Reviews with content warning for Colonisation - The Deep

I seem to be very very fortunate lately as I keep reading books that make me want to start from the beginning right as I finish them.

This was so so so beautiful and heartbreaking in a good way. And also the creation of the story and the multiple steps it took for this book to come to be (read the editor’s words) was fascinating. It was based on a horribly tragic historical genocide, one of pregnant/in labor African women thrown off of slave ships.
Without giving away any more of the story, it’s sci-fi fantasy about life, love, and generational trauma. The book delves into the traumas of an underwater civilization and how the traumas are handled. How individuality and community interact. How change and progress works.

It was just a beautiful beautiful work of fiction and I have become a fan of Rivers Solomon, can’t wait to read more of their work!

Trigger warnings: slavery, racism, blood, death, misogyny, grief, generational trauma,

Content Warnings

biobeetle's review

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adventurous challenging dark emotional reflective tense medium-paced

Plot- or character-driven? A mix
Strong character development? Yes
Loveable characters? Yes
Diverse cast of characters? Yes
Flaws of characters a main focus? It's complicated

5.0

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pacifickat's review against another edition

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adventurous dark emotional hopeful informative reflective sad fast-paced

Plot- or character-driven? A mix
Strong character development? Yes
Loveable characters? Yes
Diverse cast of characters? Yes
Flaws of characters a main focus? Yes

4.25

This was a wonderfully original fantasy novella with excellent world building, a unique culture, and themes of collective memory and belonging in tension with the main character's desire for self-determination and autonomy. It is also set against the horror of the trans-Atlantic slave trade and the cruel deaths of so many abducted Africans at sea. The Wajinru, children of African pregnant mothers thrown overboard by cruel captors and transformed into merpeople, have a history marked by tremendous grief. What I liked best about the storytelling was the lyrical style employed when describing the Wajinru in the first half of the story, and again toward the end. As a chorus, their voice is stunningly rendered.

However, there was a section toward the middle where

Yetu, the main character and ‘memory keeper’ for her people, is separated from the rest of her culture. This was less interesting to me in terms of style, but necessary for the plot of the story. Yetu longs for self-determination, individual freedom, and to be an ‘I’ in a culture of ‘we’. It is her voice that annoyed me a bit, the inclusion of details about her romantic inclinations and sexual preferences as well as her personal curiosity regarding biological distinctions between humans and merpeople. I found the unique history and anthropology of the Wajinru far more captivating than the nitty gritty of their biology. Yet Yetu’s individuality is part of the point of the story, that she doesn’t want to be swallowed up and erased in a collective oneness with her people. And what is more individual than that which a person chooses to love, and how they choose to express their affection?

Ultimately this is a story about finding balance, between a traumatic past and a hopeful future, between individual and communal identity, between colonizing forces and indigenous cultures, and between the land and sea itself. It is also about remembering.

"Remember. […] That was all remembering was, prodding them lest they try to move on from things that should not be moved on from. Forgetting is not the same as healing.” - Yetu

"One can only go so long without asking, ‘Who am I? Where do I come from? What does all this mean? What is being? What came before me, and what might come after?’ Without answers there is only a hole, a whole where a history should be that takes the shape of an endless longing. We are cavities.” - Amamba

Yetu bears all of her people’s generational trauma, that is her role as ‘memory keeper’ in a society where long-term memory has largely been erased to give her people the freedom to thrive in the present unhindered by a painful past. She is their matriarch, but she is ill-suited for the role.

Out of an instinct for self-preservation, being unable to hold all of her peoples’ pain alone, she ultimately is the one to bring the wisdom of balance to the Wajinru.

"She couldn’t determine which was worse, the pain of the ancestors or the pain of the living. Both fed off her.”

"She learned how to make an inch for herself.”

"She touched each one of them, figuring out how each Wajinru was outside of the oneness the remembrance brought. That mattered. Who each of them was mattered as much as who all of them were together.”

"They could bear it all together.”

It is also a story about the function of memory in culture-making and identity.

One poignant detail is that Yetu and her romantic human interest, Oori, turn out to have come from the same distant ancestors. When Oori’s homeland is swallowed up by the sea, their history washed away, both characters lost something deep and sacred. However, they gained something as well, in the relationship they chose to forge in the present together.

In the afterward, The Deep is described as “a game of cumulative telephone.” The concept began as a song and was adapted over time by different musical groups until this novelization was produced.

“Each new telling of The Deep has been productive rather than destructive, and each new iteration has been carried out with admiration for the previous, […] happily taking on adaptations of each new interpreter into the future.”

This is a wonderful description of culture-making, the turning of ‘I’ into ‘we’, of carrying our stories, traumas, and longings together, erasing loneliness in the context of a communal tribe. It is forming collective memory, adapting a shared history into a cohesive perspective, a meaningful and unifying mythology.

"The living put their own mark on the dead.”

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adiajamille's review against another edition

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adventurous emotional hopeful inspiring reflective sad fast-paced

4.5

Really lovely book. Nice quick read. There’s some repetitiveness of wording. But overall it’s really moving.

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mmestitches's review against another edition

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adventurous dark emotional hopeful inspiring mysterious reflective fast-paced

Plot- or character-driven? A mix
Strong character development? Yes
Loveable characters? It's complicated
Diverse cast of characters? It's complicated
Flaws of characters a main focus? No

5.0

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bkwrm1317's review against another edition

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dark emotional sad medium-paced

Plot- or character-driven? Character
Strong character development? Yes
Loveable characters? It's complicated
Diverse cast of characters? Yes
Flaws of characters a main focus? Yes

3.5

Style was very interesting. I’d like to read more Solomon that’s from a different project. Was unaware of the tie ins with music etc prior to reading.

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archaicrobin's review

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challenging dark emotional mysterious reflective sad tense medium-paced

Plot- or character-driven? Character
Strong character development? Yes
Loveable characters? Yes
Diverse cast of characters? Yes
Flaws of characters a main focus? It's complicated

4.0

An intricate and beautifully written story about a mermaid, called Wajinru, that is forced to remember everything for her people. Unable to bear the pain of all these memories alone she flees and finds solace in a two-legs who helps her realize the importance of belonging.

Alot of this story I don’t want to give away because the secrets are revealed as you go through Yetu’s rememberings. While focused on magical elements there is so much more to this novella then that and I highly recommend to anyone looking for something unique, lyrical, and moving.

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