another sect that could challenge his, the heroes that will seek to see him defeated; one of royal blood, the other of ancestry that is now reviled. But what made it interesting, is the presence of an unknown affliction that is sweeping the lands and adherents of a faith steeped in magic who seek a return to their old ways of worship and existence; by any means necessary.

What was lacking was fiery and witty dialogue; the interactions all felt muffled, lackluster, and the writing fell flat for me and I could not get behind or invested in the arcs of any of the main characters; neither did I buy the 'chemistry' or attraction that was attempted between our 'heroines'.

There are however elements of this story that I appreciated: the use of an unknown flora as the cause of this disease, the queer representation, the power dynamics that are at play, political maneuverings to remove a despotic and cruel ruler, the mysterious beings that once had walked the world, and the inevitable betrayal that is  most decidedly coming.

I just wish the writing style was as engaging and immersive as the plotlines.

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jamieleepilk's review

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adventurous challenging dark emotional mysterious tense medium-paced
  • Plot- or character-driven? A mix
  • Strong character development? Yes
  • Loveable characters? Yes
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? It's complicated

4.5

Thank - you so much to Orbit/Little Brown for sending me a proof of this book for review.
UK Release - 10/6/21

"Malini wanted to explain that being monstrous wasn't inherent as Priya seemed to believe it to be. It was something placed upon: a chain or a poison, bled into you by unkind hands."

This has been on my radar for a while and I was thrilled to receive a proof! I'm finishing this book as we return to work and I can't wait to shout about it to customers, I will be recommending this book left right and centre when it's released in the summer!

This books world building is nothing short of incredible, every little detail is well thought out and plotted through. The characters are brilliant and well written, each of them has their own hearts and motivations. It is told through multiple characters POVs but mainly through the point of view of Priya a maidservant with a hidden, dark magical past and Malini a Princess in exile, it was so wonderful to have those two characters chapters overlap with one another the more the story progressed.
This world is dark, ruthless and intriguing. I utterly loved the mixture of magic and politics.
The world building in this book is heavy going which is to be expected in the first of an epic new fantasy series of this nature and at first it does feel slightly daunting but the more it gets into your brain you'll be engaged in no time at all. This book hooked me straight away but I felt I couldn't read fast because I was constantly worried that I would miss details that were important!

I adored this book so much, if you like fantasy with dark magic, political and religious themes, queer protagonists and beautifully lyrical writing DO NOT MISS THIS in the summer. I can't wait for the next book in this series and see where Tasha takes this story and these characters!

📚 For Fans of/If You Liked 📚
The Priory of the Orange Tree by Samantha Shannon

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