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erebus53's review
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
4.0
In this, the first book in the Dangerous Damsels trilogy, we are introduced to a world of magical realism where aristocratic pirates pilot flying houses that are mounted with canon and guns. Raised to be a ladylike scoundrel, with savvy and decorum, our main character is a young woman who has not yet been accepted into her Society as an adult. This coming of age story deals with a woman facing her evil father, choosing her own path, engaging in the martial art of Polite Conversation, and facing the warring parts of her psyche, both emotional and rational.
Although not especially diverse in its lineup of characters, it is fiercely anti-Patriarchy.
Good fun if not very deep. Pass the popcorn, there's a love.
Graphic: Classism, Alcohol, Violence, Gun violence, Grief, Death of parent, Murder, Drug use, Kidnapping, Infidelity, and Sexual content
Moderate: Gore, Misogyny, Death, and Sexism
Minor: Toxic relationship, Chronic illness, and Stalking
desdowns's review
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.0
Moderate: Sexual content, Murder, and Gun violence
Minor: Alcohol, Cursing, and Drug use
buildingtaste's review against another edition
- Plot- or character-driven? Plot
- Strong character development? No
- Loveable characters? No
- Diverse cast of characters? No
- Flaws of characters a main focus? No
2.5
Most egregious here, though, is something I can't blame Holton for, because it seems to be more a convention of the historical fantasy-romance genre than anything: Cecilia is just the least interesting person in the bunch. And we have to stick with her a good 80% of the time. When your heroine sums up her role in the story with a glib "I'm afraid I've done nothing to advance the plot," and it's true, a good editor should perk up and recommend doing something about that. Cecilia, despite her bog-standard spunk, finds herself constantly outpaced and outsmarted, by the titular society, by the love interest, and by her villainous father. Not once does she get to be heroic on her own terms, and she's so baldly horny for Ned that her internal refrain of "well-I-never" gets dull.
So. Janky start. But I think the world of Wisteria has some real promise--I'd be interested in reading a short fiction anthology delving more into the lore of historical Lady Scoundrels and the senior ladies.
Graphic: Abandonment, Confinement, Death of parent, Domestic abuse, Misogyny, Murder, Sexual content, Violence, Vomit, Alcohol, Fatphobia, Kidnapping, Adult/minor relationship, Classism, Death, Drug use, Emotional abuse, Gun violence, Incest, and Sexism
A teenaged character and young adult character have a sexual relationship. It is played for comedy, with the younger character repeatedly lying about her age and the adult acting distraught about the revelation. Characters drink on several occasions and a character gets drunk without real consent or awareness that alcohol will intoxicate her; this character vomits while drunk. The backstory of a character involves being abandoned by his parents. The lower class characters are usually fearful, superstitious, and deemed foolish. Most characters are kidnapped and imprisoned. The backstory of multiple characters involve their mothers being murdered in front of them. The main character's aunt is controlling and overbearing. Alcohol and cocaine pastilles are used by characters. A verbal spar of two characters involves multiple fatphobic remarks. Most characters have and use guns with murderous intent, though no one dies from a gunshot in the text. There is cousin marriage. The villain's primary motivation is named as misogyny. There is a chapter dedicated to a sex scene (Chapter 20).bannedfrombookclub's review against another edition
- Plot- or character-driven? Plot
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? No
- Flaws of characters a main focus? No
4.0
Graphic: Death of parent
Moderate: Drug use and Alcohol
beckyyreadss's review against another edition
- Plot- or character-driven? A mix
- Strong character development? No
- Loveable characters? No
- Diverse cast of characters? No
- Flaws of characters a main focus? No
3.0
Graphic: Sexual content, Violence, and Death of parent
Moderate: Murder, Sexism, and Gun violence
Minor: Drug use and Alcohol
becksusername's review against another edition
- Plot- or character-driven? Plot
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? No
- Flaws of characters a main focus? No
4.25
Moderate: Death of parent
Minor: Sexism, Kidnapping, Blood, Violence, and Alcohol
saeruh's review
5.0
My only problem was that the end felt like a little weird. I personally thought it could have ended at the 80-85% mark since the story seemed pretty wrapped up by then.
Moderate: Adult/minor relationship, Alcohol, Grief, Kidnapping, Misogyny, Death of parent, and Sexual content
liz_k007's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? No
- Flaws of characters a main focus? It's complicated
5.0
Moderate: Death of parent and Kidnapping
Minor: Alcohol
maublew's review against another edition
- Plot- or character-driven? A mix
- Strong character development? No
- Loveable characters? Yes
- Diverse cast of characters? No
- Flaws of characters a main focus? No
3.75
Graphic: Sexual content, Violence, and Death of parent
Moderate: Murder and Sexism
Minor: Drug use and Alcohol
aromarrie's review against another edition
- Plot- or character-driven? A mix
- Strong character development? It's complicated
- Loveable characters? Yes
4.5
Moderate: Injury/Injury detail, Violence, Grief, Death of parent, and Alcohol