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folkofthebook's review against another edition
emotional
funny
hopeful
mysterious
reflective
tense
slow-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? It's complicated
4.0
...the people we love don’t belong to us. All we own is our love for them, and that’s ours to keep forever.
ya jewish queer urban fantasy about curses, golems, family, and faith. i also liked the kafka-esque beginning with hannah's daily mutations. slower first half, but more gripping in the second.
i loved hannah and gabe's relationship, and ari was fun and spunky. i wasn't quite sure what the tone would going to be the first third of the book or so, but as more family past was uncovered it became more sure of itself. the theme of family complications and love was very touching and emotional at times.
I’ll wake in the middle of the night, and remember where I’ve been and what I’ve lost. And then I wish that I were bloodless. I wish I were clay. I believe the past can drive you mad as anything.
the interweaving of jitka, malka, and their family's past history and jewish mythology was well done and intriguing. i really enjoyed seeing jewish mythology done this way in a fantasy book and would love to see more books like it, esp once the demon is more properly introduced.
A love that does not pretend away pain, but grows to encompass it, like a scar around a healing wound. A love that exposes and embraces the best and worst of us. A love that stays.
Content Warnings
Moderate: Death of parent, Death, and Injury/Injury detail
Minor: Grief, Violence, Dementia, War, Genocide, Antisemitism, and Murder
jdieperink's review
challenging
emotional
hopeful
reflective
medium-paced
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
4.0
I read this in one sitting and I don’t tend to like stories written in first person as much!
It broke my heart almost immediately and then stitched it back together with how Gabe and Hannah took care of each other.
Calling it a fantasy book feels like a disservice somehow, even though it is full of fantastical elements.
The themes of Jewish intergenerational trauma are manifested in physical forms as well as emotional ones. And you get to see generations of women try their very best to take care of their loved ones, if imperfectly. CW: the Holocaust
It’s queer, hopeful, heartbreaking, and full of reminders about how the past lives with us everyday.
It broke my heart almost immediately and then stitched it back together with how Gabe and Hannah took care of each other.
Calling it a fantasy book feels like a disservice somehow, even though it is full of fantastical elements.
The themes of Jewish intergenerational trauma are manifested in physical forms as well as emotional ones. And you get to see generations of women try their very best to take care of their loved ones, if imperfectly. CW: the Holocaust
It’s queer, hopeful, heartbreaking, and full of reminders about how the past lives with us everyday.
Content Warnings
Graphic: Toxic relationship, Abandonment, Grief, and Death of parent
Moderate: War, Genocide, and Antisemitism
kayladaila's review
adventurous
challenging
dark
emotional
mysterious
medium-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? No
4.0
Content Warnings
Graphic: Body horror and Abandonment
Moderate: Antisemitism, Death of parent, Death, Grief, and Confinement
Minor: Pregnancy and Dementia
bookish_purrsuits's review against another edition
adventurous
hopeful
mysterious
medium-paced
- Plot- or character-driven? A mix
- Loveable characters? Yes
- Diverse cast of characters? Yes
5.0
Content Warnings
Moderate: Antisemitism, War, and Genocide
Minor: Death of parent and Dementia
elwirax's review
dark
emotional
medium-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
3.5
Rep: Jewish, lesbian LI, Queer MC, Gay MC with ADHD, non binary side character.
At first I wasn't very invested in the magical realism aspect of this book but I stayed for the quest to retrace ones cultural roots and the complicated family dynamics following 3 generations of women. I'm really glad I did because <b>From Dust, A Flame</b> was an enjoyable and simultaneously heartbreaking tale.
This was my first book by Podos which made me reluctant as I have not experienced her writing style, yet, I really enjoyed how emersive and atmospheric her story telling was.
From Dust, a Flame was a great blend of the fantastical with the mundane. There are elements of Jewish lore such as the Golem mixed with mundane struggles such as academic pressure. I think Podos balanced both these aspects well. I absolutely adored the centralisation ofJewish celebrations and folklore in this book, (although, I cannot comment how true to reality the representation is).
