Reviews with content warning for Trafficking - The Deep

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The Deep by Rivers Solomon

21 reviews

pacifickat's review against another edition

adventurous dark emotional hopeful informative reflective sad fast-paced

Plot- or character-driven? A mix
Strong character development? Yes
Loveable characters? Yes
Diverse cast of characters? Yes
Flaws of characters a main focus? Yes

4.25

This was a wonderfully original fantasy novella with excellent world building, a unique culture, and themes of collective memory and belonging in tension with the main character's desire for self-determination and autonomy. It is also set against the horror of the trans-Atlantic slave trade and the cruel deaths of so many abducted Africans at sea. The Wajinru, children of African pregnant mothers thrown overboard by cruel captors and transformed into merpeople, have a history marked by tremendous grief. What I liked best about the storytelling was the lyrical style employed when describing the Wajinru in the first half of the story, and again toward the end. As a chorus, their voice is stunningly rendered.

However, there was a section toward the middle where

Yetu, the main character and ‘memory keeper’ for her people, is separated from the rest of her culture. This was less interesting to me in terms of style, but necessary for the plot of the story. Yetu longs for self-determination, individual freedom, and to be an ‘I’ in a culture of ‘we’. It is her voice that annoyed me a bit, the inclusion of details about her romantic inclinations and sexual preferences as well as her personal curiosity regarding biological distinctions between humans and merpeople. I found the unique history and anthropology of the Wajinru far more captivating than the nitty gritty of their biology. Yet Yetu’s individuality is part of the point of the story, that she doesn’t want to be swallowed up and erased in a collective oneness with her people. And what is more individual than that which a person chooses to love, and how they choose to express their affection?

Ultimately this is a story about finding balance, between a traumatic past and a hopeful future, between individual and communal identity, between colonizing forces and indigenous cultures, and between the land and sea itself. It is also about remembering.

"Remember. […] That was all remembering was, prodding them lest they try to move on from things that should not be moved on from. Forgetting is not the same as healing.” - Yetu

"One can only go so long without asking, ‘Who am I? Where do I come from? What does all this mean? What is being? What came before me, and what might come after?’ Without answers there is only a hole, a whole where a history should be that takes the shape of an endless longing. We are cavities.” - Amamba

Yetu bears all of her people’s generational trauma, that is her role as ‘memory keeper’ in a society where long-term memory has largely been erased to give her people the freedom to thrive in the present unhindered by a painful past. She is their matriarch, but she is ill-suited for the role.

Out of an instinct for self-preservation, being unable to hold all of her peoples’ pain alone, she ultimately is the one to bring the wisdom of balance to the Wajinru.

"She couldn’t determine which was worse, the pain of the ancestors or the pain of the living. Both fed off her.”

"She learned how to make an inch for herself.”

"She touched each one of them, figuring out how each Wajinru was outside of the oneness the remembrance brought. That mattered. Who each of them was mattered as much as who all of them were together.”

"They could bear it all together.”

It is also a story about the function of memory in culture-making and identity.

One poignant detail is that Yetu and her romantic human interest, Oori, turn out to have come from the same distant ancestors. When Oori’s homeland is swallowed up by the sea, their history washed away, both characters lost something deep and sacred. However, they gained something as well, in the relationship they chose to forge in the present together.

In the afterward, The Deep is described as “a game of cumulative telephone.” The concept began as a song and was adapted over time by different musical groups until this novelization was produced.

“Each new telling of The Deep has been productive rather than destructive, and each new iteration has been carried out with admiration for the previous, […] happily taking on adaptations of each new interpreter into the future.”

This is a wonderful description of culture-making, the turning of ‘I’ into ‘we’, of carrying our stories, traumas, and longings together, erasing loneliness in the context of a communal tribe. It is forming collective memory, adapting a shared history into a cohesive perspective, a meaningful and unifying mythology.

"The living put their own mark on the dead.”

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the_last_bookshelf's review

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challenging dark reflective sad slow-paced

Plot- or character-driven? Character
Strong character development? Yes
Loveable characters? N/A
Diverse cast of characters? Yes
Flaws of characters a main focus? N/A

3.5

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savvylit's review against another edition

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adventurous dark emotional mysterious fast-paced

Plot- or character-driven? Plot
Strong character development? It's complicated
Loveable characters? Yes
Diverse cast of characters? Yes
Flaws of characters a main focus? Yes

3.5

Solomon's writing throughout The Deep is evocative and rhythmic. It's no wonder that this whole story is based on a song of the same name by clipping. The concept at this book's core, that merpeople were born of pregnant women thrown overboard on slave ships, is so haunting and poignant. I loved the lore that Solomon built around the wajinru and their culture: The Remembering, the relationships with land dwelling humans, the connections with whales... The Deep contains such a beautiful and rugged undersea world.

The Deep is a truly stunning novella. My only complaint is that the length of the story left me wanting more. I wanted more info on the Tidal Wars or Oori's family. The Deep was so immersive that I would have gladly stayed in its world for many more hours. Alas!

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directorpurry's review against another edition

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emotional hopeful reflective sad medium-paced

Plot- or character-driven? Character

3.5

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bearbookshelf's review against another edition

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challenging hopeful reflective sad medium-paced

Plot- or character-driven? Character
Strong character development? Yes
Loveable characters? It's complicated
Diverse cast of characters? Yes
Flaws of characters a main focus? Yes

4.75

The depth of this book is undeniable, and Sllomon continuously leaves you wanting more- not exactly a bad place to be left, but in this case I think that little bit more would have pushed it to 5 stars for me.

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catwhisperer's review

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challenging dark emotional hopeful reflective sad tense medium-paced

Plot- or character-driven? Character
Strong character development? Yes
Flaws of characters a main focus? Yes

4.0

Content Warnings

haley49's review against another edition

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challenging dark emotional slow-paced

Plot- or character-driven? A mix
Strong character development? It's complicated
Loveable characters? It's complicated
Diverse cast of characters? Yes
Flaws of characters a main focus? It's complicated

3.5

It’s weird to rate this book as if it is a traditional novel. This book was history and theory and philosophy in a fantasy package with no true plot. It is like an African version of the Giver with mermaids and true pain. It feels like mythos that exists to explain the world and teach themes more than to entertain. The subject matter feels vague and yet close to home. Remembering the tragedies of the past is important and this presents the Atlantic slave trade in a new way that we benefit from as readers. That said, the story is deeply tragic and is so vague and cloudy it obscures close connection. The narrative is a story of the collective told through singular eyes. The main character is not made to be super likable but to be a person trying to exist beyond the vicitimhood of their situation. It’s about generational trauma and the effect on one’s self.
I hope any of that makes sense but what I mean to say is that it’s existence is profound and important but not necessarily enjoyable as it’s own work without context and intention.

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