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Graphic: Child abuse, Child death, Domestic abuse, Gore, Hate crime, Physical abuse, Racial slurs, Racism, Sexual content, Torture, Violence, Police brutality, Murder
Moderate: Addiction, Cursing
Graphic: Bullying, Child abuse, Child death, Cursing, Death, Domestic abuse, Drug abuse, Drug use, Emotional abuse, Gore, Hate crime, Homophobia, Mental illness, Misogyny, Physical abuse, Racial slurs, Racism, Sexism, Sexual content, Sexual violence, Suicide, Torture, Violence, Xenophobia, Blood, Excrement, Police brutality, Religious bigotry, Death of parent, Murder, Pregnancy, Fire/Fire injury, Injury/Injury detail
(Recensione in italiano in fondo)
đŹđ§
I took my time to review this collection of short stories written by James Baldwin. This already happened with âNo Name In The Streetâ, which left me many reflections and yet I was left speechless, but one thing I can say: Baldwin is a great author and I hope these new editions of his books make his words spread further among new generations of readers.
Nostalgia, joy, despair, grief, fear, rage, sadness, disgust, love. A vertigo of emotions and feelings hold together by a writing style that is nearly biblical, poetic and yet raw, realistic. Every story was a punch in the stomach and at the end of everyone I wept. Thanks to âGoing To Meet The Manâ I could travel in 50s Paris and discover its trendiest night clubs and in New York jazz clubs; in the awful Southern States of America. I got to know poets, musicians, farmers, women and men in love, actors and filmmakers, Saints. I felt rage, sadness, disgust and nostalgia. The dizziness of literature, the beauty of reading.
I empathised with the man in characters, but I also despised them. I got indignant and disgusted by the last story, so cruel. Yes, James Baldwin was a great author, and these short stories show it.
đŽđš
Mi sono presa un poâ di tempo per recensire questa raccolta di racconti scritti da James Baldwin. GiĂ âNo Name In The Streetâ mi aveva lasciata con tantissime riflessioni eppure ero rimasta senza parole, cosĂŹ è accaduto con questo. Una cosa posso dire subito: Baldwin è un grandissimo autore e spero che grazie alle nuove edizioni dei suoi libri le sue parole vengano diffuse ancora di piĂš fra le nuove generazioni di lettorÉ.
Nostalgia, gioia, disperazione, lutto, paura, rabbia, tristezza, disgusto, amore. Un vortice di emozioni e sentimenti umani conditi da una scrittura quasi biblica, poetica, eppure cruda e realistica. Ogni racconto era un pugno allo stomaco e a ogni conclusione un pianto pieno. Grazie a âGoing to Meet the Manâ ho potuto viaggiare nella Parigi degli anni â50 tra i locali notturni piĂš trendy e nella New York dei jazz club; nei terribili Sud degli Stati Uniti. Ho conosciuto poeti, musicisti, contadini, uomini e donne innamorate, attori e registi, Santi. Ho provato paura, tristezza, disgusto e nostalgia. La vertigine letteraria, la bellezza del leggere.
Ho empatizzato con i protagonisti, ma anche disprezzo. Mi indignata e disgustata con lâultimo racconto, orribile, crudele. James Baldwin sĂŹ che è un grande autore, anche i suoi racconti lo dimostrano.
Graphic: Racism, Torture, Murder
Moderate: Murder
The writing is beautiful, fluid and straightforward.
Free copy sent by Netgalley, the book was originally published in 1965.
Graphic: Death, Racial slurs, Racism, Torture
below, i have placed the short stories in this collection in order from i think most re-readable to least (my âfavoritesâ first? i suppose?)
