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andromeda_1998's review against another edition
adventurous
dark
tense
slow-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.0
The jasmine throne is one of the books from my Illumicrate book box subscription. And it’s one of those books that I was really hyped for. I expected a great deal since it started to gape on TikTok and well they aren’t wrong. It’s a great book, with a big fantasy setting, a lot of representation and a great story.
The characters
This book has multiple pov’s but it focuses the most on Malini and Priya. I really enjoyed these characters. They are strong female leads with a bit of a morally gray side to them. One thing I liked less though is that is didn’t really ship them. I shipped Priya more with Sami. But that is just my opinion.
Plot
The story is fun to read but a bit predictable at some points. Not that that is a bad thing persé but I would have liked more plottwists.
Worldbuilding
The worldbuilding is beautifully done. The world is rich with magic, beautiful history and mythology and it is really detailed. We haven’t learned everything this world has to offer so I’m waiting for the next book in this series. The book is slow in the beginning though. It picks up the pace at around 150/170 pages. I have to admit that this is one of those books I almost put down, which would have been a shame.
Storytelling
This book is beautiful written, but to the point. It has some magical quotes but the beginning of the book felt really dry to me.
Recommendations
I would recommend this book to lovers of the unbroken and the deavabad trilogy. Check the triggerwarnings before reading!
The characters
This book has multiple pov’s but it focuses the most on Malini and Priya. I really enjoyed these characters. They are strong female leads with a bit of a morally gray side to them. One thing I liked less though is that is didn’t really ship them. I shipped Priya more with Sami. But that is just my opinion.
Plot
The story is fun to read but a bit predictable at some points. Not that that is a bad thing persé but I would have liked more plottwists.
Worldbuilding
The worldbuilding is beautifully done. The world is rich with magic, beautiful history and mythology and it is really detailed. We haven’t learned everything this world has to offer so I’m waiting for the next book in this series. The book is slow in the beginning though. It picks up the pace at around 150/170 pages. I have to admit that this is one of those books I almost put down, which would have been a shame.
Storytelling
This book is beautiful written, but to the point. It has some magical quotes but the beginning of the book felt really dry to me.
Recommendations
I would recommend this book to lovers of the unbroken and the deavabad trilogy. Check the triggerwarnings before reading!
Content Warnings
Graphic: Abandonment, Addiction, Body horror, Blood, Confinement, Colonisation, Death, Domestic abuse, Drug abuse, Drug use, Emotional abuse, Fire/Fire injury, Gaslighting, Gore, Grief, Injury/Injury detail, Kidnapping, Murder, Misogyny, Pregnancy, Sexism, War, Violence, Toxic friendship, Toxic relationship, and Torture
Moderate: Pregnancy and Lesbophobia
starccato's review against another edition
adventurous
challenging
dark
emotional
hopeful
mysterious
reflective
sad
tense
medium-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.5
Content Warnings
Graphic: Addiction, Body horror, Colonisation, Confinement, Death, Drug use, Fire/Fire injury, Xenophobia, Sexism, Religious bigotry, Misogyny, Murder, Blood, and Panic attacks/disorders
Moderate: Alcohol, Violence, Terminal illness, Slavery, Schizophrenia/Psychosis , Racism, Pregnancy, Toxic friendship, Torture, Child abuse, Grief, Gaslighting, Emotional abuse, Child death, and Injury/Injury detail
Minor: Death of parent, Abandonment, Suicidal thoughts, Vomit, War, Lesbophobia, and Homophobia
millennia's review against another edition
challenging
dark
emotional
tense
slow-paced
- Plot- or character-driven? A mix
- Strong character development? It's complicated
- Loveable characters? No
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
3.0
Content Warnings
Graphic: Death, Child death, Fire/Fire injury, Child abuse, Violence, Torture, Body horror, Toxic relationship, and Drug abuse
ehmannky's review against another edition
dark
emotional
tense
slow-paced
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
5.0
A sprawling, intricate epic and queer fantasy that I had a ton of fun reading.
This is going to sound like a minor thing, but I really liked Suri's pacing of the book. The first half of the book takes place over what, a month or so, with the latter half taking place over the course of like 2 days. And that switch in time spans never feels abrupt or like Suri didn't give enough time to everything she needed to. It's a very natural transition and that rules. The world of this fantasy is very well established. I feel like usually in epic fantasies/high fantasies you're just supposed to be lost until like 100 pages in (and even that's generous sometimes). But here, the things I was still grappling with were mysteries in-text that you're supposed to be in the dark about. the flow of information feels very organic. It's just a really well structured book in its bones, and that's not even touching on how very good the romance between Malini and Priya is, how great the themes of the cost of revolution/who is a revolution for/what power does and doesn't do/what is power and what does it mean to weild it...
