Reviews tagging 'Blood'

The Deep by Rivers Solomon

65 reviews

biobeetle's review

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adventurous challenging dark emotional reflective tense medium-paced
  • Plot- or character-driven? A mix
  • Strong character development? Yes
  • Loveable characters? Yes
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? It's complicated

5.0


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pacifickat's review against another edition

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adventurous dark emotional hopeful informative reflective sad fast-paced
  • Plot- or character-driven? A mix
  • Strong character development? Yes
  • Loveable characters? Yes
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? Yes

4.25

This was a wonderfully original fantasy novella with excellent world building, a unique culture, and themes of collective memory and belonging in tension with the main character's desire for self-determination and autonomy. It is also set against the horror of the trans-Atlantic slave trade and the cruel deaths of so many abducted Africans at sea. The Wajinru, children of African pregnant mothers thrown overboard by cruel captors and transformed into merpeople, have a history marked by tremendous grief. What I liked best about the storytelling was the lyrical style employed when describing the Wajinru in the first half of the story, and again toward the end. As a chorus, their voice is stunningly rendered.

However, there was a section toward the middle where
Yetu, the main character and ‘memory keeper’ for her people, is separated from the rest of her culture. This was less interesting to me in terms of style, but necessary for the plot of the story. Yetu longs for self-determination, individual freedom, and to be an ‘I’ in a culture of ‘we’. It is her voice that annoyed me a bit, the inclusion of details about her romantic inclinations and sexual preferences as well as her personal curiosity regarding biological distinctions between humans and merpeople. I found the unique history and anthropology of the Wajinru far more captivating than the nitty gritty of their biology. Yet Yetu’s individuality is part of the point of the story, that she doesn’t want to be swallowed up and erased in a collective oneness with her people. And what is more individual than that which a person chooses to love, and how they choose to express their affection?
 

Ultimately this is a story about finding balance, between a traumatic past and a hopeful future, between individual and communal identity, between colonizing forces and indigenous cultures, and between the land and sea itself. It is also about remembering.

"Remember. […] That was all remembering was, prodding them lest they try to move on from things that should not be moved on from. Forgetting is not the same as healing.” - Yetu

"One can only go so long without asking, ‘Who am I? Where do I come from? What does all this mean? What is being? What came before me, and what might come after?’ Without answers there is only a hole, a whole where a history should be that takes the shape of an endless longing. We are cavities.” - Amamba

Yetu bears all of her people’s generational trauma, that is her role as ‘memory keeper’ in a society where long-term memory has largely been erased to give her people the freedom to thrive in the present unhindered by a painful past. She is their matriarch, but she is ill-suited for the role.
Out of an instinct for self-preservation, being unable to hold all of her peoples’ pain alone, she ultimately is the one to bring the wisdom of balance to the Wajinru.
 

"She couldn’t determine which was worse, the pain of the ancestors or the pain of the living. Both fed off her.”

"She learned how to make an inch for herself.”

"She touched each one of them, figuring out how each Wajinru was outside of the oneness the remembrance brought. That mattered. Who each of them was mattered as much as who all of them were together.”

"They could bear it all together.”

It is also a story about the function of memory in culture-making and identity. 
One poignant detail is that Yetu and her romantic human interest, Oori, turn out to have come from the same distant ancestors. When Oori’s homeland is swallowed up by the sea, their history washed away, both characters lost something deep and sacred. However, they gained something as well, in the relationship they chose to forge in the present together.
 

In the afterward, The Deep is described as “a game of cumulative telephone.” The concept began as a song and was adapted over time by different musical groups until this novelization was produced.

“Each new telling of The Deep has been productive rather than destructive, and each new iteration has been carried out with admiration for the previous, […] happily taking on adaptations of each new interpreter into the future.”

This is a wonderful description of culture-making, the turning of ‘I’ into ‘we’, of carrying our stories, traumas, and longings together, erasing loneliness in the context of a communal tribe. It is forming collective memory, adapting a shared history into a cohesive perspective, a meaningful and unifying mythology.

"The living put their own mark on the dead.”
 

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willow_the_wisp's review

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adventurous dark fast-paced
  • Plot- or character-driven? A mix
  • Strong character development? Yes
  • Loveable characters? It's complicated
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? Yes

3.5


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jinmichae's review against another edition

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slow-paced
  • Plot- or character-driven? Character
  • Strong character development? Yes
  • Loveable characters? No
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? Yes

3.5

Listening to how this book came together helps it make more sense. Unfortunately, that explanation came at the end of the audiobook, so I didn't know what to expect coming into it.

