rcd229's review against another edition

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adventurous challenging dark emotional reflective sad tense medium-paced
  • Plot- or character-driven? A mix
  • Strong character development? Yes
  • Loveable characters? Yes
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? Yes

4.5

Couldn't get the comparison out of my head that this is like really woke Harry Potter (particularly OotP, in some really spectacular ways and specific scenes) meets colonialism. The way things wrapped up strongly reminded me of something else, too, but right now I can't remember. Don't read this if you're uncomfortable with overt examples of (systemic) racism (which is the point of the whole book), but do if you want some context and insight into a very real period in history and the impact of colonialism and the affects that racism and misogyn have on both everyday life and the world as a whole. Character development was fantastic and the historical references were really interesting. As a linguistics minor, I was excited to read about all of the language study and the translations and silver working, but I do wish there was more about how it worked, though maybe I'm just being too technical. Have already recommended this to a friend looking for new reads!

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schausjk's review against another edition

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adventurous challenging emotional hopeful inspiring reflective sad tense medium-paced
  • Plot- or character-driven? A mix
  • Strong character development? Yes
  • Loveable characters? Yes
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? Yes

5.0


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rinku's review against another edition

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challenging dark informative reflective slow-paced
  • Plot- or character-driven? A mix
  • Strong character development? Yes
  • Loveable characters? It's complicated
  • Diverse cast of characters? It's complicated
  • Flaws of characters a main focus? Yes

3.5

It’s honestly kinda hard for me to rate and write a review for Babel. I gave it 3.5 stars now and my critiques are kinda similar to the ones others already have written about: The way the central themes are talked about feels a bit shallow, and the pacing is just not so good. 

Babel follows Robin Swift, a Chinese boy that is taken to the UK by an Oxford professor. There, he gets prepared for studying at the language institute in Oxford which uses a kind of word magic that is used throughout the whole UK and thus also to control the British colonies. Robin needs to navigate this new life while also figuring out what he wants to stand for. 

The general setting and magic system were interesting, but I think the magic could’ve been utilized more. I still liked to see how the UK looked at that time and how the magic has changed it. Another topic I enjoyed was etymology and it was so great to see the love for words and books in this novel. Classism, racism, and colonialism are all discussed, but especially the discussion of the former felt a bit shallow and too simple for me. At the same time, I had the feeling that losing your (mental) health for your work/studies was romanticized which always gives me some neoliberal vibes, if I’m honest. Still, there were some parts of the first two-thirds I liked, like when
Robin killed his father and they had to hide his body, this whole section stressed me so much
. The part about the opium was interesting as well and I guess I’ll read The Poppy War one day to delve deeper into this topic. 

In the last third, the book got much more interesting and made give 3.5 stars instead of 3 stars. We get our classical
low point with Ramy getting shot, Hermes destroyed, and Robin and Victoire locked up. It was such a great moment when Griffin saved them but of course, he had to die as well. This part of the story was so dark, and I loved it
. My favorite moment of the novel happened towards the end when
Robin and Victorie took over the tower. It showed that non-violence can’t be the answer if you want to change something and deals with the moral questions around political violence. After it, it was so interesting to see how the city started to fall apart and how the revolution started. Sadly, the worker revolution wasn’t talked about in depth as I wished it was
. Furthermore, I really enjoyed the ending itself with
the tower getting destroyed and Robin having to prepare for his death, I always love moments like these in novels lmao


I also don’t know what to think about Kuang’s writing. She definitely has talent, but the writing was a bit too pretentious for my taste? Additionally, I wasn’t the biggest fan of some of the foreshadowing in the novel that just felt cheap, and the predominance of telling. I was so annoyed how often it was mentioned how intelligent the characters are, but we honestly didn’t see too much of it lol. 

Looking at the characters, I have similar problems with them like I had with the other elements of the book. Robin was an okay-ish protagonist. I found his struggle between the two worlds he’s part of interesting, but I couldn’t always understand his behaviour, like when he
helped Ramy and Victorie flee and got punished instead of them. Before, I hadn’t the feeling that he was the kind of guy to do something like this


The side characters though were a bit flat. The other three Babel students are just as pretentious as Robin which annoyed me. He also calls them way too fast his family, we barely see the development of their relationship. Another topic I want to talk about is Letty’s character. <a href=https://www.youtube.com/watch?v=JUdFkRdgPDU>Cindy recently said in her review of Yellowface</a> that the racist white female main character seemed to her like a low-hanging fruit, and I see a similar problem with Letty in this book. To no surprise,
she turns out to be a traitor as well in the end
. This feels to me like a too black and white worldview, to be honest. 

All in all, there were some aspects of Babel that I really liked, like the etymologic lessons or the emotional last third of the novel. But there were many aspects that felt just mediocre to me because they weren’t discussed in much detail/nuances as I hoped they would. 