It's just a really good book y'all.
This is going to sound like a minor thing, but I really liked Suri's pacing of the book. The first half of the book takes place over what, a month or so, with the latter half taking place over the course of like 2 days. And that switch in time spans never feels abrupt or like Suri didn't give enough time to everything she needed to. It's a very natural transition and that rules. The world of this fantasy is very well established. I feel like usually in epic fantasies/high fantasies you're just supposed to be lost until like 100 pages in (and even that's generous sometimes). But here, the things I was still grappling with were mysteries in-text that you're supposed to be in the dark about. the flow of information feels very organic. It's just a really well structured book in its bones, and that's not even touching on how very good the romance between Malini and Priya is, how great the themes of the cost of revolution/who is a revolution for/what power does and doesn't do/what is power and what does it mean to weild it...
It's just a really good book y'all.
Content Warnings
Graphic: Death, Blood, Murder, Drug use, and Violence
Moderate: War, Body horror, and Torture
Minor: Sexism, Physical abuse, Child abuse, and Emotional abuse
rubybooks's review against another edition
challenging
dark
emotional
medium-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
5.0
The Jasmine Throne came out this month, and as soon as my copy arrived I couldn’t wait to start it! As soon as I started reading, I knew I would love this book. I haven’t read much adult fantasy recently, so I wanted to get back into it, and The Jasmine Throne was perfect for that. I realised how much I missed reading about epic stories with royalty, politics, and magic! If you’re looking for a new fantasy series to start, I’d definitely recommend this one.
It’s an adult fantasy inspired by Indian mythology, and it has an enemies to lovers sapphic relationship between a princess and a priestess. Princess Malini is imprisoned by her emperor brother in an ancient temple called the Hirana. With mainly her own thoughts and nightmares for company, along with a hateful jailer, Malini becomes weaker and struggles to stay anchored to reality. Priya is a maid who climbs up the Hirana to help manage the temple, but one night Malini witnesses Priya’s long held secret, and their fates become entwined as they work together to destroy an empire. Beyond the main characters, there is a lot of political and religious conflict in the background of the empire.
Malini and Priya felt so distinct to me. I LOVE reading about morally grey characters, especially women, because it makes them so much more interesting to me. I also think it works really well in the fantasy genre, when it is often difficult to stick to morals because there are so many obstacles to face. Both Priya and Malini have a lot of internal character development – they have both faced trauma in their lives, and find the strength to be who they truly are. I loved their moments together: seeing tentative trust change to animosity and then go back to trust. The relationship is pretty slow-burn, with lots of yearning and intimate moments, which is literally my favourite thing because I love the build up – I’m excited to see more in the next book!
I loved the complex and wide ranging cast of characters. There are a few characters that we consistently hear from, but there are also brief chapters from various characters in the story. I love when fantasy books do this because it widens the scope of the narrative. For example, I appreciated seeing the thoughts of Malini’s brother – it allows the reader to experience his authoritarian acts, rather than just hearing about what other characters say about him. Aside from Malini’s and Priya’s POVs, I really enjoyed seeing Bhumika’s perspective. I think we get to know her character so much more by the end, and I liked seeing the development in her relationship with Priya. I was also really intrigued hearing from Rao, and I loved some of the revelations we heard from him at the end.
The Jasmine Throne comments on empire and colonisation, which I always want to see more of in fantasy books. Like a lot of fantasy books, there is an element of religion, but what I really liked about this portrayal is that Suri displays how religion can be twisted to fulfil hateful goals, but it is also an important part of a lot of the other characters’ lives in a positive way. The world-building and plot really flourished really flourished in the second half after the character focus at the beginning. The details in the plot really allowed all of the characters to have such distinct and complex personalities. What does it mean to be a monster? I’m looking forward to seeing Suri explore this more in the next book. There are a lot of names to get used to, but my edition had a list of names at the back which was really handy.
Overall, I loved this book, and I think it’s a really strong start to what I’m sure will be an epic fantasy series. It’s a long book, and I can see why some people might find the first half slow, but I love this type of narrative so The Jasmine Throne was just my type of book. I loved everything about it: the world-building, the Indian influence, the characters, the magic, the politics, and the writing style. It will be really tough waiting for the next one, but I’m really excited to see how the story will develop. There is content including descriptions of murder, death by burning, torture, trauma, sickness, pregnancy and childbirth, executions, drug use, homophobia, abuse, and suicide contemplation.