- Sonnyâs Blues (fantastic narrative structure for a short story (starting in the present, then jumping to a reflective past, which we stay in through the end of the tale, leaving us wondering what will happen now). the characters and their familial dynamics felt so real in such little time/so few pages, and i was left feeling very, very moved by the final scene in the jazz bar and the final lines of the sorry. such vivid, mesmerizing, loving descriptions of jazz and the people that play it)
- The Outing (an exciting expansion on characters i became so familiar with through first reading Go Tell It On the Mountain. sweet, sad, and altogether interesting. i like that baldwin kind of cracks the delicate egg of johnâs possiblr queerness, which can be read just barely between the lines in GTIOTM, but is given clearer focus here)
- Come Out the Wilderness (i have seen people critique baldwin writing women but i quite like the way he writes them. i do! idk if thereâs a way to capture the entirety of womanhood correctly, but i think he takes women seriously, which is crucial. i think this story is so, so sad: a crumbling/crumbled relationship, internalized racism and low self esteem, feelings of being just totally lost. itâs sensitive, honest, very good)
- Previous Condition (iâm just now starting Another Country and the two works remind me of one anotherâa Black man protagonist suffering, going positively mad from the exhausting and never ending trials of american anti-Black racism, surrounded by white friends and lovers who will never, never understand what it is to be Black in america. this short reads pretty modern, and itâs bleak, and again, itâs amazing how much he can bring a character to life in so few pages)
- This Morning, This Evening, So Soon (this oneâs got some actual joy in it between the mixed, mostly negative feelings, and an ever-rare loving relationship in these pages about so much pain and oftentimes, emotional abuse. its most unique thematic exploration regards the different experiences for Black people in America vs in France, and for Black Americans vs Black Arab Africans in France)
- The Rockpile (i liked this one but coming right out of reading Go Tell It On the Mountainâand this is the very first short story in the collectionâit wasnât a super fresh update to the characters, and didnât captivate me the most. still a well written story with gorgeous prose of course)
- The Man Child (this one had a really interesting southern gothic quality to it, ultimately ending in a scene of true horror, but it struck a pretty different tone than all the rest of the stories. much more mysterious motivations for its antagonist. heâs another na whoâs been pushed to the edge of his sanity, though, thatâs for sure)
- Going to Meet the Man (just so NOT re-readable. as i said at the top: really horrible content. itâs a very thorough journey into the dark, entrapped, panicking mind of a racist, violent bigot. the flashback to childhood is a haunting scene. itâs a tonal shock and a major perspective shift).
as always: james baldwin is spectacular. the blues and jazz are common threads throughout that weave in seamlessly. iâd recommend this to anyone looking for gorgeous prose and dark meditations on selfhood and american racism⌠heâs always brilliant
Graphic: Body horror, Death, Gore, Hate crime, Racial slurs, Racism, Torture, Violence, Blood, Murder, Fire/Fire injury
Moderate: Addiction, Drug abuse, Drug use, Emotional abuse, Rape
Minor: Child death
The Rock Pile - the last line literally gave me chills. Even though the scene ends there the line perfectly encapsulates whatâs going to happen even though intentions arenât clearly stated.
The Outing - there's a whole lot going on in this short story. Grappling with religion and romantic attraction. That fear of knowing you might be different but you're not quite sure what it means. There's a hint of parental abuse as well. It honestly feels like a snapshot in time.
The Man Child - throughout the story there's this underlying tension between the adult characters and a child who is trying to make sense of what's going on around him. We're mostly in the child"s thoughts throughout which is especially horrifying towards the end. Like the atmosphere in this short story builds to where you know something is off and you're waiting in dread for something horrific to happen, but when it does finally happen you're still not quite ready.
Previous Condition - this short story is just so fucking sad because of how so little has actually changed. You feel the protagonist's anger, fear, and utter exhaustion as he tries to just exist in a world that makes it so difficul for black people to exist. I teared up multiple times at his desperation and an agony he couldn't adequately explain to his white Jewish friends, who could understand oppression and prejudice, but couldn't truly understand being black in America. How you can't hide from it and pass as white. How the system is suffocating and all around him. The isolation and loneliness reaches out from the page. It's heartbreaking.
Sonny's Blues - this is the first of the stories in here where I feel like there is some hope. Although I feel like it wouldn't quite fit with the rest of the stories if that hope wasn't ambiguous and fragile, like it could be taken away at anytime. The Man knows how to write. The complicated feelings and guilt between siblings and the effects addiction has on everyone. Also, the way he describes the jazz being performed at the end almost as a conversation and story is perfect.
This Morning, This Evening, So soon - Baldwin writes emotions and lived experiences so well. I love how love and family is portrayed in this short story. It's everything love and family should be, but realistically portrayed.