I enjoyed the concept most of all, and the vignette of how they came together as a people. Unfortunately, I just didn't like the main character very much. She has reasons for being the way she is, but something about the way she was characterized made her not as sympathetic as she needed to be to explain her actions.

I also feel the overarching plot gets lost in vignettes which are more worldbuilding than progressing the narrative. I wish it was more focused on that main plot: I think it would be a better read as a short story instead of a novella. It also has a "woe is me" component that gets tiring.

I did appreciate that the main character is implied to have autism/gets overstimulated easily in a way that prevents her from doing her very important job. The depths of this discomfort isn't acknowledged by those around her though, which seems odd to me: she has family and friends who love her, and despite the plot important lack of long term memory, they *do* remember her sensitivities. I think that detail would have to be changed to make the way they treat her, and the way she reacts, make more sense.

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smuttymcbookface's review against another edition

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dark slow-paced
  • Plot- or character-driven? Character
  • Strong character development? Yes
  • Loveable characters? Yes
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? Yes

4.5

This was a beautiful story of how to best handle a horrific and tragic past for a set of beings, the Wajinru.

The first Historian, in an attempt to save her people from knowing the truth of their births, kept the knowledge to themselves until nearing death, when they passed it on to the next Historian. Capable of taking the traumatic events from other Wajinru's, even when dead, the Historian's job within the community evolved into holding all harsh memories, and storing the collective pains of their people. The exception to this being the Rememberance, where the Historian shares the history with everyone for a few days, before reabsorbing them, allowing their people to understand the importance of their knowledge, but not requiring them to know the specifics once the ceremony is completed.

This story mostly follows Yetu, the latest Historian, as she struggles to live whilst carrying her people's traumas. Knowing that she'll likely die if she reabsorbs them at the end of the Rememberance, she flees to land, where she meets Oori. A relationship slowly forms where Yetu learns that Oori has lost all of her own people's history when everyone but her was wiped out from an illness. This leaves Yetu wondering if her people were then correct to sacrifice one Wajinru's life and identity, the Historian, so that the remaining Wajinru can live unburdened.

This is a beautiful story with very little plot; mostly exploring feelings of belonging and self-identity. It was both beautiful and difficult to read, and despite being a novella, perfectly built this world where the ocean returned life where humans destroyed it. It was also refreshing to read of love and identity being unquestioned and just a way of existing.

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obscurepages's review against another edition

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challenging dark emotional inspiring reflective tense medium-paced
  • Plot- or character-driven? Character
  • Strong character development? Yes
  • Loveable characters? Yes
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? It's complicated

5.0

STOP. THIS BOOK IS INCREDIBLE 😭

Intersex merfolk who are descendants of pregnant African slaves women? A clever and compelling story about individuality and community, and history's significance towards the people in the present? A story that highlights intergenerational trauma and its impact? A story that highlights the need to discover personal identity while still wanting to connect with your people's history? This book is ALL of these, and it's also so much more.

Brilliantly written, this book is steeped with folklore and world-building and introspective themes. The perspectives, which can switch from the MC to an ancestor, highlight amazing storytelling from the author.

Overall, this was poignant and it was powerful. Definitely one of my top reads for the year. 🥹

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alicelalicon's review

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emotional sad medium-paced
  • Plot- or character-driven? A mix
  • Strong character development? Yes
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? Yes

4.0


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kanthereader's review against another edition

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adventurous informative sad medium-paced
  • Plot- or character-driven? A mix
  • Strong character development? Yes
  • Loveable characters? Yes
  • Diverse cast of characters? It's complicated
  • Flaws of characters a main focus? No

3.0


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building_a_bookdom's review against another edition

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challenging dark emotional hopeful inspiring reflective sad slow-paced
  • Plot- or character-driven? Character
  • Strong character development? It's complicated
  • Loveable characters? Yes
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? It's complicated

4.0


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marsh_mall0w's review against another edition

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dark emotional mysterious reflective medium-paced
  • Plot- or character-driven? Character
  • Strong character development? Yes
  • Loveable characters? Yes
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? Yes

5.0


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