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amberrose27's review against another edition
- Plot- or character-driven? Character
- Strong character development? No
- Loveable characters? It's complicated
- Diverse cast of characters? No
- Flaws of characters a main focus? It's complicated
3.5
Graphic: Death, Misogyny, Rape, Sexism, Sexual assault, Sexual violence, Slavery, Violence, Sexual harassment, and War
Moderate: Grief
Minor: Physical abuse and Slavery
friendly_neighborhood_grandma's review against another edition
Graphic: Animal death, Body horror, Child death, Confinement, Death, Gore, Infertility, Misogyny, Rape, Self harm, Sexism, Sexual assault, Slavery, Suicide, Violence, Blood, Grief, Death of parent, Murder, Pregnancy, Alcohol, Sexual harassment, and War
risaleel's review against another edition
- Plot- or character-driven? Plot
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
4.0
Graphic: Child death, Death, Genocide, Gore, Physical abuse, Rape, Sexual assault, Sexual content, Slavery, Violence, Blood, Excrement, Sexual harassment, and War
Moderate: Alcoholism, Confinement, Emotional abuse, Torture, Grief, Murder, Fire/Fire injury, Alcohol, and Injury/Injury detail
Minor: Animal cruelty, Animal death, Infidelity, Self harm, Suicidal thoughts, Suicide, Vomit, Trafficking, Grief, Suicide attempt, Injury/Injury detail, and Pandemic/Epidemic
annasbookreviews's review against another edition
- Plot- or character-driven? Plot
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? It's complicated
- Flaws of characters a main focus? No
3.0
Graphic: Alcoholism, Animal cruelty, Animal death, Child abuse, Child death, Death, Domestic abuse, Emotional abuse, Infidelity, Mental illness, Misogyny, Panic attacks/disorders, Physical abuse, Rape, Sexism, Sexual assault, Sexual content, Sexual violence, Slavery, Suicidal thoughts, Suicide, Torture, Violence, Forced institutionalization, Blood, Excrement, Vomit, Medical content, Kidnapping, Grief, Medical trauma, Suicide attempt, Death of parent, Murder, Pregnancy, Abandonment, Alcohol, Sexual harassment, and War
yorozuya's review against another edition
- Plot- or character-driven? Character
- Strong character development? It's complicated
- Loveable characters? It's complicated
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
4.0
It's the story of the Trojan War that we all know and have heard many times - but told from the female perspective this time: The Trojan women who were taken as slaves by the Greek.
The prose is overall beautiful and I paused just to admire how the words were arranged several times. There were also some expressions that took me by surprise in the context of this narrative, though perhaps the author wanted to show the coarser side of our more romanticised view on Ancient Greece.
Towards the middle/end, the book shifted to the male perspective a bit too much for my liking. I loved the insight into Achilles's mind (don't I always) and how the same scene could look from both his and Briseis's (the main narrator) point of view but despite the book's title I don't want these women's voices to be silenced.
Graphic: Body horror, Cursing, Death, Gore, Physical abuse, Rape, Sexual content, Slavery, Violence, Blood, Grief, Pregnancy, War, and Injury/Injury detail
nats2643's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? It's complicated
- Flaws of characters a main focus? It's complicated
4.0
Graphic: Death, Rape, Self harm, Sexual assault, Sexual violence, Slavery, Suicide, Torture, Violence, Grief, Murder, Sexual harassment, and War
chloj_'s review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? It's complicated
- Flaws of characters a main focus? Yes
4.5
!!spoilers ahead!!
- ‘his idea of female beauty was a woman so fat if you slapped her backside in the morning she'd still be jiggling when you got back home for dinner.’ damn me too
- ‘she could’ve been kind to me and she wasn’t; she could’ve helped me find my feet and she didn’t.’
- ‘when i got to the door i paused with my hand on the latch and looked back, but she’d already turned away’
- the main character’s relationship with femininity is so cleverly written- both her relationship with other women, and with her own femaleness
- ‘but the dying man, his face wiped clean of pain, cradled his spilling intestines as gently as a mother nurses her newborn child.’