Content Warnings
Moderate: Murder, Torture, Pregnancy, and Homophobia
soundlysmitten's review
adventurous
challenging
dark
inspiring
mysterious
reflective
tense
medium-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
5.0
The Jasmine Throne takes place in a lush fantasy world inspired by India. It tells an utterly feminist story complete with intriguing magic, masterful scheming, unlikely allies, and a sliver of sapphic romance.
It took me about a month to get through this book. To be a fair, I’m a hopelessly slow reader. The pace is also admittedly slow to start, but I don’t actually see that as a flaw. There’s a lot to learn about this new world, its intricate culture and magic, its history and politics. As the first installment in a trilogy, The Jasmine Throne lays its framework down thoroughly. But more than that, beautifully. You just have to be patient—take time to absorb it all—in order to fully appreciate the story and the eloquent language used to tell it.
Told in third-person past tense with multiple narrators, The Jasmine Throne is an impressively woven tale. The main POVs belong to our hidden priestess, Priya, and captive princess, Malini. But there are a number of other secondary POVs that contribute to the full scope of the political landscape. I appreciated being given a glimpse into the minds of other players in the conflict/seeing how they interpret the world and their role in it. All of the characters are authentically complex and the author provides interesting insight regarding their motives, revealing their different faces as the story unfolds. As for the romance, it takes a backseat to Priya’s personal development and the action of the overall plot. But I found that realistic considering the circumstances.
The theme that struck me most deeply is the pursuit of liberation for an oppressed people. Parijat’s aim to obliterate Ahiranya—in livelihood and identity—is heavy, and I feel emotionally invested in seeing things made right. Another theme that struck a chord with me is the untangling of the twisted way those in power warp religion to support flawed and wicked agendas. And I absolutely loved the hopeful way the book ends.With three formidable women stepping up to replace their evil, misguided, inept male counterparts.
Who runs the world? ;)
It took me about a month to get through this book. To be a fair, I’m a hopelessly slow reader. The pace is also admittedly slow to start, but I don’t actually see that as a flaw. There’s a lot to learn about this new world, its intricate culture and magic, its history and politics. As the first installment in a trilogy, The Jasmine Throne lays its framework down thoroughly. But more than that, beautifully. You just have to be patient—take time to absorb it all—in order to fully appreciate the story and the eloquent language used to tell it.
Told in third-person past tense with multiple narrators, The Jasmine Throne is an impressively woven tale. The main POVs belong to our hidden priestess, Priya, and captive princess, Malini. But there are a number of other secondary POVs that contribute to the full scope of the political landscape. I appreciated being given a glimpse into the minds of other players in the conflict/seeing how they interpret the world and their role in it. All of the characters are authentically complex and the author provides interesting insight regarding their motives, revealing their different faces as the story unfolds. As for the romance, it takes a backseat to Priya’s personal development and the action of the overall plot. But I found that realistic considering the circumstances.
The theme that struck me most deeply is the pursuit of liberation for an oppressed people. Parijat’s aim to obliterate Ahiranya—in livelihood and identity—is heavy, and I feel emotionally invested in seeing things made right. Another theme that struck a chord with me is the untangling of the twisted way those in power warp religion to support flawed and wicked agendas. And I absolutely loved the hopeful way the book ends.
Who runs the world? ;)
Content Warnings
Graphic: Child abuse, Child death, Confinement, Death, Domestic abuse, Drug abuse, Emotional abuse, Fire/Fire injury, Misogyny, Murder, Physical abuse, Religious bigotry, Sexism, Terminal illness, Torture, Toxic relationship, and Violence
Moderate: Blood, Drug use, Genocide, Grief, Homophobia, Kidnapping, Racism, Suicidal thoughts, Suicide attempt, and Xenophobia
costcomuffin154's review
adventurous
challenging
dark
emotional
hopeful
inspiring
mysterious
sad
tense
medium-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? It's complicated
5.0
Absolutely incredible book. Beautiful writing, character development, and world building. The relationships between characters are intense and compelling. There is unique magic and characters finding their identities after dark pasts. The female characters in this book are especially incredible - they run the whole gamut of different personalities and yet are still developed in-depth. Just such a good book.
