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purplee_rain89's review
dark
emotional
hopeful
inspiring
reflective
sad
tense
medium-paced
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
5.0
Just like the first book, this story was so heartbreaking, yer incredibly beautiful. I really loved the way it was written; I felt like I was in the situations the characters were in myself and was really able to feel with them. Orion and Valentino's love story might be tragic but in contrast to the first book, it was so beautiful to see one of them live on with the help of the other. I also love how Adam Silvera portrayed the concept of "change the things you can and accept the things you can't change" perfectly, e.g. with Scarlett not being able to see Valentino for one last time and his parents never truly accepting him and loving him as they should. But he still got all the closure he could from their last phone call and the fact that both Scarlett and Valentino found a family with Team Young had something really hopeful about it and I'd like to think that they ho on to heal from his death together.
Another great thing was all the connections you had to the first book! Like Valentino and Orion meeting the younger versions of Rufus and Mateo and even Rufus family, especially his mom who obviously played a big role. Plus, Dalma being the creator of the Last Friends app was beautiful as well.
Just like with the the first book, I found this story to be really inspiring and somewhat motivating to think of life differently and not take it for as granted as we're used to. It really is a whole different perspective to see life through the eyes of someone who knows their death is basically around the corner and it gets you to think about your own views and how maybe you shouldn't wait to do the things you want to do. You need to actually LIVE and to be alive for as long as you can. I could go on and on about how beautiful I think these books are but I'd never finish, so just a huge thank you to Adam Silvera for writing these amazing stories (and also for all the queer and Latino representation in it) <3
Content Warnings
Graphic: Domestic abuse, Grief, Chronic illness, Physical abuse, Murder, Death of parent, Toxic relationship, Outing, Terminal illness, Violence, Religious bigotry, Cursing, Car accident, Child abuse, Death, Homophobia, and Medical content
Moderate: Emotional abuse, Injury/Injury detail, Blood, Misogyny, and Gun violence
Minor: Miscarriage, Pregnancy, Abandonment, Panic attacks/disorders, and Alcoholism
bookishmillennial's review
challenging
emotional
reflective
sad
medium-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? It's complicated
disclaimer if you’ve read other reviews by me and are noticing a pattern: You’re correct that I don’t really give starred reviews, I feel like a peasant and don’t like leaving them and most often, I will only leave them if I vehemently despised a book. I enjoy most books for what they are, & I extract lessons from them all. Everyone’s reading experiences are subjective, so I hope my reviews provide enough information to let you know if a book is for you or not, regardless if I add stars or not. Find me on Instagram: @bookish.millennial or tiktok: @bookishmillennial
As everyone knows, this is the prequel to TBDATE & it covers the first day that Death Cast launches, which is so intriguing because it rang true to how I thought our current society would treat the service too. There would absolutely be naysayers & doomsdayers galore! I felt Adam did an excellent job in illustrating the many emotions and wonders of the characters when it came to Death Cast's new service and what it meant for their lives.
Was I as wrecked as TBDATE? No, but that's because I fully knew what was coming. My dumbass really thought the title was clever and that the author was trying to trick readers and not actually a spoiler of how that book would end hahaha. However, I did get attached to and root for Orion and Valentino, two boys who deserved to be happy and healthy.
I listened to the audiobook, and thoroughly enjoyed the narration. These books call into question how we shouldn't take our days for granted, and I love those reminders.
ALSO !!! Rufus + Mateo cameos?! Like are you kidding?! BE STILL MY HEART <3
As everyone knows, this is the prequel to TBDATE & it covers the first day that Death Cast launches, which is so intriguing because it rang true to how I thought our current society would treat the service too. There would absolutely be naysayers & doomsdayers galore! I felt Adam did an excellent job in illustrating the many emotions and wonders of the characters when it came to Death Cast's new service and what it meant for their lives.
Was I as wrecked as TBDATE? No, but that's because I fully knew what was coming. My dumbass really thought the title was clever and that the author was trying to trick readers and not actually a spoiler of how that book would end hahaha. However, I did get attached to and root for Orion and Valentino, two boys who deserved to be happy and healthy.
I listened to the audiobook, and thoroughly enjoyed the narration. These books call into question how we shouldn't take our days for granted, and I love those reminders.
ALSO !!! Rufus + Mateo cameos?! Like are you kidding?! BE STILL MY HEART <3
"While Death-Cast can only tell someone when they will die, they can't predict how someone's life will change on their End Day. The Decker must make those discoveries themselves by living with the fullest of hearts, down to the last beat."
"I don't want to mistake another day as ordinary again."
"I understand that the person who gets the Death-Cast call isn’t the only one dying. If you really hold someone in your heart, you die too."
"Life shouldn't be about to end before someone begins living."
Content Warnings
Graphic: Religious bigotry, Emotional abuse, Misogyny, Homophobia, Gun violence, Abandonment, and Child abuse
Moderate: Grief, Cursing, and Medical content
Minor: Car accident and Sexual content
robinks's review against another edition
adventurous
emotional
funny
hopeful
mysterious
reflective
sad
tense
fast-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? No
5.0
Ahhhh I loved this heartwarming and also devastating prequel! In what I have come to expect from Silvera, no detail or relationship is unimportant, and I LOVED finding all the small references to They Both Die at the End. Also, this prequel was such a beautiful love letter to NYC and all its hidden and ever-changing treasures. The voice actors were also INCREDIBLE at bringing the characters to life.
