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nokvi's review against another edition
dark
funny
mysterious
reflective
slow-paced
- Plot- or character-driven? Character
- Strong character development? No
- Loveable characters? It's complicated
- Diverse cast of characters? No
- Flaws of characters a main focus? No
4.0
Lestat rel sickening LMAOOOOO, so sickening he funny. This man so vain eh, I can't stand his ass. Also Gabrielle saying Let's head to africa and get them to worship us like gods. Rice ik you probably in hell but still that was nasty
Content Warnings
Graphic: Blood, Murder, and Death
Moderate: Incest, Adult/minor relationship, and Animal death
Minor: Slavery and Racism
takarakei's review against another edition
dark
slow-paced
- Plot- or character-driven? Character
- Strong character development? It's complicated
- Loveable characters? It's complicated
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
3.0
Slightly better than book 1 cause Lestat is just quite the character. The middle is SOOO slow, but the ending is REALLY good. TBH I had to look up a chapter summary on reddit which gave me life and the ability to finish this. Only really stuck with it cause I was reading it with friends so that we can watch the Queen of the Damned movie together :')
Content Warnings
Graphic: Animal death, Blood, Murder, and Death
Moderate: Adult/minor relationship, Violence, Fire/Fire injury, and Incest
Minor: Slavery
churglem's review
adventurous
dark
funny
relaxing
slow-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
5.0
Content Warnings
Graphic: Grief, Blood, Violence, Fire/Fire injury, Murder, Death, and Suicide
Minor: Kidnapping, Slavery, Vomit, Animal death, Trafficking, Excrement, Adult/minor relationship, and Child death
deductionist's review against another edition
dark
tense
medium-paced
- Plot- or character-driven? Character
- Strong character development? It's complicated
- Loveable characters? Yes
- Diverse cast of characters? It's complicated
- Flaws of characters a main focus? Yes
3.75
Lestat takes warnings and "no's" as just encouragement. Quoting a line from the book:
“Lestat, what did I say last night?” he asked. “You are the damnedest creature!”
That's it. That's the vibe of this entire book.
“Lestat, what did I say last night?” he asked. “You are the damnedest creature!”
That's it. That's the vibe of this entire book.
Content Warnings
Graphic: Death of parent, Gore, Suicide, Incest, Blood, Death, Injury/Injury detail, Fire/Fire injury, Murder, and Violence
Moderate: Stalking, Alcoholism, Kidnapping, Alcohol, Sexual content, and Adult/minor relationship
Minor: Misogyny
Adding all the content warnings I could think of for this book was a freaking TRIP. This book is not for the faint of heart. A lot of heavy topics are presented here, but I think they're handled well.mothstrand's review against another edition
adventurous
challenging
dark
emotional
funny
mysterious
sad
slow-paced
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
3.75
Content Warnings
Graphic: Blood, Death, Violence, and Murder
Moderate: Suicide and Adult/minor relationship
Minor: Slavery and Racism
jackbifrost's review against another edition
challenging
dark
medium-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
4.0
Content Warnings
Graphic: Blood, Abandonment, Death, Death of parent, Grief, Incest, Murder, Toxic friendship, and Violence
Moderate: Racism, War, Adult/minor relationship, Suicidal thoughts, Animal death, Confinement, Fire/Fire injury, Misogyny, and Slavery
tbd24's review
dark
mysterious
reflective
tense
medium-paced
- Plot- or character-driven? Plot
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
4.5
honestly I wasn’t convinced i was gonna continue the vampire chronicles at the end of IWAV, but right from the start this book got me interested. well maybe not RIGHT from the start but once Lestat started talking about his past. I loved his melodrama, the way he turns everything into a philosophical puzzle to be solved. And unpopular opinion lol but I like that Anne Rice made the vampires not care about human conventions like incest and age gaps, it shows how they are fundamentally changed from human kind. Even if these are still meant to be morally questionable actions, the modern vampires all maintain that they are evil creatures so why shouldn’t they commit horrific social crimes??? they kill people lol . Ultimately, i can understand why some people wouldn’t enjoy a book that happens mostly in someone’s thoughts and memory but boy is it my cup of tea, i’m so excited to read the next one