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tinyjude's review against another edition

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dark emotional hopeful reflective sad slow-paced
  • Plot- or character-driven? A mix
  • Strong character development? Yes
  • Loveable characters? Yes
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? It's complicated

5.0

Set in 19th century England, we follow the story of Robin and his cohort (Ramy, Victorie and Letty) in the highly renowed instituion of Bable. Through the lens of these characters we see them grow and suffer the effects of dark academia in all its senses. The way in which grades, work, obsession can hurt physically and mentally the students. The competitive atmosphere... But also, how deeply rooted colonialism is in every aspect of academia.

Thus, the novel explores and discusses topics such as systemic racism, colorism, slavery, colonialism and the ways in which the latter works to increase the power of the Empire. These are characters who have been extracted from their homelands and treated as assets (Robin-Canton, Ramy-Calcutta, Victoire-Haiti; Letty is the only white British woman in their group). They are the language they speak because that is valuable for the Crown, but they are nothing more than devices, another instance of colonizers exploiting colonized people and taking away their languages, culture, etc...

Some reviews complain about timelines (the author stated at the beginning that it was a piece of fiction and some changes were made to accomodate the plot) and the use of anacronisms like "whiteness" as we understand it today, but I like them. After all, this text speaks to a modern audience, us, and even though at that time they didn't have a word for this thing, now that we do, we should use it.

The novel reads in some parts much like an academic paper, as it deals in depth with etymology, linguistics, history, a little bit of literature, philosophy and politics. So, as a language nerd who could recognize from my degree studies and further research, many of the authors, concepts, explanations and dilemmas discussed, I was elated. Like a cat smelling catnip or their favourite treat. Nevertheless, that didn't make it a dense book for me, in fact, it just sparkled my interest in languages even more.

Other people feel like it was a bit too-much-on-your-nose or handholding the reader through the book. They argue that it feels patronizing, as if we wouldn't be able to recognize the problems, the racist comments they receive, without the characters pointing it out. For people well versed in these topics and who have lived through all of these experiences, it's normal to think it was too much. Nonetheless, I think it was still useful, it will be useful for people who are starting to deconstructe themselves. Furthermore, I kind of love how she hammered into every paragraph thousands of critiques, moral dilemmas about justice, rightness, exploitatin, betrayal, belonging, grief, privilege, class, race and gender differences. Because I love angry characters full of spite and vengeful thoughts. As with Rin in The Poppy Wars, I was all in with Robin and the necessity of violence to occur for an Empire or an entire system to fall. And I am also fond of lots of descriptions :D

Moreover, the intricate relationship between translation and betrayal, translation and commodification, translation and colonization, translation and identity... It was exquisite and a very beautiful defense on why preserving every single language in the world is such an important task, as it is not just about the language, but also, culture, history, identity, a whole world behind that cannot be replaced or reconstructed. A richness that must be preserved.

Finally, Victorie, my love. You are so strong and one of my favourite characters. Ramy, you were the best of them all, since your first appearance I knew you would be my favourite. Robin, oh Robin and his constant dilemmas, feeling as if he was living two lives, as if he was never complete. I loved his character development. And Letty... Fuck you!
I knew she wouldn't get it (and I say this being a white person) and I wanted to punch her so bad. She was so disrespecftul, racist, classist, self-centered, selfish, self-victimicizing, arrogant, ignorant... She could have listened, but she didn't want to see the truth because it was ugly and it proved she was part of the problem. She was a coward and a terrible friend. She never loved them as they loved her. She never made the effort to go beyond her prejudices, she never put herself on their shoes. She enraged me so much. AND SHE FUCKING KILLED RAMY IN COLD BLOOD, HER SUPPOSED FRIEND ON WHOM SHE HAD A CRUSH ON, JUST BECAUSE HE REJECTED HER AND IT HURT HER WHITE EGO ???? JAIL TIME, GO TO HELL
And she represents so many white people who turn a blind eye to these kind of situations, because it doesn't affect them, because it is inconvenient, shows the venom in the system, and because it shows their lack of compromise, love, morality and humanity in regards to others. In contrast, that teacher (I think Mrs Craft) at the end proved to be at least decent among the white characters.