There was interesting commentary on generational trauma and how the lives of family members intertwine which I really enjoyed. It was heartbreaking hearing about Jitka losing her whole family to the war and how this in turn impacted her children's lives. The theme of isolation and lack of communication was done well and explored through these strained family ties.
I though that Hannah and Gabe shared an amazing sibling relationship and I loved that they were eachother's main support. There was also LGBTQIA+ rep which was fantastic.
However, I do have some small nit picks. Firstly, Gabe's transformation at the start was extremely sudden and a bit annoying in the sense that it was very stereotypical in the portrayal of gay people. There was also a lot of characters and family members mentioned which got really difficult to follow despite the family tree provided. Most of these didn't receive any major characterisation which made it seem like the author included them for the sake of doing so. Some aspects felt underbaked such as the Golem who unfortunately didn't serve much of a purpose throughout the story but was an interesting addition. I also didn't think the ending was particularly effective, it seemed a bit too easy and wrapped up quickly.
Overall, I quite enjoyed From Dust, a Flame and will definitely pick up more from Podos in the future.
At first I wasn't very invested in the magical realism aspect of this book but I stayed for the quest to retrace ones cultural roots and the complicated family dynamics following 3 generations of women. I'm really glad I did because <b>From Dust, A Flame</b> was an enjoyable and simultaneously heartbreaking tale.
This was my first book by Podos which made me reluctant as I have not experienced her writing style, yet, I really enjoyed how emersive and atmospheric her story telling was.
From Dust, a Flame was a great blend of the fantastical with the mundane. There are elements of Jewish lore such as the Golem mixed with mundane struggles such as academic pressure. I think Podos balanced both these aspects well. I absolutely adored the centralisation ofJewish celebrations and folklore in this book, (although, I cannot comment how true to reality the representation is).
There was interesting commentary on generational trauma and how the lives of family members intertwine which I really enjoyed. It was heartbreaking hearing about Jitka losing her whole family to the war and how this in turn impacted her children's lives. The theme of isolation and lack of communication was done well and explored through these strained family ties.
I though that Hannah and Gabe shared an amazing sibling relationship and I loved that they were eachother's main support. There was also LGBTQIA+ rep which was fantastic.
However, I do have some small nit picks. Firstly, Gabe's transformation at the start was extremely sudden and a bit annoying in the sense that it was very stereotypical in the portrayal of gay people. There was also a lot of characters and family members mentioned which got really difficult to follow despite the family tree provided. Most of these didn't receive any major characterisation which made it seem like the author included them for the sake of doing so. Some aspects felt underbaked such as the Golem who unfortunately didn't serve much of a purpose throughout the story but was an interesting addition. I also didn't think the ending was particularly effective, it seemed a bit too easy and wrapped up quickly.
Overall, I quite enjoyed From Dust, a Flame and will definitely pick up more from Podos in the future.
Content Warnings
Graphic: Child death, Abandonment, and Death of parent
Minor: Confinement, Antisemitism, and War
onceuponabookcase's review
challenging
dark
emotional
hopeful
sad
tense
medium-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? No
5.0
I was sent a proof for free by Harper360YA for the purposes of providing an honest review.
I read From Dust, A Flame by Rebecca Podos back in March. I'm only reviewing it now because I loved it so, so much, it was difficult to know where to start, and how to put this all-encompassing love into words. It's absolutely incredible, and every time I think about it... it's just such a gorgeous story. But it's Pride Month, and as a sapphic story, there really isn't a better time to share a review. So please bear with me as I try to put !!!! into words, and prepare yourself for an essay, because I have an awful lot to say.