Content Warnings
Graphic: Death, Animal death, Blood, Fire/Fire injury, Gore, Murder, Religious bigotry, Terminal illness, and Toxic relationship
Moderate: Incest and Racism
Minor: Slavery, Adult/minor relationship, War, and Violence
softwindflower's review against another edition
adventurous
dark
reflective
medium-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
4.0
Content Warnings
Graphic: Blood, Mental illness, Death, Murder, and Incest
Moderate: Adult/minor relationship
Minor: Slavery
crisisalide's review against another edition
adventurous
dark
emotional
medium-paced
- Plot- or character-driven? A mix
- Strong character development? No
- Loveable characters? Yes
- Diverse cast of characters? It's complicated
- Flaws of characters a main focus? Yes
4.25
Content Warnings
Graphic: Blood, Death, and Violence
Moderate: Suicide and Terminal illness
Minor: Adult/minor relationship, Child abuse, Kidnapping, and Sexual violence
emtees's review
adventurous
challenging
dark
emotional
funny
sad
medium-paced
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
5.0
This is one of the best books in this series. And I say that as someone who is a little, um, skeptical of the narrator.
I first read this book twenty-five years ago and remember it as one of my favorites. It holds up perfectly on a reread. It takes Lestat, the sort-of-antagonist of Interview with the Vampire, and turns him into the hero, not by going forward with his story from the point where we last saw him, but by going back to show us that he was actually the hero all along. I saw another reviewer on this site suggest that this is very much a fanfiction trope, and 100% it is, which is very funny given Anne Rice’s well documented dislike for fanfic. I think if I trusted Lestat’s POV anymore than I trusted Louis’s in the first book, I would find this twist irritating, but after reading these books for decades, I’m convinced that, whether she meant to or not, Anne Rice wrote a saga about a whole coven of unreliable narrators. And from that perspective, there is no question that Lestat is the most entertaining, charming and ridiculous of the lot.
There are things about this book that are extremely odd and should not work. The pacing and story structure are weird. The book starts with Lestat in 1984, reading Louis’s book and deciding he needs to set the story straight, while also embarking on a career as a “rock superstar” for… reasons. We then flash back to France in the 1780s, where Lestat is a young aristocrat-turned-actor. Honestly, the reveal that Lestat was a theater kid explains everything you need to know, but it’s still the first few chapters of the book with a lot to go. The first half of the story focuses on Lestat’s life in Paris with his lover, the tragic musician Nicolas, his initial turning by the vampire Magnus, his early days discovering life as a vampire, and his conflicts with the Children of Darkness, a cult of Satanic vampires led by a familiar character from the last book. This part all makes sense and holds together like you’d expect a story to do. But then, at the end of this section, Lestat embarks on a whole other worldwide journey, and suddenly a huge part of the narrative is taken up with flashbacks-within-flashbacks explaining the lives of a series of other characters, while the worldbuilding and lore expand dramatically. These sections are very interesting to read even if you know that they will eventually get fleshed out into their own books, but there’s something very bold about deciding to spend so much time in a book called The Vampire Lestat on the lives of people who are not Lestat. After that, we get two chapters labeled “Interview with the Vampire,” in which Lestat retells the events of the first book from his own perspective, with a lot of new information and sometimes outright contradicting the things we’ve already read. This will become a thing with the Vampire Chronicles in later books, and it shouldn’t work, but in some ways, it’s the whole appeal of these stories: seeing the same characters and plot lines and even scenes from different perspectives, learning how point-of-view changes what was really going on. Like I said, this is a series about unreliable narrators.