Content Warnings
Graphic: Child death, Violence, Murder, and Fire/Fire injury
Moderate: Grief and Misogyny
Minor: Physical abuse and Torture
kkulhannie's review against another edition
challenging
dark
tense
medium-paced
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
5.0
Content Warnings
Graphic: Xenophobia, Violence, Toxic relationship, Torture, Sexism, Schizophrenia/Psychosis , Pregnancy, Physical abuse, Panic attacks/disorders, Murder, Kidnapping, Grief, Gaslighting, Forced institutionalization, Emotional abuse, Drug use, Drug abuse, Death, Confinement, Colonisation, and Blood
Moderate: Misogyny, Fire/Fire injury, Domestic abuse, Body shaming, Addiction, and Vomit
qtdinh's review
adventurous
dark
emotional
mysterious
reflective
tense
fast-paced
- Plot- or character-driven? A mix
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? It's complicated
4.5
This book really hits every single sweet spot for me when it comes to fantasy (especially as a character driven reader who loves complicated, morally grey, angry women) except for the worldbuilding.
The only reason why I could not give it the full 5 stars is because I cannot ignore the way the author used Indian culture (one that has been specifically filtered through a Brahmin lense) as a crutch when it comes to building the world for the book, borrowing from Hindu texts when it conveniently adds dimensions and layers of meaning to certain thematic threads that the story is shading to pad out the world but without doing legwork of adding the complicated cultural context that underpins those concepts in Indian society. While I myself am not an own voice reviewer, the issue was pointed out to me in a dialogue I had with friend of mine who is (and with whom I was buddy-reading the book), and once I noticed it, I can no longer ignore it.
My main issue with the worldbuilding boils down to this: the concept of virtue, purity and pollution is one that is inherently tied to and shaped by caste hierarchy (https://www.sociologyguide.com/social-stratification/Purity-and-Pollution.php). One cannot touch upon these concepts in and Indian setting without ignoring the caste implications, and it’s woven into the very fabric of Indian culture and society — including how literature (especially Hindu symbology) are weaponized by Brahmins to maintain this caste hierarchy. Caste is all encompassing: “a very deeply rooted generational like accumulation of culture and capital, in terms of what u eat, where u live, what job u work on (it's like the same job for a caste), how much money u have, people being trapped in bonded labour generationally, etc. the closest comparison to it is that it's like... apartheid?“, to quote my friend, and every cultural values in India is refracted through and unquestionably charged by this context.
Yet the book transplants this culturally loaded concept of purity and pollution onto the gender & sexuality as well as geographic (as in city-state) axes without engaging much if at all with the in-world stand-in for caste hierarchy (“high-born, low-born”). This is most evidenced in the way the book explores this idea of purity & pollution through the treatment of Mallani and other royal/highborn women, and it is not just exclusive to Parijati either, as we see similar constraints being placed on Bhumika and her weaponization of innocence, yet the same constraints are not placed on Priya and those assumed to be low-born. Here the book basically incorporates one of the primary cultural narratives derived through caste hierarchy and the complex ways it intersects with “the policing of sexuality women of upper caste” (https://roundtableindia.co.in/index.php?option=com_content&view=article&id=9187:why-are-the-debates-on-menstrual-taboo-one-sided&catid=119:feature&Itemid=132), yet no move was made in the world of the book to extend its thematic critique one step further and actually examines with a critical eye the caste hierarchy that imbued the book’s notions of purity and pollution with its cultural meaning. It also ignores the way upper caste women also discriminate against marginalized lower caste women. You cannot talk about feminism, the marginalization of women, and homophobia in an Indian cultural setting without touching on the way the caste system has shaped all these issues.
In sum, the word of the book presents a view of India (or at least Indian cultural and societal fabric through a fantastical lense) wherein one of the most all encompassing power-structure goes completely unchallenged and questioned. It reads (in my friend’s words, not mine) “like a diaspora author’s romanticization of the homeland and cherry picking of cultural aspects they can dress up and aestheticize as fantasy for the consumption of western eyes, but one that turns a blind eyes the ugly, complex reality of what life in India means when you are not Brahmin and Northern”. Especially when you use the Mahabharata (which is a dominant religious text for the upper caste) as inspiration for your worldbuilding, it is also therefore your responsibility to be keenly aware of the way you might be perpetuating a version of Indian culture that erases the sheer breadth of diversity in the subcontinent. In particular, it erases marginalized women whose identity and politics intersects in complex ways with the Brahmin vision of the world that laid the foundation for the cultural and societal fabric of the book.
