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nearbethexperience's review
adventurous
funny
hopeful
lighthearted
relaxing
tense
medium-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.5
SUCH a fun read. It was a really smart choice on the author's part to set the book in a post-Arthurian world, to be able to play with it and not be burdened by the actual myth. If you don't like anachronistic dialogue this book is not for you, but I thought it was fun and the Riverdale reference made me actually laugh out loud! I did feel the HEA ending was a little bit unearned but that is just the tiniest critique, and hey it's YA. Overall this book was a balm for my inner Arthurian nerd child!
Content Warnings
Moderate: Gore, War, and Emotional abuse
Minor: Physical abuse
nefariousbee's review against another edition
emotional
relaxing
fast-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? It's complicated
- Flaws of characters a main focus? No
3.75
an easy YA read. there are two romances in this book so there was not enough space to really dive into both. it's not necessary bad, it's just a thing that has to be done if you wanted to have an average length novel.
some things bothered me, like the way race was underdeveloped (that's not fair. not developed is better) even tho it was tapped into, the internalised homophobia, the domestic abuse, it was all laid there and then it didn't have time to get into in any meaningful way and that's a shame, really.
as it is now, it's an easy, sweet YA romance book inspired by the Arthurian myths. nothing more, but also nothing less
some things bothered me, like the way race was underdeveloped (that's not fair. not developed is better) even tho it was tapped into, the internalised homophobia, the domestic abuse, it was all laid there and then it didn't have time to get into in any meaningful way and that's a shame, really.
as it is now, it's an easy, sweet YA romance book inspired by the Arthurian myths. nothing more, but also nothing less
Content Warnings
Graphic: Emotional abuse, Injury/Injury detail, Death of parent, Alcohol, Physical abuse, War, and Violence
Moderate: Medical trauma, Bullying, Vomit, Blood, and Gore
Minor: Adult/minor relationship
ezwolf's review against another edition
adventurous
funny
hopeful
medium-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? It's complicated
5.0
I love all things Arthurian legend so this title grabbed my attention right away. I wasn't fully sure what to expect, but I enjoyed it immensely. This book fully embraced the potential for queer jokes which I found hilarious and relatable as well.
Gwen was incredibly relatable for me and her and Bridget's relationship was my favorite in the book, but I enjoyed Arthur point of view and his relationship with Gabriel too. Gwen and Gabriel's sibling relationship was also great, I liked how much they were there for each other.
This is the third or fourth book I've read this year that's included periods and it's such a little thing but I can't really remember reading any books growing up that normalized periods in any regard, let alone in a historical (fantasy-ish?) kind of book.
Thank you to NetGalley for making this available in exchange for an honest review!
Gwen was incredibly relatable for me and her and Bridget's relationship was my favorite in the book, but I enjoyed Arthur point of view and his relationship with Gabriel too. Gwen and Gabriel's sibling relationship was also great, I liked how much they were there for each other.
This is the third or fourth book I've read this year that's included periods and it's such a little thing but I can't really remember reading any books growing up that normalized periods in any regard, let alone in a historical (fantasy-ish?) kind of book.
Thank you to NetGalley for making this available in exchange for an honest review!
Content Warnings
Graphic: Alcohol, Blood, Death, Alcoholism, Homophobia, Injury/Injury detail, Violence, Vomit, Death of parent, Grief, and Murder
Moderate: War, Misogyny, and Outing
Minor: Misogyny, Child abuse, and Physical abuse
emily_mh's review against another edition
lighthearted
slow-paced
- Plot- or character-driven? Character
- Strong character development? No
- Loveable characters? No
- Diverse cast of characters? Yes
- Flaws of characters a main focus? No
2.5
For a romance book this was just not very…romantic. It seemed like Arthur only got a crush on Gabe because of proximity, meanwhile we never find out why Gabe likes Arthur at all. I didn’t like how Gabe got to have a D+M about his challenges, but they didn’t have a similar conversation about Arthur’s, as this left their connection feeling shallow. They just didn’t seem to be into each other very much (and no, I’m not referring to Gabe’s personal obstacle and how it impacted their relationship), and their ending was only really an HFN. The situation with Gwen and Bridget was similar. It appears that Gwen gets a crush on Bridget because of proximity, and we never know why Bridget likes her back. Their connection seem to be purely physical, and their ending was barely an HFN. The dual HFNs were rendered even worse as the author tried to establish them in the light of a tragic event which happens with like, 20 pages to go. I was just so disappointed in how lacklustre the romance was. I wanted to be swept away in a whirlwind of romance, historical pining and soulmate-level bonding, but all I got was a small gust of air.