There’s so much that I like about this book - so many different settings and characters and details that come to life on the page. Anne Rice was famous for her descriptive talents, and in some of the other books, her dense prose could drag the story to a halt, but here her ability to set a scene just leads to one iconic moment after another, whether beneath the catacombs of Paris in the 18th century or at a massive rock concert in 1980’s San Francisco. This is the book where I think she really settled on her style for this series; while Interview with the Vampire felt like it was leaning heavily on vampire fiction tropes even as it played with them, The Vampire Lestat is entirely it’s own thing, and the characters in it aren’t like any other vampires. The unique cast, with their passionate, melodramatic personalities and tragic, longing relationships will stick with you.
Also, there’s a car chase, complete with explosions, and how many gothic stories can say that?
I first read this book twenty-five years ago and remember it as one of my favorites. It holds up perfectly on a reread. It takes Lestat, the sort-of-antagonist of Interview with the Vampire, and turns him into the hero, not by going forward with his story from the point where we last saw him, but by going back to show us that he was actually the hero all along. I saw another reviewer on this site suggest that this is very much a fanfiction trope, and 100% it is, which is very funny given Anne Rice’s well documented dislike for fanfic. I think if I trusted Lestat’s POV anymore than I trusted Louis’s in the first book, I would find this twist irritating, but after reading these books for decades, I’m convinced that, whether she meant to or not, Anne Rice wrote a saga about a whole coven of unreliable narrators. And from that perspective, there is no question that Lestat is the most entertaining, charming and ridiculous of the lot.
There are things about this book that are extremely odd and should not work. The pacing and story structure are weird. The book starts with Lestat in 1984, reading Louis’s book and deciding he needs to set the story straight, while also embarking on a career as a “rock superstar” for… reasons. We then flash back to France in the 1780s, where Lestat is a young aristocrat-turned-actor. Honestly, the reveal that Lestat was a theater kid explains everything you need to know, but it’s still the first few chapters of the book with a lot to go. The first half of the story focuses on Lestat’s life in Paris with his lover, the tragic musician Nicolas, his initial turning by the vampire Magnus, his early days discovering life as a vampire, and his conflicts with the Children of Darkness, a cult of Satanic vampires led by a familiar character from the last book. This part all makes sense and holds together like you’d expect a story to do. But then, at the end of this section, Lestat embarks on a whole other worldwide journey, and suddenly a huge part of the narrative is taken up with flashbacks-within-flashbacks explaining the lives of a series of other characters, while the worldbuilding and lore expand dramatically. These sections are very interesting to read even if you know that they will eventually get fleshed out into their own books, but there’s something very bold about deciding to spend so much time in a book called The Vampire Lestat on the lives of people who are not Lestat. After that, we get two chapters labeled “Interview with the Vampire,” in which Lestat retells the events of the first book from his own perspective, with a lot of new information and sometimes outright contradicting the things we’ve already read. This will become a thing with the Vampire Chronicles in later books, and it shouldn’t work, but in some ways, it’s the whole appeal of these stories: seeing the same characters and plot lines and even scenes from different perspectives, learning how point-of-view changes what was really going on. Like I said, this is a series about unreliable narrators.
There’s so much that I like about this book - so many different settings and characters and details that come to life on the page. Anne Rice was famous for her descriptive talents, and in some of the other books, her dense prose could drag the story to a halt, but here her ability to set a scene just leads to one iconic moment after another, whether beneath the catacombs of Paris in the 18th century or at a massive rock concert in 1980’s San Francisco. This is the book where I think she really settled on her style for this series; while Interview with the Vampire felt like it was leaning heavily on vampire fiction tropes even as it played with them, The Vampire Lestat is entirely it’s own thing, and the characters in it aren’t like any other vampires. The unique cast, with their passionate, melodramatic personalities and tragic, longing relationships will stick with you.
Also, there’s a car chase, complete with explosions, and how many gothic stories can say that?
Content Warnings
Moderate: Incest, Mental illness, and Suicide
Minor: Adult/minor relationship
One of the main relationships in the story is incestuous; the characters talk about physical attraction to each other, though there is no sexual contact. A major character commits suicide off-screen after experiencing mental illness.