The exploration of black identity and how it compares to France and America while also exploring the tense relations between the Arabs and Frence was interesting. The complexity of the relationships between the protagonist who is a black American, who has found freedom in France, and a white Frenchman, and Tunisian Arab was fascinating. How the protagonist was kind of in the middle of these two groups and kind of had a loyalty to both.
Baldwin is really good at taking a normal everyday scenario and giving it so much weight and meaning even though it still remains ordinary. Like these two things exist at once.
Coming Out the Wilderness - The internalized misogyny and shame the heroine is dealing with is awful. I honestly just want to give her a hug and tell her she's worth so much more than how any of these men see her or even how she sees herself. I really wish there was a more hopeful ending to this one.
I can't decide if Baldwin recognized the double standards that his female protagonist is held to or not. I don't know enough about how he viewed women, particularly black women who are in interracial relationships, to really understand what he was trying to say with this character.
In the last short story the male protagonist is in an interracial relationship and there's no sense of shame with it. However. The protagonist was concerned when his white French friend and Arab friend were interested in a black woman they had all just met. Even the protagonist didn't quite understand why he was disturbed by it. So it does make me wonder if there's some hang ups there by the author. I'll need to read more by him to see if this perception has merit.
Like everything so far it's well written and compelling. You feel with each of his protagonists.
Going to Meet the Man - the amount of vitriol in this protagonist's mind is repulsive. Like the amount of hate and abuse he espouses, and knowing it was the norm (and for some people still is). That he has power over people is infuriating.
The description of the abuse black people endured while protesting for their human rights was hard to read. It's eerily familiar to how cops still deal with those protesting like during the BLM protests and now with the Pro-Palestinian protests. That so very little has actually changed with how law enforcement polices black, brown, and poor bodies is literally a crime against humanity.
Also, how he uses music throughout this story to help weave everything together is such good storytelling. He's also really good at using flashbacks where it flows seamlessly with the present.
Speaking of flashbacks, the one in this story was hard to get through. So much violence and hate. This was the hardest story to get through, and that's saying something considering how some of the other stories ended.
Graphic: Racial slurs, Racism, Torture, Violence
1. The Outing
2. Previous Condition
3. The Rockpile
4. The Man Child
5. This Morning, This Evening, So Soon
6. Sonny's Blues
7. Come Out the Wilderness
8. Going to Meet the Man (MAJOR TRIGGER/CONTENT WARNING FOR LYNCHING)
What I like most about "The Outing" is how close to home it feels. Baldwin perfectly captures what it's like to grow up in the Church around very religious people and feel all that shame, guilt, and trauma even as a child. Along with these religious power dynamics, he also explores how this intersects with gender and age within the congregation. I love the descriptions of male intimacy-whether platonic or romantic it could be read-between the two boys Johnnie and David. These boys, as well as their friend Roy, do not buy the narrative of salvation that others around them do. But Johnnie, being the preacher's son and living and breathing this religion, still desires the great love and intimacy all the worshippers around him display during the service on the boat. It is a beautiful scene that Johne observes, but he is not truly apart of. I felt that as a queer person with religious trauma, the seamless parallels Baldwin makes are very powerful.
*full review will be on blog*
Graphic: Torture, Violence, Murder
Moderate: Hate crime, Racial slurs, Sexual content, Car accident
Minor: Slavery, Abortion
Graphic: Child abuse, Child death, Confinement, Cursing, Death, Domestic abuse, Drug abuse, Drug use, Emotional abuse, Genocide, Gore, Hate crime, Homophobia, Mental illness, Miscarriage, Misogyny, Physical abuse, Racial slurs, Racism, Rape, Sexism, Sexual violence, Slavery, Suicidal thoughts, Suicide, Terminal illness, Torture, Toxic relationship, Violence, Police brutality, Kidnapping, Grief, Religious bigotry, Medical trauma, Suicide attempt, Murder, Colonisation, Injury/Injury detail, Classism, Deportation
Graphic: Death, Racism, Torture, Violence, Injury/Injury detail
Moderate: Racial slurs
Graphic: Addiction, Child death, Hate crime, Racial slurs, Racism, Torture, Police brutality, Murder, Fire/Fire injury
Minor: Sexual content, Toxic relationship