Ever since her dad died, Hannah's mum, Malka, has had her and her brother Gabe moving for most of the life, with no real explanation as to why. They've never really settled anywhere, have had no real friends, and no family beyond each other. But on the morning of her 17th birthday, everything changes; Hannah wakes up to find her eyes have changed. They're yellow, with catlike slit pupils. She has no idea what is happening to her, but her mum thinks she knows someone who can help. She leaves, telling Hannah and Gabe to stay home, not to leave, she'll be back with help in a few days, tops. But days turn into weeks, each day brings a new mutation, with no word from their mum, and no way to reach her. They're starting to really worry, when something comes from her in the mail; the death announcement of her grandmother, Jitka, her mum's mother. The first clue that that they have family out there, and they're too late. With no other ideas, Hannah and Gabe decide to go to Fox Hollow, where her grandmother and extended family live, and see if their mum is there. She isn't, but what they do find is a large family, a family history involving great tragedy, and a whole load of secrets. And a girl Hannah is drawn to, who might just be the key to the answers they seek, and where their mum has gone.
From Dust, A Flame is very much a Jewish fantasy; remove Judaism from the story, and there is no story. The story is for the most part told from Hannah's perspective, but we also get flashbacks from Malka's perspective from when she was a teenager, and Hannah has dreams of her grandmother Jitka's memories as a teenager in Nazi-occupied Prague. It's a story that spans decades and generations and countries. There are so many Jewish threads - Jewish mysticism; stories from Jewish mythology and folklore; Jewish faith and tradition; Jewish history, specifically relating to the Holocaust - and it could easily feel like there are a lot of different things going on, but Podos manages to deftly weave them all together into one cohesive story that is absolutely gripping. From Dust, A Flame is a love letter to Judaism, and it's absolutely beautiful.
Because Malka never discussed her family, Hannah has no idea that she's Jewish. As such, she and Gabe learn about Judaism when they meets their family, as they sits Shiva for Jitka, and are included in Shabbat and Havdalah rituals - and I learnt with them. It might seem strange that for a story that has Judaism at it's heart to have a protagonist who knows nothing about it, but that itself is an important part of the story. There's a reason she didn't know, why Malka never brough it up. But as someone who isn't Jewish, I really appreciated learning alongside Hannah. I'm not the target audience in this respect, but it was so lovely to learn about Judaism this way. I'm an atheist, but I'm quite spiritual, and there was familiarity in the ritual aspects, and even in some of the mysticism that's discussed - Ari, a girl they meet at Synagogue, and the daughter of their mum's former best friend, talks about Jewish mysticism. Her grandmother, Ida was an opshprekherke, a healer with knowledge of Jewish folk medicine, and while everything she did was related to her faith, it feels very similar to wise women and cunning folk of old in the UK. And it's just all so beautiful, I grew up C of E and went to a Catholic school, so Christianity and church services/mass is my experience of religion and faith. And Judaism just seems so much warmer; having rituals at home that led by ordinary people, involving everyone, rather than just services at synagogue led by the rabbi. There just seems to be much more of a community feel to it all. There's so much more to Judaism than what I have experience of in Christianity. And Podos writes with such love, you can feel it pouring off the pages. I just found it so moving, their love of their faith and their people seamlessly threaded through this fantastic story, and I can't see anyone reading From Dust, A Flame and not being touched by it.
I read From Dust, A Flame by Rebecca Podos back in March. I'm only reviewing it now because I loved it so, so much, it was difficult to know where to start, and how to put this all-encompassing love into words. It's absolutely incredible, and every time I think about it... it's just such a gorgeous story. But it's Pride Month, and as a sapphic story, there really isn't a better time to share a review. So please bear with me as I try to put !!!! into words, and prepare yourself for an essay, because I have an awful lot to say.
Ever since her dad died, Hannah's mum, Malka, has had her and her brother Gabe moving for most of the life, with no real explanation as to why. They've never really settled anywhere, have had no real friends, and no family beyond each other. But on the morning of her 17th birthday, everything changes; Hannah wakes up to find her eyes have changed. They're yellow, with catlike slit pupils. She has no idea what is happening to her, but her mum thinks she knows someone who can help. She leaves, telling Hannah and Gabe to stay home, not to leave, she'll be back with help in a few days, tops. But days turn into weeks, each day brings a new mutation, with no word from their mum, and no way to reach her. They're starting to really worry, when something comes from her in the mail; the death announcement of her grandmother, Jitka, her mum's mother. The first clue that that they have family out there, and they're too late. With no other ideas, Hannah and Gabe decide to go to Fox Hollow, where her grandmother and extended family live, and see if their mum is there. She isn't, but what they do find is a large family, a family history involving great tragedy, and a whole load of secrets. And a girl Hannah is drawn to, who might just be the key to the answers they seek, and where their mum has gone.
