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natashaleighton_'s review
mysterious
reflective
medium-paced
- Plot- or character-driven? Character
- Strong character development? Yes
4.0
Content Warnings
Graphic: Child death, Forced institutionalization, Confinement, and Physical abuse
Moderate: Racism, Grief, and Death
Minor: Death of parent, Child death, and Colonisation
anniereads221's review
adventurous
dark
mysterious
medium-paced
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
4.0
I enjoyed this dark retelling of Peter Pan
Content Warnings
Graphic: Bullying, Child death, Colonisation, Confinement, Death, Death of parent, Forced institutionalization, Gaslighting, Grief, Homophobia, Kidnapping, Mental illness, Racial slurs, Racism, Sexism, Misogyny, Torture, and Toxic friendship
Minor: War
booksthatburn's review against another edition
reflective
tense
medium-paced
- Plot- or character-driven? Plot
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? It's complicated
4.0
WENDY, DARLING is a retelling which takes the original’s commentary on early 1900’s England’s sexist expectations for women and girls and leans into them, examining and contextualizing them rather than merely reproducing them.
It's tempting to dismiss this version of Wendy as passive, inactive. Not very many things actually happen in one sense, and she spends most of the book not doing things, or talking in circles around the things she did as a child in Neverland long ago. But that rumination, that early passivity is the point, and it forms a sharp contrast with the last quarter of the book where she leaves to rescue her daughter, Jane, stolen by Peter nearly as soon as the book begins. It's about the time stolen from her by sexism and institutionalization, the agency take from her by men who dismissed her as a girl then as a woman, and the way that Peter in his ageless boyhood is an echo and a concentration of the forces that twist every statement of Wendy's into a way she must have been female and therefore mistaken. Wendy doesn't do much in an action sense but she makes the most of every moment she can, talking with Mary as they sew secret pockets into their clothing, plotting ways to get back at her tormenters in the institution.
Jane's sections feel more robust than the flashbacks to Wendy's time in Neverland, but they're tied together to illustrate Peter's efforts to treat Jane as literally interchangeable with her mother, brought there to be his "mother". He needs her to protect him and make it all better, but to never stand up or point out that his treatment of the other boys (and everyone on the island) oscillates from active abuse to petulant neglect. Because of adult Wendy's thoughts about her daughter we have more context for what Peter is trying to strip away from Jane, it's easier to notice what he's removing.
The narrative treatment of Mary White Dog in England and Tiger Lily in Neverland attempts to address some of the harm of the original by grounding Indigenous people as real with specific tribes and origins, not just something from Peter's imagination, while also showing how harmful it was to Tiger Lily and the rest of her tribe to be trapped by his whims on the island, discarded when he grew wrathful or bored. There's a contrast drawn between Mary knowing the tribe she's from while having an awareness of how much knowledge she lost by being removed from her homeland, versus how little Tiger Lily can remember since she's trapped in Neverland. Tiger Lily doesn't remember any other name for her tribe. Given Peter's penchant for renaming people, it's probable that "Tiger Lily" isn't even her original name in this version, though it's all we get.
It's tempting to dismiss this version of Wendy as passive, inactive. Not very many things actually happen in one sense, and she spends most of the book not doing things, or talking in circles around the things she did as a child in Neverland long ago. But that rumination, that early passivity is the point, and it forms a sharp contrast with the last quarter of the book where she leaves to rescue her daughter, Jane, stolen by Peter nearly as soon as the book begins. It's about the time stolen from her by sexism and institutionalization, the agency take from her by men who dismissed her as a girl then as a woman, and the way that Peter in his ageless boyhood is an echo and a concentration of the forces that twist every statement of Wendy's into a way she must have been female and therefore mistaken. Wendy doesn't do much in an action sense but she makes the most of every moment she can, talking with Mary as they sew secret pockets into their clothing, plotting ways to get back at her tormenters in the institution.
Jane's sections feel more robust than the flashbacks to Wendy's time in Neverland, but they're tied together to illustrate Peter's efforts to treat Jane as literally interchangeable with her mother, brought there to be his "mother". He needs her to protect him and make it all better, but to never stand up or point out that his treatment of the other boys (and everyone on the island) oscillates from active abuse to petulant neglect. Because of adult Wendy's thoughts about her daughter we have more context for what Peter is trying to strip away from Jane, it's easier to notice what he's removing.
The narrative treatment of Mary White Dog in England and Tiger Lily in Neverland attempts to address some of the harm of the original by grounding Indigenous people as real with specific tribes and origins, not just something from Peter's imagination, while also showing how harmful it was to Tiger Lily and the rest of her tribe to be trapped by his whims on the island, discarded when he grew wrathful or bored. There's a contrast drawn between Mary knowing the tribe she's from while having an awareness of how much knowledge she lost by being removed from her homeland, versus how little Tiger Lily can remember since she's trapped in Neverland. Tiger Lily doesn't remember any other name for her tribe. Given Peter's penchant for renaming people, it's probable that "Tiger Lily" isn't even her original name in this version, though it's all we get.