The characters themselves were similarly disappointing. I’ll begin with the MCs, Gwen and Arthur, whose perspectives we read from. Honestly, Gwen’s storyline was about getting her hand held by those less privileged than her as she realises that maybe she should use her power to help others. There was development in this area, which was something, but overall I found it exasperating.
There was so much potential with Arthur’s character, but it was squandered. Arthur is suffering domestic abuse and (let’s be real) with alcoholism, yet neither of these factors are given the weight they deserve. I feel like no one talked to him properly about his home life; he never got that chat and chance for support and connection regarding it. Arthur also has an alcohol problem which he decides won’t be a problem anymore and then miraculously it’s gone. Also, his trust issues, which are set up in the beginning, aren’t actually a thing? When situations crop up that would trigger them, they don’t. Instead his character is reduced to someone who exists to support Gwen and Gabe. This is a poor way to treat any character, but is especially concerning in light of the fact that Arthur is Iranian, and Gabe and Gwen are white. (Please let me know if I’m stepping out of my lane here, or have read the situation wrong.)
Bridget, Gwen’s love interest, is similarly poorly developed. We never get a sense of her as a person. Granted, we know what she likes, what she is good at and wants to do, but Croucher gives her no depth. For example, what is her history? Was she born in England or did she move? Where are her parents, who are so important to her? Also, we don’t see her just talk, just be, we only really see her framed by Gwen’s physical attraction. Like Arthur, she ends up existing only to handhold Gwen. This is again a poor way to write a character, even more so considering Bridget is Thai while Gwen is white. (Again, please let me know if I’m stepping out of my lane here, or have read the situation wrong.) Furthermore, Bridget has endo but this rep felt tokenised. If you’re going to give your character a chronic illness, then you need to show it as a consistent part of their character, not as something that shows up once. Bridget’s symptoms only make the page once when she is on her period (this book takes place over several months, by the way, and endometriosis symptoms are not limited to times of menstruation).
On a more positive note, Gabe was the most interesting and dynamic character to me, and we didn’t even get his POV! I was so engaged by how he was torn between duty and himself, being so focussed on serving others that he didn’t even know what he wanted for himself, let alone allow himself to voice and seek those wants. I was struck by the ways in which Gabe set impossible standards for himself, and the lengths he would go to to meet them, including suppressing an essential part of who he was. He felt like an actual person with real and understandable reactions to the impossible situation he found himself in.
In terms of plot, it was meandering at times with repetitive moments, especially between Arthur and Gabe. I wish there had been a little more direction with fewer random time jumps. With the writing style, I wasn’t a fan of the attempts at humour. I think authors think the type of dialogue employed here is unique when nowadays it’s very much not, and so makes characters seem generic. Also, it was just overdone in this specific instance.
So given all the negatives I’ve recorded here, why the 2.5 stars? Firstly, because I found the book to be a comforting space to be in, in terms of the nostalgic European fantasy vibes. The political element was compelling. Also, I genuinely was enjoying it for a while, because I was expecting it to go places. It didn’t.
Rep: sapphic MC, gay biracial English-Iranian MC, Thai sapphic LI with endometriosis, gay LI
Content Warnings
Moderate: Cursing, Physical abuse, Alcoholism, Domestic abuse, Emotional abuse, Death of parent, Death, Violence, Murder, Medical content, Alcohol, War, Homophobia, and Vomit
Minor: Sexual content, Sexism, Excrement, Ableism, Chronic illness, Transphobia, Sexual harassment, Fire/Fire injury, Blood, Animal cruelty, Medical trauma, Injury/Injury detail, Misogyny, Incest, Animal death, and Infidelity
Moderate: internalised homophobia Minor: gambling, menstruation, faintingpm_corbett's review against another edition
adventurous
emotional
funny
hopeful
lighthearted
slow-paced
- Plot- or character-driven? Character
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
5.0
Content Warnings
Graphic: Homophobia
Moderate: Death of parent, War, Vomit, Violence, Addiction, and Alcohol
Minor: Child abuse and Physical abuse
literaryinluv's review against another edition
adventurous
funny
lighthearted
medium-paced
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.0
Such a delight to read! This book made me laugh with its witty banter (mostly from Arthur) and its sweet relationships. Gwen and Arthur are a classic enemies-to-friends dynamic, with their hatred for each other stemming from their childhood. Of course, the two are betrothed (Kind of like The Swan Princess movie!). But I loved the queer angle it took in this relationship with both being interested in people who are decidedly not each other. They truly went from breaking wrists to WLW/MLM solidarity. In fact, that's how I would really describe the relationship between our two main characters: WLW/MLM solidarity.