Content Warnings
Graphic: Domestic abuse, Terminal illness, Violence, Death, and Death of parent
Moderate: Gun violence, Grief, Homophobia, Misogyny, Cursing, and Religious bigotry
Minor: Sexual content, Car accident, Infidelity, and Medical content
hzcyr's review against another edition
emotional
reflective
sad
medium-paced
- Plot- or character-driven? Character
- Strong character development? No
- Loveable characters? No
- Diverse cast of characters? Yes
- Flaws of characters a main focus? No
2.5
I havent read "They Both Die At The End" so this is my introduction to Adam Silvera's world. Personally, I left feeling it was the genre of dystopian tragedy masequeraded as gay love story contextualised in death.
There are points I also personally thought repetitive or would take a lot of disbelief. It definitely begins to explore some interesting questions but I don't think it goes hsrd enough. The love story itself is adequately good. I do think there are better LGBTQIA+, last-day death-love stories.
This is more a stream of consciousness for the self of issues I had:
• Supposedly, ~8,000 USA citizens die each day [lazy Googling] and yet everyone complains that Death-Cast could be a fialure on launch, despite holding a 100% correction rate of people not dying that don't die and a 0.15% error rate (12/8,000) of people supposed to die but were not contacted. Like, it seems wild that everyone just assumed this system was supposed to be perfect or a complete wreck if anything less.
• On the topic of numbers, Death-Cast is staffed by (I believe) 20 therapists to make calls and an 'optimal' call should last 5 minutes. Assuming a 7.5hr work shift, that's only 90 calls at most or 1,800 if the entire staff worked all shift.
• Adding on that, it feels really cult-like that everyone just welcomes Death-Cast so openly. Some minor characters do question it and there appear to be some terrorist rebels but, even if people don't know how it's so accurate, they all just assume day 1 that one is a doomed individual.
• The CEO, Joaquin, and his wife, Naya, are just so...ignorant and apathetic to this very revolutionary technology. They keep saying it'll help improve lives and it spins as this technology being for the positive but, after the Valentino's call, Joaquin is more worried about press and how his technology looks. Meanwhile Naya is offering water fountains to therapists telling in 5 minute intervals to 90 people that they'll die in 24hrs and if they're not keeping to this optimum, they'll be at risk of poor job performance because 'it'll save many lives'. I would've been more interested if Joaquin, Naya, or their son was one of the people to get the call for launch day.
• Valentino and Orion's meeting, love, and death (for one of them) is all within 21hrs. It's very Romeo & Juliet energy. Like, in suspension of disbeleif, sure, they're in love. And they do have some cute moments. But there's also bits that just do not feel they match for the time they have.
• In a book of very many ethical questions, it feels very unfulfilling because it generally just assumes DeathCast to be good for all. At the end, Joaquin wants to expand and "make sure the military don't weaponise it etc." but it feels very "...and they all lived happily ever after" saccharine for DeathCast. It somewhat explores this, e.g., Doctors won't treat Deckers, flights won't take off if they contain a Decker, they'll be looters and rebellions in response to predictive death technology. But, I think it just misses a lot of nuance. Will the medical industry start an organ harvest system for deckers? Can I prove this system isn't perfect? For the 21hrs of expected death, Valentino is really restrcited and ostracised in many ways for being forced to be a decker and we just accept that as okay because "it'd save more lives if...".
• I don't like that, halfway through, the story decides to adjunct on this plot of "who ELSE will die?". Much as the side characters help add nuance or alternate perspective, it just felt that this added mystery of who else will die took away from the already mystery of when and how Valentino would die, or if he even would at all. I honestly think this story would've just been fine or better focusing in on Valentino & Orion without this B-plot.
I have more issues but on the positives:
• The potrayal of domestic abuse was well done. This was terrifyingly written that I was quite uncomfortable.
• The relationships between characters was generally well done. I like that Scarlett & Orion's sister and their relationships with Valentino & Orion aren't cast aside. The minor characters had some fun dynamics too. Rolando was a bae throughout.
• The potrayal of the message it presents at the end regarding embracing every moment pre-death is decent.
• About 55% way through, I felt like their was genuine connection between Valentino & Orion that felt reasonably believable.
There are points I also personally thought repetitive or would take a lot of disbelief. It definitely begins to explore some interesting questions but I don't think it goes hsrd enough. The love story itself is adequately good. I do think there are better LGBTQIA+, last-day death-love stories.
• Supposedly, ~8,000 USA citizens die each day [lazy Googling] and yet everyone complains that Death-Cast could be a fialure on launch, despite holding a 100% correction rate of people not dying that don't die and a 0.15% error rate (12/8,000) of people supposed to die but were not contacted. Like, it seems wild that everyone just assumed this system was supposed to be perfect or a complete wreck if anything less.
