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zucchinispades's review
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? No
4.25
Graphic: Body horror, Injury/Injury detail, Kidnapping, Murder, Torture, Death, Gore, Blood, Grief, and Violence
Moderate: Infidelity, Gun violence, Vomit, Physical abuse, Police brutality, Medical content, Medical trauma, Alcohol, and Forced institutionalization
leanne_miron's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
3.0
Graphic: Chronic illness, Medical content, Medical trauma, Ableism, Injury/Injury detail, and Torture
Moderate: Kidnapping, Murder, Police brutality, and Violence
Minor: Child abuse
isleoflinds's review against another edition
- Plot- or character-driven? A mix
- Strong character development? It's complicated
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.5
Graphic: Blood, Body horror, Confinement, Forced institutionalization, Gore, Injury/Injury detail, Medical content, Medical trauma, Murder, Physical abuse, Police brutality, Torture, Violence, and Vomit
aew325's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.0
Graphic: Medical content, Medical trauma, Torture, Violence, Body horror, Confinement, Injury/Injury detail, and Kidnapping
Moderate: Police brutality
surelyinthefountain's review against another edition
- Plot- or character-driven? Plot
2.5
I kind of like that the whole thing reads like a monologue by a cartoon villain. A lot of things get glossed over, for instance, as "and then we had a conversation about" or "and then I wrote an email about" or...y'know. Not actually showing us the email or the conversation in question, just narrating that it happened. Stylistically, the choice is interesting; not sure I really like it much, though. A lot of the cast are pretty flat; we get a lot of names and assertions about what they're like without much depth beyond surface characterization. They are, uh, "types", essentially. I guess it's fair given how superhero stories are sort of like myths that deal a lot in archetypes, just not entirely something that's totally my taste.
I suppose I appreciate the queer rep. It's something that's becoming more and more just baseline "yes this is going to be represented" nowadays in the SFF genres, and I love that for us. When middle-of-the-road, bog standard media with queer rep as a given in it just exists, that's a small triumph imo!
I will say, btw, that some reviews I saw on that site beginning with A about this book seem to be under the impression that it is somehow saying the bad guys are Good, Actually, while the good guys are Bad, Actually, but like...that misses the point lol? Just because the main character maybe seems to think that (I doubt she thinks that exactly as I've stated it, but you do get a bit of that vibe, yeah) doesn't mean it's actually true lmao. The villainous side does some horrific shit, just to be clear, a lot of it probably not justifiable. The point you're supposed to come away with as a reader is that we should examine things with more nuance than just simple binary "good/bad" categorization for every person we meet or see out there in the world! Now, a lot of that is obviously the readers' problem lmao, but I think it is worth keeping in mind that a book that doesn't adequately convey its own themes to many readers is um...maybe not well executed. Just a thought.
I was tempted to give 3 stars because I'm always on board with understated monster romance. That said, though...it's a personal thing, but the amount of discussion of medical trauma, injuries, and esp body horror towards the end are...I mean, it serves a purpose in the narrative, but I just personally didn't really care for how it was handled here. Be warned if you also are not up for reading that sort of thing, esp. the medical stuff.
Graphic: Body horror, Injury/Injury detail, Medical content, and Medical trauma
Moderate: Death, Forced institutionalization, Gore, Murder, and Police brutality
Minor: Sexual harassment and Torture
mollywill's review
- Plot- or character-driven? Plot
- Strong character development? It's complicated
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
3.25
Graphic: Body horror, Medical content, Medical trauma, Police brutality, and Violence
morevna's review
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
5.0
Graphic: Body horror, Medical content, Medical trauma, Physical abuse, and Police brutality
sarah984's review
- Plot- or character-driven? A mix
- Strong character development? It's complicated
- Loveable characters? No
- Diverse cast of characters? Yes
- Flaws of characters a main focus? It's complicated
1.0
Anna has a vendetta against heroes because of the damage they rack up, but villains seem to somehow be mysteriously exempt from her equations (at one point she blames heroes for creating villains at all, which handily puts any damage they do back on to the heroes anyway). By the end of the book she has her own terrible death toll, which she associates with the stupid romance so I guess it's fine now. The idea that things are this bad and it has gone on for years with no one until Anna mentioning it is kind of unbelievable, and the worldbuilding behind the structural issues surrounding superheroes is introduced so late that basically nothing happens with it.
Most of the characters including the protagonist are cardboard cutouts with identities glued to them - we are introduced to an autistic physics prodigy at one point and she is never mentioned again, I couldn't tell you a single fact about any of the minor character work friends. I've already forgotten most of their names. They obviously all love our main character. The one who showed even the slightest bit of resistance came around almost immediately. Most of the characters with even a tiny spark of life wind up written out of the narrative by the end. The twist involving her evil boss comes up so late that it's almost nonsensical.
I couldn't recommend this book to anyone.
Graphic: Body horror, Confinement, Death, Gore, Infidelity, Kidnapping, Medical content, Medical trauma, Misogyny, Murder, Panic attacks/disorders, Physical abuse, Suicidal thoughts, Toxic relationship, Violence, and Vomit
Moderate: Ableism, Child abuse, Dementia, Drug use, Emotional abuse, Grief, Police brutality, and Car accident
rini's review against another edition
- Plot- or character-driven? A mix
- Strong character development? It's complicated
- Loveable characters? Yes
- Diverse cast of characters? It's complicated
- Flaws of characters a main focus? Yes
4.0
Graphic: Violence and Vomit
Moderate: Blood, Car accident, Confinement, Death, Kidnapping, Medical content, Mental illness, Murder, Panic attacks/disorders, Police brutality, Torture, and Toxic relationship
Minor: Dementia and Domestic abuse