- ‘“it’ll be alright,” i said, knowing it wouldn’t.’
- ‘he fucked as quickly as he killed, and for me it was the same thing. something in me died that night.’
- the emotions in this book are soooo beautiful done
- ‘the bed was cold.’ this one sentence is so incredibly powerful
- ‘no girl ever dressed more carefully for her wedding than achilles for the battlefield’
- ‘as long as i lived and remembered, [my brothers] weren’t really dead.’
- the relationship between briseis and iphis is SO special- it is born entirely from shared tragedy and the kindness only women can share with each other.
- that depiction of wasteland at the end of 46/start of 47 is SUCH a beautiful depiction of the waste of female beauty (both physical and mental) at the hands of men
- ‘the world began to close in around me, and i realised that the songs belonged to my brothers and not me’
- ‘i always remember that she wept for me when i couldn’t weep for myself’
- the list format of the people Achilles killed / how they died is SO good- it really displays how the repeated trauma and war has made tragedy something clinical.
- ‘before leaving, he always bent down and kissed him in the mouth, though the lips had darkened and begun to retract.’
- ‘Why him? Why not me? He asks the questions over and over, as if one day they might have a different answer, and the burden of guilt be lifted at last.’
- achilles grief is written so beautifully
- ‘and i do what countless women before me had been forced to. i spread my legs for the man who killed my husband and brothers.’
- ‘now my own story can begin’
Graphic: Death, Emotional abuse, Gore, Misogyny, Physical abuse, Rape, Slavery, Violence, Blood, Grief, Medical trauma, and War
Moderate: Body shaming, Cursing, Fatphobia, Pedophilia, and Alcohol
shadi_anna's review
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? N/A
- Flaws of characters a main focus? Yes
3.75
Graphic: Misogyny, Rape, Slavery, Violence, and War
Moderate: Body horror, Death, Emotional abuse, Physical abuse, Sexual assault, Suicidal thoughts, Blood, and Grief
trinofspades's review against another edition
3.0
Graphic: Misogyny, Sexism, Sexual assault, Slavery, Trafficking, and War
Moderate: Child abuse, Death, Rape, Sexual violence, Trafficking, Murder, and Classism
cannibalgender's review against another edition
- Plot- or character-driven? Character
- Strong character development? No
- Loveable characters? No
- Diverse cast of characters? It's complicated
- Flaws of characters a main focus? It's complicated
2.5
I didn’t pick up this book to hear more about Achilles and Patroclus and their relationship, but truthfully they were they only characters who got to develop complexities and drove the narrative forward. Once Patroclus died, it truly felt that nothing else was going to happen- his dynamic with Achilles and with Brisies drove much of the middle act, and Achilles’ own personal feelings drove much of the third.
When his POV was introduced I was tempted to DNF. It genuinely felt like not only did the narrative revolve around these men, with the MC and the women around her serving as silently observing props, but this mindset is enforced by the narrative and the MC herself.
Brisies often addresses the audience, and emphasizes how she herself feels like an object, that slavery has made her owned in spirit as well, and although she mocks the women who grow to love their captors, she both grows to love Patroclus (who regularly rapes her supposed friend Iphis, his slave) but chooses not to escape from Achilles, claiming that sexual slavery is “her life now.” An odd narrative about slavery coming from a voice so clearly belonging to a British white woman.
It’s all well and good to claim to speak for underrepresented characters, but they have to have a VOICE, y’know? An actual new perspective. My favorite parts were getting to see how Helen was viewed by a woman close to her staying in Troy, because like, that’s a character that has been legitimately maligned for centuries. Unfortunately, we don’t see much of her, or Brisies herself, outside of her orbit around Achilles.
It felt as though the author realized halfway through that this book was not about women, it was about Achilles, and simply had her MC say “well, women are so silenced that I’m only a background player in his story” instead of…writing a story in which Brisies did NOT feel like a background character.
Frustrating as all hell.
Graphic: Animal death, Death, Rape, Sexual assault, Sexual violence, and Violence