Reviews tagging 'Self harm'

The Deep by Rivers Solomon

51 reviews

seratsexyrat's review against another edition

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adventurous emotional fast-paced
  • Plot- or character-driven? Character
  • Strong character development? Yes
  • Loveable characters? Yes
  • Flaws of characters a main focus? Yes

5.0

I will never fully understand the pain of chattel slavery that was experienced by Black people, but I share the sentiment and the feeling of intergenerational pain and trauma as a diaspora person. Solomon managed to tap into that raw feeling of not wanting to know and needing to know that particular trauma because like it or not, that trauma to a point defines who we are. Yetu's pain and existence as a person is so real on the pages, this book haunted me for days after finishing it.

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kanthereader's review against another edition

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adventurous informative sad medium-paced
  • Plot- or character-driven? A mix
  • Strong character development? Yes
  • Loveable characters? Yes
  • Diverse cast of characters? It's complicated
  • Flaws of characters a main focus? No

3.0


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building_a_bookdom's review against another edition

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challenging dark emotional hopeful inspiring reflective sad slow-paced
  • Plot- or character-driven? Character
  • Strong character development? It's complicated
  • Loveable characters? Yes
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? It's complicated

4.0


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pages_and_cacti's review against another edition

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adventurous challenging dark emotional hopeful inspiring mysterious reflective sad tense medium-paced
  • Plot- or character-driven? A mix
  • Strong character development? It's complicated
  • Loveable characters? Yes
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? It's complicated

2.5

The Deep by Rivers Solomon
Yetu, the Historian for the Wajinru, descendants of pregnant African slave women that were thrown into the ocean by slavers, wants to live a life of freedom from the history she holds for her kind.  She must learn that her history is what makes the Wajinru who they are. 

My thoughts: I actually enjoyed the story as a whole and the meaning of the importance of one’s history. I love the line, “We cannot understand a people that would willingly choose to cut itself off from its history, no matter what pain it entails”.  Our history is who we are and should never be lost. The problem I had with the book, other reviews touted this as an LGBTQ+ book and I am not  as convinced. While Yetu and Oora did develop a relationship, Oora was human and Yetu was a “mermaid”. The Wajinru were described as fish, had both sex organs, and also called an “animal” in the writing. This relationship would seem to be more like beastiality than a lesbian relationship. I understand that this is likely not what the writer meant to portray, but it came across that way to me. 

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marsh_mall0w's review against another edition

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dark emotional mysterious reflective medium-paced
  • Plot- or character-driven? Character
  • Strong character development? Yes
  • Loveable characters? Yes
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? Yes

5.0


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dancingprince's review against another edition

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challenging dark sad slow-paced
  • Plot- or character-driven? A mix
  • Strong character development? Yes
  • Loveable characters? Yes
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? Yes

4.5


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kurumipanda's review against another edition

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dark emotional hopeful reflective medium-paced
  • Plot- or character-driven? Character
  • Strong character development? Yes
  • Loveable characters? Yes
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? Yes

4.0


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discarded_dust_jacket's review

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dark emotional reflective sad medium-paced
  • Plot- or character-driven? Plot
  • Strong character development? Yes
  • Loveable characters? Yes
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? No

4.75

Wow. Ok, let me collect my thoughts.

This story is an incredibly imaginative and deeply moving study of generational trauma, the struggle between the importance of remembering and the need to survive, and the power of community—of a people, as one, sharing the weight of history together, grieving and celebrating together.

And beyond that, I love how this book, like its characters, can’t exist on its own. Solomon openly embraces the direct inspiration that birthed the story’s central mythology: a song of the same name by clipping., who, in turn, acknowledges its origins in the work of Detroit-based musical duo Drexciya. 

The afterword puts it beautifully:
“We prefer to imagine each of these objects as artifacts—as primary sources—each showing a different angle on a world whose nature can never be observed in totality. … Experiencing these works requires labor—something like that of an archaeologist who’s discovered multiple texts about the Drexciyan civilization [the underwater society descended from the children of drowned, pregnant enslaved women that forms this story] and is tasked with assembling a picture of that civilization.”

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inestelle_'s review against another edition

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dark emotional reflective sad medium-paced
  • Plot- or character-driven? Character
  • Strong character development? It's complicated
  • Loveable characters? It's complicated
  • Diverse cast of characters? No
  • Flaws of characters a main focus? Yes

5.0


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catwhisperer's review

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challenging dark emotional hopeful reflective sad tense medium-paced
  • Plot- or character-driven? Character
  • Strong character development? Yes
  • Flaws of characters a main focus? Yes

4.0


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