Reviews with content warning for Physical abuse - The Marrow Thieves

Well, what the fuck. How am I just supposed to go about living my life with an ending like that?

This book was stunning from start to finish, the prose was flawless, descriptive and evocative, the characters vibrant and life-like, the concepts and world-building absolutely horrifying and captivating, so close to home and hauntingly prophetic.

The only thing I wished for was a bit more plot wrapping up at the end, it felt like there was a lot of lead up to one particular moment and I was kind of hoping for a few more answers to how everything would unfold, even now knowing there’s a second book!

Anyways, Wab deserves the entire world, and I don’t think I’ve ever had my heart broken by anything as much as Isaac & Miig.

Content Warnings

katrinky's review against another edition

Go to review page

challenging dark emotional sad tense fast-paced

2.5

this book was brutal, but the writing wasn't strong enough for it to totally land for me. the central plot point is clever (and devastating), but the book read like an idea the author had that wasn't fleshed out enough to make a whole book. this is one of those books that is close enough to being very good that it reminds you how freaking hard it is to write a very good novel.

Content Warnings

cepbreed's review against another edition

Go to review page

dark emotional fast-paced

Plot- or character-driven? Plot
Strong character development? Yes
Loveable characters? Yes
Diverse cast of characters? Yes
Flaws of characters a main focus? No

4.5

“It began as a rumor, that they had found a way to siphon the dreams right out of our bones, a rumor whispered every time one of us went missing, a rumor denounced every time their doctors sent us to hospitals and treatments centers never to return.”

So much about this book is traumatizing, it’s so hard to read. I say that, but no matter how evil the atrocities translated onto the paper I couldn't stop reading because of how beautifully Cherie Dimaline writes. Each coming-to story makes my heart physically ache, I feel like I know these characters and each of their lives is so personal to me. Thank you Dimaline for bringing them to life on these pages. I also loved having chapter titles. I feel like so many books forego them these days in favor of just the name of the POV character or nothing at all. Another element essential to the story and my enjoyment of it was all the foreshadowing. While in the dilapidated Four Winds the women of their group tell their stories, all of which are a dark premonition of the events of the following days. Those moments were harrowing. I love how Dimalinen made sure to highlight the voices of those women, and bring awareness to the mistreatment many like them suffer because of their presenting gender. The class on indigenous fiction that I read this book for has opened my eyes entirely to a whole new genre of books. I am unsure if I would've enjoyed this book as much as I did if I read it outside of a classroom context because my professor always offers very valuable insight on certain indigenous traditions that enriched the books meaning. For example the legend of the rougarou and its application to Minerva's story.

Minerva being taken absolutely killed me. This kind woman, understand her old age hindered their progress. She trusted in the younger generation to survive and sacrificed everything for them. I don’t have to see my own Harmoni in her to absolutely love the character but I do and it makes me all the more sad to see the consequences of her age. In the same way she is wise and essential to the survival of their culture her health is rapidly deteriorating. I dismissed her character before but now I admire her so much, one scene changed everything for me.

Content Warnings

booksthatburn's review

Go to review page

challenging dark reflective sad tense medium-paced

Plot- or character-driven? Character
Strong character development? Yes
Loveable characters? Yes
Diverse cast of characters? Yes
Flaws of characters a main focus? It's complicated

5.0

THE MARROW THIEVES speculates that, given the opportunity and incentive, settlers would do what they’ve always done and steal the very dreams from the bones of Indigenous people in a last, desperate attempt to save themselves. And it won’t work. It’s not dystopian, nor apocalyptic, but five-minutes-in-the-future speculative fiction because the necessary backstory is the real history that’s already happened. The “generic dystopia” version would include a factory tour and a lot more gore, rather than this (much better) story of a community trying to stay together. It’s wholly uninterested in gazing at the machinery of pain, but is focused on community, memory, and surviving long enough to have a chance at thriving.

The term "found family" is both accurate and inadequate for the character relationships. They're the remnants of a much larger and more complex community which was hunted, shattered, and even now is pursued. They were part of a community generally even before they found each other specifically, and now they're all they have left. Frenchie lost his parents before the novel opens, and loses his brother in the opening chapter. He finds a group of traveling Indigenous people, on the move in order to stay alive. I like Miig as a leader, he's doing his best and focusing on teaching the younger ones what they'll need to know. He and Minerva are working to pass on their culture, balancing the need to understand with the maturity of the individual children.

A lot of the worldbuilding is conveyed though stories, either “Story” told nightly by Miig, or the characters’ “creation stories”, each person’s own history of how they came to be with the group. It lends a ponderous air to these details, where the reader’s desire to know more synchronizes with Frenchie’s hunger for any scrap of connection he can get. From the premise, I anticipated a scene in the factories, detailing the dystopia through voyeuristic gaze into the mechanisms used to cause their suffering. It doesn’t do that, thankfully, it stays focused on the characters, their journey, and their community. The physical bits of worldbuilding are in the places they pass through, the abandoned structures, and the garbage on the ground, the detritus that marks the wreckage of the world that was and the dangerous other people who also inhabit it.

I love the way the plot is unhurried. The endless travel is devoid of meaningful landmarks except for detritus. The pivotal scenes mostly hinge either on encounters with others or from stories. This changes toward the end after an encounter irrevocably changes the status quo and prompts them to change how they're running. I love the ending, it would be the best part if not for how great the rest of the book is.

Content Warnings

dearbloveme's review against another edition

Go to review page

adventurous dark emotional informative reflective sad medium-paced

Plot- or character-driven? A mix
Strong character development? Yes
Loveable characters? Yes
Diverse cast of characters? Yes
Flaws of characters a main focus? No

5.0

I took forever to start reading this book, and I took ages to finish it. The Marrow Thieves is short, but dense. Following French is as he attempts to escape death, persecution, and his self doubt, is heart breaking and exciting. I put this book down several times, as my fear for French grew.

Cherie Dimaline pens a beautiful prose, in which she fuses the stories of genocides past with the mysticism of Indigenous spirituality to present the story of a survival of a group of Indigenous people.

The hardest part of this book is my knowledge of the plight of people of Indigenous decent. Seeing all those horrors reanimated in this book and mixed with the familiarity of the enemy made this a difficult one for me, and I usually love a good traumatic read.

Content Warnings

More...