From Dust, A Flame is very much a Jewish fantasy; remove Judaism from the story, and there is no story. The story is for the most part told from Hannah's perspective, but we also get flashbacks from Malka's perspective from when she was a teenager, and Hannah has dreams of her grandmother Jitka's memories as a teenager in Nazi-occupied Prague. It's a story that spans decades and generations and countries. There are so many Jewish threads - Jewish mysticism; stories from Jewish mythology and folklore; Jewish faith and tradition; Jewish history, specifically relating to the Holocaust - and it could easily feel like there are a lot of different things going on, but Podos manages to deftly weave them all together into one cohesive story that is absolutely gripping. From Dust, A Flame is a love letter to Judaism, and it's absolutely beautiful.
Because Malka never discussed her family, Hannah has no idea that she's Jewish. As such, she and Gabe learn about Judaism when they meets their family, as they sits Shiva for Jitka, and are included in Shabbat and Havdalah rituals - and I learnt with them. It might seem strange that for a story that has Judaism at it's heart to have a protagonist who knows nothing about it, but that itself is an important part of the story. There's a reason she didn't know, why Malka never brough it up. But as someone who isn't Jewish, I really appreciated learning alongside Hannah. I'm not the target audience in this respect, but it was so lovely to learn about Judaism this way. I'm an atheist, but I'm quite spiritual, and there was familiarity in the ritual aspects, and even in some of the mysticism that's discussed - Ari, a girl they meet at Synagogue, and the daughter of their mum's former best friend, talks about Jewish mysticism. Her grandmother, Ida was an opshprekherke, a healer with knowledge of Jewish folk medicine, and while everything she did was related to her faith, it feels very similar to wise women and cunning folk of old in the UK. And it's just all so beautiful, I grew up C of E and went to a Catholic school, so Christianity and church services/mass is my experience of religion and faith. And Judaism just seems so much warmer; having rituals at home that led by ordinary people, involving everyone, rather than just services at synagogue led by the rabbi. There just seems to be much more of a community feel to it all. There's so much more to Judaism than what I have experience of in Christianity. And Podos writes with such love, you can feel it pouring off the pages. I just found it so moving, their love of their faith and their people seamlessly threaded through this fantastic story, and I can't see anyone reading From Dust, A Flame and not being touched by it.
'"Judaism is more than religion, you know. More even than ritual and tradition. It's family." The rabbi smiles down at our blank faces. "We are all the children of Abraham, Isaac, and Jacob, and of Sarah, Rachel, Rebecca, and Leah. We are all united by the actions and sacrifices and the covenant of our ancestors. We were all born into the ancient story of our people, which still unfolds today. Know this, and everything else can be learned."' (p80)
'"It's weird to say a religion is about more than God, but that feels true. It's, like, a shared history, and it belongs to me, and it belongs to you too, even if you never knew about it until just now. Because the things that happened to your grandparents and great-grandparents, they shaped your life, in some way. So you don't have to, I don't know, throw on a yarmulke and dance the hora around the town green to identify that way. It's yours to claim, and nobody can do it for you or take it from you."' (p154-155)
Podos has a wonderful knack of writing characters who have different opinions and experiences - Ari herself is an atheist; Ari's mum doesn't believe in Jewish mysticism, and her mother's "obsession" made her angry; and Hannah and Gabe not really understanding what's happening during Sabbat or the Hebrew spoken at the synagogue - but in a way that shows a lot of love and respect. And that love and respect is given to Jitka. Because while this isn't a story about the Holocaust, this story wouldn't exist in the form it does without it. It's such huge part of Jewish history, such a horrific tragedy, and that history is so much a part of the lives of Jews because the trauma is felt through the generations. And it's through Jitka that Podos acknowledges the genocide of their people, and the effect that is passed down. Jikta's entire family was murdered in the Holocaust. At 