Final thought, did anyone else read some intense feelings between Robin and Ramy or was it just me? Romantic or really really platonic that go beyond their friendship in the group, like soulmates kinda.
specially given Robin's reaction and fixation on Ramy's death among all of the Hermes Society's members and his memory of him on that first day before Robin dies, which is so idyllic and queer coded in my opinion

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norcana's review against another edition

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adventurous dark emotional inspiring sad medium-paced
  • Plot- or character-driven? A mix
  • Strong character development? Yes
  • Loveable characters? Yes
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? No

5.0


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sharrikloves's review against another edition

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adventurous challenging dark emotional informative inspiring reflective sad tense slow-paced
  • Plot- or character-driven? A mix
  • Strong character development? Yes
  • Loveable characters? It's complicated
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? Yes

3.5


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manonh90's review against another edition

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adventurous dark emotional inspiring mysterious reflective sad tense medium-paced
  • Plot- or character-driven? A mix
  • Strong character development? Yes
  • Loveable characters? Yes
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? Yes

5.0


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sarahofstories's review against another edition

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adventurous challenging dark emotional hopeful informative mysterious reflective sad tense slow-paced
  • Plot- or character-driven? A mix
  • Strong character development? Yes
  • Loveable characters? Yes
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? Yes

5.0

@R. F. Kuang: WHO GAVE YOU THE RIGHT

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spineofthesaurus's review against another edition

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challenging dark informative sad tense
  • Plot- or character-driven? A mix
  • Strong character development? Yes
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? Yes

5.0


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anastashamarie's review against another edition

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challenging dark emotional sad slow-paced
  • Plot- or character-driven? Character
  • Strong character development? It's complicated
  • Loveable characters? It's complicated
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? Yes

5.0

⭐ 5/5

📙 This review is going to be a doozy. I have a lot of thoughts after this one. As literary fiction exploring the ugly sides of British colonialism and academia, this work is a masterpiece; it's a well-done character study of the pressures and pain of marginalized populations trying to fit into a world that doesn't feel like it wants them. As a work of speculative fantasy (or as a fantasy novel in general), from a storytelling perspective, I have some complaints. But, the method isn't the point and never was, so I've decided that a 5-star review is probably most accurate when I consider this work for what it was meant to be, rather than what I wanted it to be.

📗 I feel like I should start by saying: This is not the story to read if you are trying to escape from the harsh realities of our world. It throws them at you repeatedly, in both subtle and undeniable ways. As a white woman in academia, I'm going to be honest and say this was at times profoundly uncomfortable to read...which is exactly what it was meant to be. To again go with honesty, there were times that the thought crossed my mind that I didn't need to finish this, that I didn't have to spend my weekend feeling angry on behalf of fictional people living these real life injustices. And that's a privilege that needs acknowledged, for there are so many people who can't just "turn off the audiobook" so to speak, not when these stories so closely mirror their daily experience.

📕 R.F. Kuang does an excellent job of keeping the reader engaged despite this discomfort, which is a feat of its own, but is also a terrible contradiction when considering that the overarching moral of this story is to encourage listening to understand, not to respond. Much the same as even writing a review to try to convey my experience also feels antithetical, as this is not a book designed to entertain, but a book to convey emotion and an experience. Yet I still found myself oscillating between being disappointed in the story structure while being blown away by the rhetoric throughout most of the book. So take where's hereafter for what you will; it's far less important than the rest that I've already said.

📘 Do I think this book was unnecessarily long and at times heavy handed? Yes. Do I wish it had a more satisfying conclusion that actually answered the titles promise to explore the necessity of violence? Also yes. But I also feel like it delivers incredibly well in the way that it conveys its broader themes and morals. Let me explain.

For a book about the power of words, this delivers in it's precise use of them to convey it's point and I think, for the most part, does so most successfully at the micro level. I understood fully why the characters did or did not find necessity in violence themselves, how their tragedies unfolded, and why hope may have still remained despite it all. But I think where we're left to struggle is to see if violence was actually something that made a difference on the macro level. For writing that hammered points over the reader's head at times, there is no actual discussion of whether the broad end justifies the means, because we don't actually see a macro level end in the books, just a micro level end for the characters. Maybe that's the point; maybe the purpose is just that we're if we truly listen to characters who never felt heard and that the story HAS to end with them. The existentialist part of me loves the idea that individual meaning trumps the universal experience. The collectivist part kind of hates the idea that only we alone matter in the end. Regardless, especially as a fantasy reader, the loose ends are tough for me. 

Now, I don't mind ambiguity in a book in general. In fact, I think particularly in books that dive into social issues, nuance is crucial for understanding. This book approaches that nuance incredibly holistically in that it is very precisely, clearly delivered. I think this in part comes from the author's academic career and in part to convey the underlying need to be precise and clear in an attempt to be understood. I just wish the author would have either backed off this directness throughout OR carried it through all the way to the end. Make the point, however unpalatable, or leave it up to the reader to infer entirely. (But I again feel like I should acknowledge that may be easier said than done.)

📚 In the end, I can only truly speak to my experience of this work, as it exists through my own biases and experiences. I hope that honors Kuang's intentions with this story, and I hope that others take the time to read her words. There are so many layers here that I'm sure I'll be unfurling for a while to come.

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