Content Warnings
Graphic: Violence
Moderate: Racism, Sexism, Grief, Kidnapping, Forced institutionalization, Toxic friendship, Domestic abuse, Vomit, Blood, Animal death, Child death, and Death
Minor: Torture and Death of parent
gbaty's review
adventurous
dark
emotional
sad
tense
fast-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
4.5
I don't read horror, but this has been one of the best books so far of my year.
Content Warnings
Graphic: Confinement, Forced institutionalization, and Medical content
Moderate: Mental illness and Sexual assault
Minor: Death of parent
foreverbookwandering's review
adventurous
dark
mysterious
slow-paced
- Plot- or character-driven? Character
- Strong character development? It's complicated
- Loveable characters? No
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
3.0
Thank you to NetGalley and Titan Books for the advanced copy of this book in exchange for my honest review.
The first fifty percent of this felt really similar to Lost Boy by Christina Henry. I think the problem is there are so many Peter Pan retellings (don't get me wrong, I love that there are), that it seems easier to make Peter a dark character to contrast with the J.M Barrie and the Disney versions but it is harder to make him stand out amongst other dark retellings. This is obviously not exactly like the Henry version since for one, that one concentrates on the relationship between Hook and Pan and this one on Wendy and Pan but there are definitely similarities.
This book looks at two timelines, present and the past which focuses on Wendy returning from Neverland with her brothers who promptly 'forget' Neverland and at her insistence of its existence, have her committed. There are definitely trigger warnings for trauma and abuse during her time there and the book follows her journey in refusing to give up Neverland but still lead a 'normal' life and rebuild that relationship with her brothers, one of which has seen the terrors that come with being a soldier during a World War. Whilst there is a minor focus on family, the main focus is on the mother daughter relationship between Wendy and her daughter, Jane.
I am not sure on the Native representation in this as I am not Native but it does feel like their heritage becomes invisible. Wendy's best friend, Mary, is Canadian Indigenous but does not know much about her culture beyond that her name is Mary White Dog.Even Tiger Lily in Neverland is later portrayed as broken and barely there, which makes me think of trying to make Native people invisible. This is just my interpretation and as I said, I am not Native or Indigenous so I welcome the opinion of those who are. I think including Tiger Lily in retellings is a choice and there should be emphasis on doing it properly and making it good rep.
I didn't really fall in love with any of these characters and always felt a bit distanced from all of them. I am not sure if that's how you are supposed to feel with Wendy, who keeps her secrets close to her chest as they slowly come out throughout the book. I definitely preferred the second half of the book as it then felt different to Lost Boy and the characters came into their own. Whilst I think the ending did wrap everything up, it raised some questions that were never answered and whilst I understand that Wendy and Jane as narrators might not know all the answers there were still one or two things that confused me.
Overall, I think this is a decent book. I do love reading Peter Pan retellings and for that reason, it is hard not to compare them but if you love dark retellings you might like this one, it just wasn't for me.
The first fifty percent of this felt really similar to Lost Boy by Christina Henry. I think the problem is there are so many Peter Pan retellings (don't get me wrong, I love that there are), that it seems easier to make Peter a dark character to contrast with the J.M Barrie and the Disney versions but it is harder to make him stand out amongst other dark retellings. This is obviously not exactly like the Henry version since for one, that one concentrates on the relationship between Hook and Pan and this one on Wendy and Pan but there are definitely similarities.
This book looks at two timelines, present and the past which focuses on Wendy returning from Neverland with her brothers who promptly 'forget' Neverland and at her insistence of its existence, have her committed. There are definitely trigger warnings for trauma and abuse during her time there and the book follows her journey in refusing to give up Neverland but still lead a 'normal' life and rebuild that relationship with her brothers, one of which has seen the terrors that come with being a soldier during a World War. Whilst there is a minor focus on family, the main focus is on the mother daughter relationship between Wendy and her daughter, Jane.
I am not sure on the Native representation in this as I am not Native but it does feel like their heritage becomes invisible. Wendy's best friend, Mary, is Canadian Indigenous but does not know much about her culture beyond that her name is Mary White Dog.
I didn't really fall in love with any of these characters and always felt a bit distanced from all of them. I am not sure if that's how you are supposed to feel with Wendy, who keeps her secrets close to her chest as they slowly come out throughout the book. I definitely preferred the second half of the book as it then felt different to Lost Boy and the characters came into their own. Whilst I think the ending did wrap everything up, it raised some questions that were never answered and whilst I understand that Wendy and Jane as narrators might not know all the answers there were still one or two things that confused me.
Overall, I think this is a decent book. I do love reading Peter Pan retellings and for that reason, it is hard not to compare them but if you love dark retellings you might like this one, it just wasn't for me.
Content Warnings
Moderate: Bullying, Confinement, Death, Death of parent, Forced institutionalization, Physical abuse, and Violence
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