16, still a child, she got out through the Kindertransport, but everyone else in her family was stuck in Nazi-occupied Prague, and they were all killed. And when I say all, I mean all; her nine siblings, her parents, her aunts and uncles, her cousins - all, killed. She was left completely and utterly alone, and her grief has never left her. Because it's not just grief is it? They didn't just die, they were murdered, and they were murdered because they were Jews. This is trauma. And it's trauma that was with Jitka always. As such, it effected her parenting; she was so terrified of losing the people she loved again, she was a very strict parent. Her children had very little freedom, there was so little they were allowed to do, and for no real understandable reason other than Jitka's all-encompassing fear. It effected Malka's relationship with her mother, and in turn, it effected how she raised her own children, and their relationships. It's intergenerational trauma. Podos acknowledges that the way Jitka coped and raised her children wasn't healthy, but they also extend to her so much compassion and understanding for all she's been through, and in doing so, all Holocaust survivors. It's so difficult to read Jitka's memories, it's so upsetting, horrifying, but in them Podos honours those killed and those who survived.
This isn't background simply, though. Podos didn't include it because, due to the timelines, there's no way Jitka wouldn't have been effected by the Holocaust. It's more than that; the Holocaust directly effects this specific story. What happens in this book wouldn't have happened without it. As I said before, all these threads are woven together into this story. It all has meaning and purpose, it all effects each other. And it's such a brilliant story! I was completely engrossed, wondering what was happening to Hannah, why Malka cut off all contact with her family, where she was now, what on earth was going on and how it was all connected. I adored the relationship between Hannah and Gabe; Gabe is just the sweetest older brother, and loves Hannah fiercely, though they of course have their ups and downs like all siblings. Gabe was adopted, but that doesn't mean anything to them; however, it was interesting how they both reacted to hearing how he wasn't Jewish because he wasn't Malka's "actual" son. But Gabe is just brilliant, and I adored him! I loved seeing how Hannah was discovering her sexuality through meeting and being attracted to Ari, who is a lesbian. Their romance was the sweetest and so beautiful. And Gabe was gay, and a non-binary character who I was just completely mad about! I just loved all of them, honestly. They are the light and the joy in what is otherwise a sad and confusing and difficult time for them, but together they just support and love each other, and just get things done. I adored where the story went, and the big reveal, and just all layers and seeing how they all fit! I would have preferred for more time to have been spent on what happened after the reveal, but that's just because I loved it so much, rather than because there was anything wrong with pacing. I just adored this whole story!
And I am so desperate for a sequel! With the background of Jewish mysticism, mythology and folklore, I feel like there's definitely potential for more. But more specifically, I feel like there could be a sequel from Gabe's point of view, with him learning more about Judaism and the possibility of him converting, but also about him figuring out how to fix what is broke, and the possibilities around what that could mean for Gabe personally... I hope that's vague enough to give nothing away, but obvious enough for those who have read it. Honestly, I just want more; I want more of these characters, and this world, and Podos' wonderful storytelling. I will be picking up every other book Podos has written, because I need more. Honestly, From Dust, A Flame has stuck with me since I read it, and it's going to be a book I'm going to re-read over and over, and try to push in everyone's hands. I am just so crazy about this book, and I honestly can't recommend it enough.
Content Warnings
Moderate: Death of parent, Death, Grief, and Antisemitism
Minor: Dementia and Blood
This book features a missing person, intergenerational trauma, discussion of the Holocaust, and reference of Nazis.beforeviolets's review
adventurous
emotional
informative
medium-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.5
Thank you so much to Netgalley and Rebecca Podos for providing me with an eARC in exchange for an honest review!
