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3.87 AVERAGE
3.87 AVERAGE
I really really liked this book. It's very different from the Ancillary books, despite being set in the same universe; the concerns are different and the setting is different. What's not different is the awesomeness of the writing itself, and the sheer excellence of the story and that the characters are delightfully well-rounded and gripping.
I told you I liked it.
Some of the things I really liked are minorly spoilery, so they're below, but at heart it's a ripping good story with characters I genuinely cared about in a society that's just different enough to be alien and similar enough to be familiar, with the differences being intriguing. There's political shenanigans and surprising coincidences and sibling rivalry and questionable identities.... Also, if you have read the Ancillary books (in no way necessary, although there is a tangential spoiler for the books), it's fun to see how other societies view the Radch (unsurprisingly, with suspicion).
It appears to be a stand-alone, in case unfinished trilogies put you off. I didn't quite read it in a day, but close. I adore Imray, the main character, a lot.
These spoilers don't spoil the story, but just in case you want to discover them yourself:
1. The gender stuff! Choosing your own gender and your own name! With THREE options, and no suggestion that there's any link to any physical bits! Such a neat way of doing it. And it's just... there... and doesn't play a role in the plot itself, because really why should gender play a part in what someone can do? As I write this I realise that that's actually really significant: Imray has chosen to be female but there's no suggestion that she is impaired by that, and none of the non-binary folk are hampered by their choice either... they're all just people.
2. The vestiges! I see this as a nod to the Roman lares, the household gods, and the fact that leading families would have remnants from their famous ancestors to boost their own standing. But of course heaps of people do this sort of thing - investing objects with numinous power - just look at celebrity objects that get sold for stupid amounts of money. I loved that even when the authenticity (provenance!) of objects was questioned, Imray realised that in one sense at least it doesn't matter if an object is genuine, because of the way it accumulates power and authority thanks to how people think about it. I really, really enjoyed this aspect.
3. Imray herself. Her appearance is largely irrelevant to the plot, which I really only noticed the one of two times that it was mentioned, in passing. And those mentions were about things like a particular space suit not being designed with someone of her roundness in mind. This is a person who's not tiny but... no one cares. Also, she cries several times - and is never criticised for it, never made to feel like that's a weak, womanly thing to do. She tries not to cry, a few times, so as not to betray her emotions - but it's not gendered.
I told you I liked it.
Some of the things I really liked are minorly spoilery, so they're below, but at heart it's a ripping good story with characters I genuinely cared about in a society that's just different enough to be alien and similar enough to be familiar, with the differences being intriguing. There's political shenanigans and surprising coincidences and sibling rivalry and questionable identities.... Also, if you have read the Ancillary books (in no way necessary, although there is a tangential spoiler for the books), it's fun to see how other societies view the Radch (unsurprisingly, with suspicion).
It appears to be a stand-alone, in case unfinished trilogies put you off. I didn't quite read it in a day, but close. I adore Imray, the main character, a lot.
These spoilers don't spoil the story, but just in case you want to discover them yourself:
1. The gender stuff! Choosing your own gender and your own name! With THREE options, and no suggestion that there's any link to any physical bits! Such a neat way of doing it. And it's just... there... and doesn't play a role in the plot itself, because really why should gender play a part in what someone can do? As I write this I realise that that's actually really significant: Imray has chosen to be female but there's no suggestion that she is impaired by that, and none of the non-binary folk are hampered by their choice either... they're all just people.
2. The vestiges! I see this as a nod to the Roman lares, the household gods, and the fact that leading families would have remnants from their famous ancestors to boost their own standing. But of course heaps of people do this sort of thing - investing objects with numinous power - just look at celebrity objects that get sold for stupid amounts of money. I loved that even when the authenticity (provenance!) of objects was questioned, Imray realised that in one sense at least it doesn't matter if an object is genuine, because of the way it accumulates power and authority thanks to how people think about it. I really, really enjoyed this aspect.
3. Imray herself. Her appearance is largely irrelevant to the plot, which I really only noticed the one of two times that it was mentioned, in passing. And those mentions were about things like a particular space suit not being designed with someone of her roundness in mind. This is a person who's not tiny but... no one cares. Also, she cries several times - and is never criticised for it, never made to feel like that's a weak, womanly thing to do. She tries not to cry, a few times, so as not to betray her emotions - but it's not gendered.
adventurous
hopeful
mysterious
reflective
medium-paced
Plot or Character Driven:
Character
Strong character development:
Yes
Loveable characters:
Yes
Diverse cast of characters:
Yes
This was entertaining, and I love exploring the Ancillary universe more, although the characters did move or capture me as much as the original trilogy. Still, Leckie has me hooked, so I’ll read anything she publishes.
Didn't like nearly as much as her others, a bit of a letdown. Main character way less compelling.
2
2
This book started out great, but tended to get bogged down towards the middle and end with some convoluted politics (it didn't help that my reading was broken up by almost a week for travel, indicating that this is a book that needs to be read within a short period so that key information isn't forgotten). Nevertheless, I think this is actually a better book than Leckie's previous trilogy, at least in technical writing style. I loved the gender-neutral pronouns e, em, and eir -- much better than consistently using feminine pronouns for all genders in the previous books, and less distracting than the plural pronouns that some other authors are using. The character descriptions and relationships are very good, too. The book is self-contained (I don't think you need to read the previous trilogy to understand this one) and ends satisfactorily, with enough room left for sequels, but not demanding them. This is a space opera for modern readers.
A funny relaxing read with a complex enough character to make it worth my time. I really enjoyed it and found the gender-neutral pronouns/lack of gender descriptors to be refreshing.
adventurous
hopeful
reflective
tense
medium-paced
Plot or Character Driven:
A mix
Strong character development:
Yes
Loveable characters:
Yes
Diverse cast of characters:
Yes
Flaws of characters a main focus:
No
adventurous
medium-paced
Plot or Character Driven:
A mix
Strong character development:
Yes
Loveable characters:
Yes
Diverse cast of characters:
Yes
Flaws of characters a main focus:
Yes
adventurous
mysterious
medium-paced
adventurous
mysterious
medium-paced
Plot or Character Driven:
A mix
Strong character development:
Yes
Loveable characters:
Yes
Diverse cast of characters:
Yes
Flaws of characters a main focus:
Yes