• On the topic of numbers, Death-Cast is staffed by (I believe) 20 therapists to make calls and an 'optimal' call should last 5 minutes. Assuming a 7.5hr work shift, that's only 90 calls at most or 1,800 if the entire staff worked all shift.
• Adding on that, it feels really cult-like that everyone just welcomes Death-Cast so openly. Some minor characters do question it and there appear to be some terrorist rebels but, even if people don't know how it's so accurate, they all just assume day 1 that one is a doomed individual.
• The CEO, Joaquin, and his wife, Naya, are just so...ignorant and apathetic to this very revolutionary technology. They keep saying it'll help improve lives and it spins as this technology being for the positive but, after the Valentino's call, Joaquin is more worried about press and how his technology looks. Meanwhile Naya is offering water fountains to therapists telling in 5 minute intervals to 90 people that they'll die in 24hrs and if they're not keeping to this optimum, they'll be at risk of poor job performance because 'it'll save many lives'. I would've been more interested if Joaquin, Naya, or their son was one of the people to get the call for launch day.
• Valentino and Orion's meeting, love, and death (for one of them) is all within 21hrs. It's very Romeo & Juliet energy. Like, in suspension of disbeleif, sure, they're in love. And they do have some cute moments. But there's also bits that just do not feel they match for the time they have.
• In a book of very many ethical questions, it feels very unfulfilling because it generally just assumes DeathCast to be good for all. At the end, Joaquin wants to expand and "make sure the military don't weaponise it etc." but it feels very "...and they all lived happily ever after" saccharine for DeathCast. It somewhat explores this, e.g., Doctors won't treat Deckers, flights won't take off if they contain a Decker, they'll be looters and rebellions in response to predictive death technology. But, I think it just misses a lot of nuance. Will the medical industry start an organ harvest system for deckers? Can I prove this system isn't perfect? For the 21hrs of expected death, Valentino is really restrcited and ostracised in many ways for being forced to be a decker and we just accept that as okay because "it'd save more lives if...".
• I don't like that, halfway through, the story decides to adjunct on this plot of "who ELSE will die?". Much as the side characters help add nuance or alternate perspective, it just felt that this added mystery of who else will die took away from the already mystery of when and how Valentino would die, or if he even would at all. I honestly think this story would've just been fine or better focusing in on Valentino & Orion without this B-plot.
I have more issues but on the positives:
• The potrayal of domestic abuse was well done. This was terrifyingly written that I was quite uncomfortable.
• The relationships between characters was generally well done. I like that Scarlett & Orion's sister and their relationships with Valentino & Orion aren't cast aside. The minor characters had some fun dynamics too. Rolando was a bae throughout.
• The potrayal of the message it presents at the end regarding embracing every moment pre-death is decent.
• About 55% way through, I felt like their was genuine connection between Valentino & Orion that felt reasonably believable.
Content Warnings
Graphic: Misogyny, Toxic relationship, Chronic illness, Domestic abuse, and Terminal illness
Moderate: Child abuse, Death of parent, Gun violence, Grief, Homophobia, and Violence
Minor: Cursing and Religious bigotry
captainoliimar's review against another edition
challenging
dark
emotional
mysterious
sad
tense
slow-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? No
4.0
Content Warnings
Graphic: Murder, Grief, Cursing, Death, Death of parent, Mass/school shootings, Domestic abuse, Gun violence, Physical abuse, Car accident, Medical content, and Medical trauma
Moderate: Chronic illness, Blood, Injury/Injury detail, Hate crime, Homophobia, and Racism
Minor: Violence, Suicidal thoughts, Alcohol, Stalking, Misogyny, Outing, and War
riereeds's review against another edition
emotional
inspiring
reflective
sad
tense
medium-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? It's complicated
5.0
I loved this book. Just as heart wrenching as “They both die at the end”. You find yourself wishing that the title is wrong and that the death call is also wrong. But it isn’t it’s very right. And my heart is in pieces.
Content Warnings
Moderate: Blood, Death, Death of parent, Grief, Gun violence, Misogyny, Homophobia, Physical abuse, Religious bigotry, Domestic abuse, Emotional abuse, Medical trauma, Alcohol, and Chronic illness
mauvesoul's review against another edition
dark
emotional
sad
tense
medium-paced
4.5
Content Warnings
Graphic: Grief, Death of parent, Medical content, Death, Medical trauma, Gun violence, Murder, Injury/Injury detail, Blood, Emotional abuse, Chronic illness, Homophobia, Infidelity, Domestic abuse, Misogyny, Physical abuse, Religious bigotry, Toxic relationship, Violence, and Terminal illness
Minor: Cursing, Infidelity, and Car accident
calamityandcoffee's review
emotional
inspiring
sad
tense
slow-paced
- Plot- or character-driven? Character
- Strong character development? N/A
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? No
4.25
so beautifully written. it covers important, heartbreaking topics in a hopeful way - leaving you to feel both sad and happy when you put the book down. despite being slow paced, mainly set over just 24 hours, the tension grips you so that you cannot put it down.
Content Warnings
Moderate: Grief, Death of parent, Gun violence, Violence, Domestic abuse, Mass/school shootings, and Death
Minor: Homophobia and Misogyny
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