“Judaism is more than religion, you know. More even than ritual and tradition. It’s family… We are all the children of Abraham, Isaac, and Jacob, and of Sarah, Rachel, Rebecca, and Leah. We are all united by the actions and sacrifices and the covenant of our ancestors. We were all born into the ancient story of our people, which still unfolds today. Know this, and everything else can be learned.”
A riveting and layered YA sapphic fantasy filled to the brim with Jewish folklore and history. This is a story about family, identity, isolation, truth, and culture. But most importantly, this is a story about stories. And how important it is to know your own.
This book wonderfully discusses the danger of repressing your burdens and the importance of openly sharing familial history and culture. By displaying the timelines of three descending generations of women and illustrating the trauma they endure, the fear they live by, and the burdens they carry (physical and conceptual), this book is able to demonstrate the effects of generational trauma. It shows how the weight we carry from our ancestors is not chosen, but lives in us regardless, and that we must pass down our culture and our stories and our knowledge because that is how cycles are broken and damage can be confronted. It also portrays the feelings of isolation one can feel when cut off from their loved ones through forced distance, through fear, and through lack of communication and the trauma and loss that can occur when one isn't connected with their family.
My favorite part of this work was how jam-packed it is with Jewish stories and mythology. It offers up a conversation about the way stories literally and metaphorically weave and influence our history and culture. It asks us to question what we accept as truth and what could be possible. Something about the way this book is written made me genuinely believe in its lore. It encourages an open mind and a willingness to learn, and now I can’t wait to go pick up some non-fiction books about Jewish lore to gain even more knowledge about my own culture.
Additionally, I just love Gabe. He’s the best older brother of all time.
TW: underage drinking, blood, parental abandonment, death of family members (grandmother to MC during plot of book offscreen, other family members in flashback mention), grief, discussion and portrayal of WWII/The Holocaust, anti-semitism (theme), death by starvation (offscreen, mention), child death (mention), injury, violence, confinement, kidnapping
“Judaism is more than religion, you know. More even than ritual and tradition. It’s family… We are all the children of Abraham, Isaac, and Jacob, and of Sarah, Rachel, Rebecca, and Leah. We are all united by the actions and sacrifices and the covenant of our ancestors. We were all born into the ancient story of our people, which still unfolds today. Know this, and everything else can be learned.”
A riveting and layered YA sapphic fantasy filled to the brim with Jewish folklore and history. This is a story about family, identity, isolation, truth, and culture. But most importantly, this is a story about stories. And how important it is to know your own.
This book wonderfully discusses the danger of repressing your burdens and the importance of openly sharing familial history and culture. By displaying the timelines of three descending generations of women and illustrating the trauma they endure, the fear they live by, and the burdens they carry (physical and conceptual), this book is able to demonstrate the effects of generational trauma. It shows how the weight we carry from our ancestors is not chosen, but lives in us regardless, and that we must pass down our culture and our stories and our knowledge because that is how cycles are broken and damage can be confronted. It also portrays the feelings of isolation one can feel when cut off from their loved ones through forced distance, through fear, and through lack of communication and the trauma and loss that can occur when one isn't connected with their family.
My favorite part of this work was how jam-packed it is with Jewish stories and mythology. It offers up a conversation about the way stories literally and metaphorically weave and influence our history and culture. It asks us to question what we accept as truth and what could be possible. Something about the way this book is written made me genuinely believe in its lore. It encourages an open mind and a willingness to learn, and now I can’t wait to go pick up some non-fiction books about Jewish lore to gain even more knowledge about my own culture.
Additionally, I just love Gabe. He’s the best older brother of all time.
TW: underage drinking, blood, parental abandonment, death of family members (grandmother to MC during plot of book offscreen, other family members in flashback mention), grief, discussion and portrayal of WWII/The Holocaust, anti-semitism (theme), death by starvation (offscreen, mention), child death (mention), injury, violence, confinement, kidnapping
Content Warnings
Graphic: Abandonment, Grief, and Antisemitism
Moderate: Alcohol, Blood, Death of parent, Death, Child death, Injury/Injury detail, Violence, Confinement, and Kidnapping
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