Reviews with content warning for Death of parent - Station Eleven

I read this because I LOVED the miniseries. Ultimately, I prefer the miniseries to the book - the ways the stories diverged I almost always preferred the show’s choices to the book’s. Maybe it’s because I saw the show first, who knows? But the book is still terrific. It’s also more melancholy, I think - you get more of a sense of how hard the years between when the story starts (year zero or whatever) and the “present” (year twenty) have been. The book also has more of an interest in recreating society and bringing back what’s been lost, a theme the show diverged from a lot I think. Anyway I look forward eagerly to reading more Emily St. John Mandel in the near future.

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astridrv's review against another edition

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Exquisite writing, a real page turner, neatly done. The author successfully made me marvel at the wonderful improbability of our lives. And the theme of fame and what remains of the narrative of our lives was a smart choice too. A well executed book that was a delight to read.

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sophiesmallhands's review against another edition

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adventurous challenging dark emotional hopeful reflective sad medium-paced

Plot- or character-driven? A mix
Strong character development? Yes
Loveable characters? Yes
Diverse cast of characters? No
Flaws of characters a main focus? Yes

4.75

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conspystery's review against another edition

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dark emotional hopeful mysterious reflective sad medium-paced

Plot- or character-driven? A mix
Strong character development? Yes
Loveable characters? Yes
Diverse cast of characters? Yes
Flaws of characters a main focus? Yes

5.0

“WHAT WAS LOST IN THE COLLAPSE: almost everything, almost everyone, but there is still such beauty.”

I cannot believe it took me as long as it did to discover this book; once I picked it up, I devoured it over the course of about four days, and now I am completely obsessed. I absolutely adore Station Eleven-- it’s everything its premise promises and more.

The thing I enjoy most about this book is its depth, and its commitment to exploring that depth. I was introduced to Station Eleven by the HBO miniseries, and I loved it, so I thought I knew what to expect when I picked up the novel, but I didn’t. The miniseries is more straightforward and resolved than the book. It’s great, but after reading the novel, I kind of prefer the ambiguity-- how the characters are more morally gray, how their connections with each other are complicated, how nearly nothing is tied up neatly. A surprising amount of the book version of Station Eleven is left up to interpretation, and it serves the premise really well.

I particularly like Jeevan in the book as opposed to the TV show (not to say I didn’t also love him in the miniseries! He was one of my absolute favorite characters!) because he’s such a great example of the difference in storytelling between the two formats. He tries to do the right thing, or that’s what he tells himself, but we see sides of him-- especially through other characters’ points of view, like Miranda-- that don’t completely line up with that image. The same can be said for nearly all the characters in the book. They’re complex, and Station Eleven centers itself around that complexity in how it presents its plot.

The writing of the book itself is also brilliant. Mandel’s writing style is unpretentious yet insightful (a friend described it as conversational); she knows exactly where to put detail so that it never becomes overbearing or repetitive. When there is focus on imagery, it’s always for a reason, and it’s always done with the wistful beauty of post-apocalyptic retrospection-- the recurring motif of light, especially around Kirsten’s character but sometimes with others, is my favorite instance of this intentionally limited, meaningful imagery. That philosophy of relative minimalism for maximum emotional impact does wonders for its thematic power.

In a similar vein, the matter-of-fact retrospective quality of the foreshadowing in this novel is exceptional. Again, Mandel does not overload the text with heavy-handed reminders of doom; the foreshadowing (or, after the outbreak, affirmations of the destruction) is limited, packed down into infrequent single sentences for maximum poignance. Even towards the beginning of the novel, while we’re still entrenched in the last days of normalcy before the outbreak hits, the foreshadowing is never meaninglessly ominous-- take the last line of chapter two, for example. Mandel’s foreshadowing always carries with it the sadness and regret of retrospection, which is a perfect match for the plot itself.