While incorporating elements of your own culture into your writing is the right of the own voice author, fully-developed world building aren’t uncritical transplantation of a culture just with a different hat on; in borrowing the societal structure and putting it into a fantasy world to make something new of it, you would HAVE to by nature of the exercise of developing worldbuilding to re-examine who have power and how that power dynamic wormed its way into the cultural fabric that held your fantasy society together. Anything else is an erasure. It’s making the minority culture palatable to a western audience, at the expense of the in-groups who live this reality in the homeland
The only reason why I could not give it the full 5 stars is because I cannot ignore the way the author used Indian culture (one that has been specifically filtered through a Brahmin lense) as a crutch when it comes to building the world for the book, borrowing from Hindu texts when it conveniently adds dimensions and layers of meaning to certain thematic threads that the story is shading to pad out the world but without doing legwork of adding the complicated cultural context that underpins those concepts in Indian society. While I myself am not an own voice reviewer, the issue was pointed out to me in a dialogue I had with friend of mine who is (and with whom I was buddy-reading the book), and once I noticed it, I can no longer ignore it.
My main issue with the worldbuilding boils down to this: the concept of virtue, purity and pollution is one that is inherently tied to and shaped by caste hierarchy (https://www.sociologyguide.com/social-stratification/Purity-and-Pollution.php). One cannot touch upon these concepts in and Indian setting without ignoring the caste implications, and it’s woven into the very fabric of Indian culture and society — including how literature (especially Hindu symbology) are weaponized by Brahmins to maintain this caste hierarchy. Caste is all encompassing: “a very deeply rooted generational like accumulation of culture and capital, in terms of what u eat, where u live, what job u work on (it's like the same job for a caste), how much money u have, people being trapped in bonded labour generationally, etc. the closest comparison to it is that it's like... apartheid?“, to quote my friend, and every cultural values in India is refracted through and unquestionably charged by this context.
Yet the book transplants this culturally loaded concept of purity and pollution onto the gender & sexuality as well as geographic (as in city-state) axes without engaging much if at all with the in-world stand-in for caste hierarchy (“high-born, low-born”). This is most evidenced in the way the book explores this idea of purity & pollution through the treatment of Mallani and other royal/highborn women, and it is not just exclusive to Parijati either, as we see similar constraints being placed on Bhumika and her weaponization of innocence, yet the same constraints are not placed on Priya and those assumed to be low-born. Here the book basically incorporates one of the primary cultural narratives derived through caste hierarchy and the complex ways it intersects with “the policing of sexuality women of upper caste” (https://roundtableindia.co.in/index.php?option=com_content&view=article&id=9187:why-are-the-debates-on-menstrual-taboo-one-sided&catid=119:feature&Itemid=132), yet no move was made in the world of the book to extend its thematic critique one step further and actually examines with a critical eye the caste hierarchy that imbued the book’s notions of purity and pollution with its cultural meaning. It also ignores the way upper caste women also discriminate against marginalized lower caste women. You cannot talk about feminism, the marginalization of women, and homophobia in an Indian cultural setting without touching on the way the caste system has shaped all these issues.
In sum, the word of the book presents a view of India (or at least Indian cultural and societal fabric through a fantastical lense) wherein one of the most all encompassing power-structure goes completely unchallenged and questioned. It reads (in my friend’s words, not mine) “like a diaspora author’s romanticization of the homeland and cherry picking of cultural aspects they can dress up and aestheticize as fantasy for the consumption of western eyes, but one that turns a blind eyes the ugly, complex reality of what life in India means when you are not Brahmin and Northern”. Especially when you use the Mahabharata (which is a dominant religious text for the upper caste) as inspiration for your worldbuilding, it is also therefore your responsibility to be keenly aware of the way you might be perpetuating a version of Indian culture that erases the sheer breadth of diversity in the subcontinent. In particular, it erases marginalized women whose identity and politics intersects in complex ways with the Brahmin vision of the world that laid the foundation for the cultural and societal fabric of the book.
While incorporating elements of your own culture into your writing is the right of the own voice author, fully-developed world building aren’t uncritical transplantation of a culture just with a different hat on; in borrowing the societal structure and putting it into a fantasy world to make something new of it, you would HAVE to by nature of the exercise of developing worldbuilding to re-examine who have power and how that power dynamic wormed its way into the cultural fabric that held your fantasy society together. Anything else is an erasure. It’s making the minority culture palatable to a western audience, at the expense of the in-groups who live this reality in the homeland
Content Warnings
Graphic: Abandonment, Body horror, Child abuse, Colonisation, Emotional abuse, Fire/Fire injury, Forced institutionalization, Gaslighting, Genocide, Lesbophobia, Medical trauma, Misogyny, Panic attacks/disorders, Physical abuse, Religious bigotry, Suicidal thoughts, and Torture
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