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gbaty's review
adventurous
dark
emotional
sad
tense
fast-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
4.5
I don't read horror, but this has been one of the best books so far of my year.
Content Warnings
Graphic: Confinement, Forced institutionalization, and Medical content
Moderate: Mental illness and Sexual assault
Minor: Death of parent
bookforthought's review
adventurous
dark
medium-paced
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.0
I was personally never a fan of Peter Pan. I always found him to be too fickle, spoilt, controlling and sometimes downright abusive to romanticise him or Neverland, so I tend to really enjoy any retelling where Peter Pan is not portrayed as a hero. Wendy, Darling fit right into that category, but at the same time did so much more by giving Wendy a voice and allowing her to tell her story - and this time it is not a bedtime story for children.
Wendy, Darling was beautifully structured, alternating between Wendy's first time in Neverland, her experience of life in London after returning from Neverland, and her return to Neverland to rescue her daughter Jane, whom Peter has kidnapped to become a new mother for the Lost Boys. We also get to see things from Jane's POV, as she tries to make sense of what is happening to her and work out how to survive Neverland and return home. I really liked this structure, and I thought it worked very well to really show all that Wendy endured while slowly peeling off layers of Wendy's memories to reach the truth of Neverland, Peter and the darkness lurking within.
This book takes some really dark turns, and I think after reading this no one will be able to look at Peter Pan or the Lost Boys in quite the same way again. Together with Wendy, we readers are brought to questioning everything we thought was true. But what is real and what is fantasy?
Wendy was a fantastic character. She is a survivor, having experienced suffering and abuse for years following her return from Neverland. Unlike her brothers, Wendy has not forgotten their time in Neverland, but she is disbelieved by everyone until she is finally committed to an asylum where treatments are brutal and dehumanising. The chapters recounting Wendy's time in the asylum were particularly harrowing, especially because of all the bullying and abuse she suffered at the hands of the staff so maybe be cautious in approaching this if that might be triggering for you. Knowing her pain gives so much more weight to Wendy's decision to go back to Neverland as a grown woman to save her daughter and is a testament to her strength.
Even though Wendy, as the main character, carried the show, all the characters felt really well developed, including the minor ones. I am all about the characters, and these ones really delivered! From Wendy's brothers to the Lost Boys, and from old Neverland friends to her new family, everyone has something to offer and I was totally here for it! Peter is of course a key character in this, and I really liked the author's take on him.
There were times when I got a bit frustrated as things seemed to be moving too slowly, but it somehow didn't feel as though there was an issue with pacing. The slower passages felt very deliberate, and especially in certain sections I could feel the characters' frustration, which I think was the point? The book takes its time, building a picture of all the characters bit by bit until we think we can see the whole of them... but can anyone ever do that?
Overall, Wendy, Darling is a wonderfully dark retelling that takes on a life of its own, almost independently from the original story, to explore very real and modern issues around misogyny, mental health, trauma and survivorship, family and many, many more.
Content Warnings
Graphic: Bullying, Death, and Confinement
foreverbookwandering's review
adventurous
dark
mysterious
slow-paced
- Plot- or character-driven? Character
- Strong character development? It's complicated
- Loveable characters? No
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
3.0
Thank you to NetGalley and Titan Books for the advanced copy of this book in exchange for my honest review.
The first fifty percent of this felt really similar to Lost Boy by Christina Henry. I think the problem is there are so many Peter Pan retellings (don't get me wrong, I love that there are), that it seems easier to make Peter a dark character to contrast with the J.M Barrie and the Disney versions but it is harder to make him stand out amongst other dark retellings. This is obviously not exactly like the Henry version since for one, that one concentrates on the relationship between Hook and Pan and this one on Wendy and Pan but there are definitely similarities.
This book looks at two timelines, present and the past which focuses on Wendy returning from Neverland with her brothers who promptly 'forget' Neverland and at her insistence of its existence, have her committed. There are definitely trigger warnings for trauma and abuse during her time there and the book follows her journey in refusing to give up Neverland but still lead a 'normal' life and rebuild that relationship with her brothers, one of which has seen the terrors that come with being a soldier during a World War. Whilst there is a minor focus on family, the main focus is on the mother daughter relationship between Wendy and her daughter, Jane.
I am not sure on the Native representation in this as I am not Native but it does feel like their heritage becomes invisible. Wendy's best friend, Mary, is Canadian Indigenous but does not know much about her culture beyond that her name is Mary White Dog.Even Tiger Lily in Neverland is later portrayed as broken and barely there, which makes me think of trying to make Native people invisible. This is just my interpretation and as I said, I am not Native or Indigenous so I welcome the opinion of those who are. I think including Tiger Lily in retellings is a choice and there should be emphasis on doing it properly and making it good rep.
I didn't really fall in love with any of these characters and always felt a bit distanced from all of them. I am not sure if that's how you are supposed to feel with Wendy, who keeps her secrets close to her chest as they slowly come out throughout the book. I definitely preferred the second half of the book as it then felt different to Lost Boy and the characters came into their own. Whilst I think the ending did wrap everything up, it raised some questions that were never answered and whilst I understand that Wendy and Jane as narrators might not know all the answers there were still one or two things that confused me.
Overall, I think this is a decent book. I do love reading Peter Pan retellings and for that reason, it is hard not to compare them but if you love dark retellings you might like this one, it just wasn't for me.
The first fifty percent of this felt really similar to Lost Boy by Christina Henry. I think the problem is there are so many Peter Pan retellings (don't get me wrong, I love that there are), that it seems easier to make Peter a dark character to contrast with the J.M Barrie and the Disney versions but it is harder to make him stand out amongst other dark retellings. This is obviously not exactly like the Henry version since for one, that one concentrates on the relationship between Hook and Pan and this one on Wendy and Pan but there are definitely similarities.
This book looks at two timelines, present and the past which focuses on Wendy returning from Neverland with her brothers who promptly 'forget' Neverland and at her insistence of its existence, have her committed. There are definitely trigger warnings for trauma and abuse during her time there and the book follows her journey in refusing to give up Neverland but still lead a 'normal' life and rebuild that relationship with her brothers, one of which has seen the terrors that come with being a soldier during a World War. Whilst there is a minor focus on family, the main focus is on the mother daughter relationship between Wendy and her daughter, Jane.
I am not sure on the Native representation in this as I am not Native but it does feel like their heritage becomes invisible. Wendy's best friend, Mary, is Canadian Indigenous but does not know much about her culture beyond that her name is Mary White Dog.
I didn't really fall in love with any of these characters and always felt a bit distanced from all of them. I am not sure if that's how you are supposed to feel with Wendy, who keeps her secrets close to her chest as they slowly come out throughout the book. I definitely preferred the second half of the book as it then felt different to Lost Boy and the characters came into their own. Whilst I think the ending did wrap everything up, it raised some questions that were never answered and whilst I understand that Wendy and Jane as narrators might not know all the answers there were still one or two things that confused me.
Overall, I think this is a decent book. I do love reading Peter Pan retellings and for that reason, it is hard not to compare them but if you love dark retellings you might like this one, it just wasn't for me.
Content Warnings
Moderate: Bullying, Confinement, Death, Death of parent, Forced institutionalization, Physical abuse, and Violence
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