I think I highlighted more quotes from this book than I have for any other book I’ve read in the past year, full stop. And even that can’t capture everything I love about it. The brief moments of humor caught me off-guard every time, in the best way. Chapter six is masterfully written, could be a poem on its own. Miranda’s function in the narrative and her depth as her own character is so sad yet unequivocally beautiful in its power, and I love how she has such presence over everything-- in the glass paperweight, especially, not to mention her graphic novel. The comic book’s recurring appearance as the audience is given more information to understand its connection to Miranda and Arthur is phenomenal. The recounting of Arthur’s last day-- and choosing to explore this as late into the book as it appears-- adds unmatched emotional resonance, especially with its last line. Honestly, just everything Arthur is and does is so interesting character-wise; the excerpts from the letters to V show it so well. There’s one paragraph-- “I want to do something remarkable but I don’t know what”-- that just hits so hard. “...we’re all getting older and it’s going so fast. I’m already 19.” SO good. I haven’t even written anything about Clark yet! He’s such a great foil for the other characters, in a really unexpected way!

I think overall, Station Eleven shines in its ability to communicate so much depth in so many small, unexpected places. The less surface area an object has, the higher the pressure it can apply, and exponentially so-- this book is the same. It knows exactly where to pack its punches, and doing so results in a genuinely unforgettable, endlessly interpretable narrative, with a tragic but hopeful message about regret, human connection, and storytelling. I love this book; it’s a new favorite for me.

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indigosl's review against another edition

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adventurous challenging hopeful mysterious medium-paced

3.75

The post-pandemic context was exciting and the world building was interesting. I thought it brought up some fascinating ideas of cultism, community, and the arts. However, key observations of the implications of this new-world and the associated themes seemed to, at times, fall flat. Nonetheless an enjoyable read.

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miller8d's review against another edition

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adventurous dark emotional hopeful inspiring mysterious reflective sad medium-paced

Plot- or character-driven? A mix
Strong character development? It's complicated
Loveable characters? It's complicated
Diverse cast of characters? Yes
Flaws of characters a main focus? Yes

4.0

Absolutely loved the storytelling technique, world-building, and flow of descriptive language.
Note: I pictured Richard Ayoade as Jeevan, Jesse Plemons as August, Con O’Neill as Dieter, Andrew Garfield as Sayid, Andre Michaan very faintly as Clark, and a wishy-washy mix of Tom Hiddleston/Brian Cox as Arthur.

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hflh's review against another edition

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mysterious reflective medium-paced

Plot- or character-driven? A mix
Strong character development? It's complicated
Loveable characters? Yes
Diverse cast of characters? Yes
Flaws of characters a main focus? Yes

4.5

If you are looking for a post-apocalyptic adventure, this might not be for you. The present day setting follows characters navigating a post-apocalyptic Great Lakes after several years after a devastating pandemic. The post-pandemic and during-pandemic world is incredibly compelling, but most of the book bounces between the lives of a few characters pre-pandemic.

A lot of the past sections focus on things related to not being happy with where your life is going/has gone. I would not recommend reading this book if you’re in a stage like that in your life. With the way St. John Mandel writes, it can feel quite heavy and depressing sitting in those feelings.

If you are thinking about reading this after watching the show, I highly recommend reading. The show changes quite a few things and the book is a similar but much different and worthwhile experience. The book also handles

Frank’s death

in a less ableist way and I thought the show does Jeevan and Miranda’s characters a bit dirty.

St. John Mandel writes in a way that I haven’t experienced before. Partially through using 3rd person omniscient, she does an incredibly good job of capturing a really melancholic, distant feeling that was intense to sit with but also so engaging. I also absolutely loved the non-chronological skips in and out of different characters’ lives.

The present day characters aren’t particularly developed as the present day is more about the collective experience of a post-pandemic world which I didn’t mind. This is where I’d recommend readers watch the show because it was cool seeing a different take on the story with more focus on present day.

My biggest issue was the ending. I liked it as a concept but it was really rushed and read more like a brief summary of events which made for an unsatisfying conclusion after the slower build.

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