Reviews with content warning for Child death - Penance

This felt like a documentary and a thriller movie combined. Very entertaining and a quick page turner. I googled multiple times reading to see if this was a true story, or based on a real town etc. Every character was unlikeable, minus maybe some parents.

I can’t wait for another book by this author. Her two out right now, are both 5 star reads for me.

Content Warnings

bellsdixon's review against another edition

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challenging dark sad tense medium-paced

Plot- or character-driven? A mix
Strong character development? Yes
Loveable characters? It's complicated
Diverse cast of characters? No
Flaws of characters a main focus? Yes

4.0

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a_dja's review against another edition

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dark tense medium-paced

Plot- or character-driven? A mix
Strong character development? No
Loveable characters? No
Diverse cast of characters? No
Flaws of characters a main focus? Yes

2.0

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bookish_hollyx's review against another edition

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challenging dark sad medium-paced

2.0

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signeskov's review against another edition

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dark emotional mysterious reflective medium-paced

Plot- or character-driven? A mix
Strong character development? It's complicated
Loveable characters? It's complicated
Diverse cast of characters? No
Flaws of characters a main focus? It's complicated

5.0

This is a novel who plays with genre successfully and asks the right questions to its audience, content, and the right of the genre to even exist.

What is it that fascinates us about true crime? Why has this grown as a trend in recent years? Are the books any better than the podcasts? What role does fiction play in the account of the non-fictional? And, most interestingly to me, what does fan culture and online fellowship mean to the consumption of true crime?

As one final interviewer of the fictional author of the novel, Penance, prompted:

“You essentially made the story of her daughter’s murder into an entertaining piece of fiction. It’s like you saw a number of primary sources and had contact with people who knew the girls, and you proceeded to more or less write fanfiction about the case. How do you square that with [your] idea of [writing] emotional truth?”

I don’t have any answers to any of the questions I asked above, but I do know that this novel moved me to think critically about the true crime genre in a way I hadn’t before. I don’t consume much true crime content, but either way the premise of this novel drew me in. The fascination of three girls being able to do something so terrible warrants a human need to understand why such a thing might have happened. I even found myself googling whether this case was actually real or fictional - Eliza Clark’s case in point with writing this novel, really.

This was a really interesting read for me as someone who was around the same age as these fictional girls when the events took place. I was also on Tumblr and part of some of their more innocent fandoms like Glee. I know only too well what a ridiculous place Tumblr was in building community though intense aesthetic, fanfiction and shipping cultures.

While I didn’t see much toxicity in the Tumblr strands I was in at the time, I’m sure that looking back now that it was. It makes you think: if I had had less of a secure childhood and teenage years, could I have become part of these dark sides of the community and have its content fuel my emotions with even more angst and anger? Most likely, yes. I imagine many young girls could have been prone to that.

The final point about a new fandom being built around Jodie’s murder really drove the nail into the coffin of Eliza Clark’s point on genre.

In the end, this book left me thinking and will sit with me for some time. That’s always a good thing when that happens. I recommend the audio book version of this as well - the characterization of the main character’s voices are something that engages you but also encourages you to stay a critical listener as well as reader.

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stellahadz's review against another edition

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challenging dark emotional tense medium-paced

Plot- or character-driven? Plot
Strong character development? No
Loveable characters? No
Diverse cast of characters? No
Flaws of characters a main focus? Yes

4.25

I loved how this book was written - it's a novel presented as a non-fiction true-crime book. Clark captures the voices of the teen characters so well, and as someone who grew up using Tumblr (and who was thankfully spared the genuinely horrifying sides of that platform), it was so interesting to see it explored in literature. I also loved that the characters and the setting were so well thought out; everything was described with a perfect amount of detail that tied it back to the crime. I genuinely liked this book a lot, perhaps more than Boy Parts, but there was something about it that bothered me.

As someone who has admittedly listened to and watched true-crime stories (although I try not to engage with media that is sensationalizing or disrespectful of victims and their families), I noticed almost immediately that

Joan's murder and its aftermath was practically a play-by-play of the murder of Shanda Sharer, a girl who was tortured and killed by a group of older teenagers in (I believe) the 90s. I can't help but feel that it's a little disturbing and disrespectful for the book to be *this* closely based on an actual crime against a child. There was no mention of Sharer or her family anywhere in the book notes or the acknowledgments (although I'm not familiar with all of the books that Clark referenced in writing this book.)

Maybe Clark's intention is to engage the audience through a sense of familiarity with especially famous true crime cases. While this is clever and well-executed from a writing point of view, I'm not sure how ethical it is. Again, I did like the book overall, this is just something that bugged me about it.

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miaaa_lenaaa's review against another edition

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dark mysterious reflective tense medium-paced

Plot- or character-driven? Character
Strong character development? It's complicated
Loveable characters? No
Diverse cast of characters? No
Flaws of characters a main focus? Yes

4.5

Ok i actually wayyyy preferred this to boy parts, it wasnt so hyper focused on a single super unlikeable character but builds more depth to the characters i think, in some ways not as focused on the violence aspect but in a way that made it seem far darker and more violent overall i think, i preferred pretty much everything in this tbh

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arayo's review against another edition

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dark mysterious tense slow-paced

Plot- or character-driven? Character
Strong character development? No
Loveable characters? No
Diverse cast of characters? No
Flaws of characters a main focus? Yes

4.0

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