Outside of the relationships our two characters held, there were some wonderful friendships. Sidney and Arthur are brothers in all but blood and would stick together through thick and thin. Gwen and Agnes shifted from a boss-worker dynamic to friends. And the close relationship our siblings, Gwen and Gabriel, had was adorable.
My only gripe with the book was that the romances from both our couples sometimes felt a bit lackluster. Arthur and Gabriel were cute at times and they had some nice bonding moments. But Bridget and Gwen let me down! As a sapphic female myself, I was looking forward to the sapphic relationship in this setting and was especially interested in the fact that one of those involved was a femme princess and a female knight (Oh side note, Bridget is Thai!). I wanted more bonding and moments from them, & there were some but not enough. This may be my only issue with the book, but since it's largely about romance, I felt like a star should be knocked off for that. Please remember that this is my opinion!
The book was overall super fun. The friendships were great & I really felt for these characters and their problems. I loved the setting & the Arthurian aspect and how it came to play throughout the story. It was very clever, & there were moments where I was on the edge of my seat & laughing at Arthur.
TDLR; I really need to read more historical queer novels!
Outside of the relationships our two characters held, there were some wonderful friendships. Sidney and Arthur are brothers in all but blood and would stick together through thick and thin. Gwen and Agnes shifted from a boss-worker dynamic to friends. And the close relationship our siblings, Gwen and Gabriel, had was adorable.
My only gripe with the book was that the romances from both our couples sometimes felt a bit lackluster. Arthur and Gabriel were cute at times and they had some nice bonding moments. But Bridget and Gwen let me down! As a sapphic female myself, I was looking forward to the sapphic relationship in this setting and was especially interested in the fact that one of those involved was a femme princess and a female knight (Oh side note, Bridget is Thai!). I wanted more bonding and moments from them, & there were some but not enough. This may be my only issue with the book, but since it's largely about romance, I felt like a star should be knocked off for that. Please remember that this is my opinion!
The book was overall super fun. The friendships were great & I really felt for these characters and their problems. I loved the setting & the Arthurian aspect and how it came to play throughout the story. It was very clever, & there were moments where I was on the edge of my seat & laughing at Arthur.
TDLR; I really need to read more historical queer novels!
Content Warnings
Graphic: Alcohol, Alcoholism, Blood, War, and Violence
Moderate: Physical abuse, Sexism, Toxic relationship, Cursing, Death, Homophobia, Injury/Injury detail, Misogyny, Death of parent, Lesbophobia, Murder, Body horror, and Panic attacks/disorders
Minor: Child abuse, Gore, Vomit, Incest, and Emotional abuse
thewordsdevourer's review against another edition
emotional
funny
medium-paced
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
- Flaws of characters a main focus? Yes
3.5
*Thank you to the publisher and NetGalley for the ARC
Gwen and Art Are Not in Love is an enjoyable book that is humorous and poignant in equal measure, giving a much needed and refreshing queer rep to the historical genre that typically deems queer people non-existent.
Gwen and Art Are Not in Love is an enjoyable book that is humorous and poignant in equal measure, giving a much needed and refreshing queer rep to the historical genre that typically deems queer people non-existent.
The characters and their dynamics are what make this book. They all struggle with living up to or reject others' expectations with being true to themselves, the stakes higher with their social positions. We see them wrestle both without and within, and ultimately grow and develop all while relying on one another. Gwen and Art comprise an enemies-to-friends combo that actually lives up to the trope; Gwen and Bridget are smoldering together; Art and Sidney the bro-est besties.
The book is appropriately serious and poignant when it needs to be, but Croucher's use of humor is perhaps my favorite thing about the book. The narrative voice is memorably wry and the characters - especially Art - are effortlessly hilarious, be it with their words, actions or situations they find themselves in. However, while the climax is surprisingly but welcomingly action-packed and dramatic, I wish the ending was at least a little longer. Currently the aftermath of the violent coup is only mentioned offhandedly in the last chapter with only a couple of sentences, inadequate in showing the full aftermath of a significant event that has both high personal and political stakes for the main characters. Art's father, for example, has been shown to be an abusive and despicable man, and I wish we learned what comeuppance he got in the end.
In sum, this is a rollicking book that is equally poignant and humorous, led by a cast of lovable and multidimensional characters, one whose ending I wish was less abrupt.
Content Warnings
Graphic: Sexism, Injury/Injury detail, and Child abuse
Moderate: Violence, Death, Physical abuse, and Alcohol
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