Reviews tagging 'Fire/Fire injury'

Gwen and Art Are Not in Love by Lex Croucher

2 reviews

emily_mh's review against another edition

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lighthearted slow-paced
  • Plot- or character-driven? Character
  • Strong character development? No
  • Loveable characters? No
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? No

2.5

For a romance book this was just not very…romantic. It seemed like Arthur only got a crush on Gabe because of proximity, meanwhile we never find out why Gabe likes Arthur at all. I didn’t like how Gabe got to have a D+M about his challenges, but they didn’t have a similar conversation about Arthur’s, as this left their connection feeling shallow. They just didn’t seem to be into each other very much (and no, I’m not referring to Gabe’s personal obstacle and how it impacted their relationship), and their ending was only really an HFN. The situation with Gwen and Bridget was similar. It appears that Gwen gets a crush on Bridget because of proximity, and we never know why Bridget likes her back. Their connection seem to be purely physical, and their ending was barely an HFN. The dual HFNs were rendered even worse as the author tried to establish them in the light of a tragic event which happens with like, 20 pages to go. I was just so disappointed in how lacklustre the romance was. I wanted to be swept away in a whirlwind of romance, historical pining and soulmate-level bonding, but all I got was a small gust of air. 

The characters themselves were similarly disappointing. I’ll begin with the MCs, Gwen and Arthur, whose perspectives we read from. Honestly, Gwen’s storyline was about getting her hand held by those less privileged than her as she realises that maybe she should use her power to help others. There was development in this area, which was something, but overall I found it exasperating. 

There was so much potential with Arthur’s character, but it was squandered. Arthur is suffering domestic abuse and (let’s be real) with alcoholism, yet neither of these factors are given the weight they deserve. I feel like no one talked to him properly about his home life; he never got that chat and chance for support and connection regarding it. Arthur also has an alcohol problem which he decides won’t be a problem anymore and then miraculously it’s gone. Also, his trust issues, which are set up in the beginning, aren’t actually a thing? When situations crop up that would trigger them, they don’t. Instead his character is reduced to someone who exists to support Gwen and Gabe. This is a poor way to treat any character, but is especially concerning in light of the fact that Arthur is Iranian, and Gabe and Gwen are white. (Please let me know if I’m stepping out of my lane here, or have read the situation wrong.) 

Bridget, Gwen’s love interest, is similarly poorly developed. We never get a sense of her as a person. Granted, we know what she likes, what she is good at and wants to do, but Croucher gives her no depth. For example, what is her history? Was she born in England or did she move? Where are her parents, who are so important to her? Also, we don’t see her just talk, just be, we only really see her framed by Gwen’s physical attraction. Like Arthur, she ends up existing only to handhold Gwen. This is again a poor way to write a character, even more so considering Bridget is Thai while Gwen is white. (Again, please let me know if I’m stepping out of my lane here, or have read the situation wrong.) Furthermore, Bridget has endo but this rep felt tokenised. If you’re going to give your character a chronic illness, then you need to show it as a consistent part of their character, not as something that shows up once. Bridget’s symptoms only make the page once when she is on her period (this book takes place over several months, by the way, and endometriosis symptoms are not limited to times of menstruation). 

On a more positive note, Gabe was the most interesting and dynamic character to me, and we didn’t even get his POV! I was so engaged by how he was torn between duty and himself, being so focussed on serving others that he didn’t even know what he wanted for himself, let alone allow himself to voice and seek those wants. I was struck by the ways in which Gabe set impossible standards for himself, and the lengths he would go to to meet them, including suppressing an essential part of who he was. He felt like an actual person with real and understandable reactions to the impossible situation he found himself in. 

In terms of plot, it was meandering at times with repetitive moments, especially between Arthur and Gabe. I wish there had been a little more direction with fewer random time jumps. With the writing style, I wasn’t a fan of the attempts at humour. I think authors think the type of dialogue employed here is unique when nowadays it’s very much not, and so makes characters seem generic. Also, it was just overdone in this specific instance. 
So given all the negatives I’ve recorded here, why the 2.5 stars? Firstly, because I found the book to be a comforting space to be in, in terms of the nostalgic European fantasy vibes. The political element was compelling. Also, I genuinely was enjoying it for a while, because I was expecting it to go places. It didn’t. 

Rep: sapphic MC, gay biracial English-Iranian MC, Thai sapphic LI with endometriosis, gay LI 

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readingwithkaitlyn's review

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adventurous medium-paced
  • Plot- or character-driven? Character
  • Strong character development? Yes
  • Loveable characters? It's complicated

3.5

Thank you to NetGalley and the publisher for an eARC in exchange for an honest review! This is 3.5 stars rounded up.

This is the first book I’ve read centered around Camelot/Arthurian times/etc so my knowledge on that is very little. I cannot speak to how similar it may be to the stories or if fans of that will be pleased but from what I can tell there are tons of references back to the origins. In fact the story was pulling up information I learned in the past but forgot about. 

Obviously this story has a queer twist to it, with Gwen and Art not actually being in love. Although sexualities are never specifically stated it seemed to me that Gwen is Demi/Bi while Art is gay. I kind of wished there was confirmation for the other queer characters in their sexualities. Either way, the book gives what it says it will, which is queer romance with a lot more angst than I was expecting.

The story is very character driven surrounding their personalities and relarionships to eachother as well as circumstances seemingly beyond their control. The main plot point happens within the last couple of chapters and felt a bit rushed and skimmed over. I think if this happened 10 chapters earlier with more development into these characters and their relationships with eachother while enduring that plot point would have upped the ante. I think given that it is a romcom it is unsurprising that those moments happened as an afterthought that it will just come down to reader and preference. For myself I would have liked more but I do think a majority of readers will not be disappointed by the pacing.

As for critiques I have several. There is character growth and the transformation is lovely but the beginning was a bit overkill. I kept thinking “okay we get it, they hate eachother.” And if I’m remembering it correctly, the one character sort of stirring the pot and making things worse never apologized. Especially when there is blackmailing involved, which is fine to some but not my cup of tea when I’m supposed to be rooting for these two characters.

The sexism and misogyny is very period typical but once again, it was hard to stomach at times. I’m not anyone who thinks characters need to be perfect or morally correct, in fact I prefer them flawed, but I would have loved for the women being targeted, like Gwen, to get one over on them all. I think she takes the mistreatment from literally everyone and directs that frustration towards others like Agnes and other women. It madeAnd I worry people will not give her grace like they might with Art who, despite his quirks and growth, I didn’t care for. He agitates Gwen and Gabriel from start to finish, often pushing boundaries and I was hoping by the end he would have settled that. 

I also felt like certain characters were pushing others to come to terms with their sexualities, as expressed by said character being pushed, and it is just not something I personally care for. For the sake of the story I get why there is inklings of this, and it might come down to perception, but again, not my cup of tea.

Despite my critiques, I think there is some great growth without feeling too inauthentic. It felt more like they were in the beginning stages of growth rather than magically being a different person after getting a critique. These things can be a process. I wish we had seen more of this with Agnes and Gwen but it was alright for what we did get.

Even though this book does deal with struggling to accept yourself, fitting into shoes you’re not sure you can feel, dealing with a patriarchy, and growing as a person, there is still often a lighthearted tone. The characters really draw you in even if you’re not the fondest of them at times. I can see the appeal that is captivating so many people.

Overall, I will be recommending and think it was actually sort of nice to get queer characters that are messy and flawed. I might not have loved everything about their flaws but that is what makes them flaws. At the core of the book you can see the heart and intention.

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