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miguelf's review
4.0
SST holds a place near & dear as a few of my all-time favorite albums were issued by that label and I would gladly pick up a book with background on this or other labels of that time (Touch&Go, Discord, Matador, SubPop, K, AmRep, etc.) But SST was a bit before the others and had such an incredible roster. It was just so depressing to read of its slow denouement - clearly Ginn had some knack for business and picking bands, but that ability dried up in the late 80’s as it slowly became a husk of its former glory over the next three decades. Very well documented and enjoyed the writing style.
whizalen's review
fast-paced
5.0
Great book. I liked the approach in how the author told the story in these SST Versus XYZ chapters; kept the story linear while diving into some of the major challenges SST faced over the years. Learned more about areas and topics I thought I was well versed in - for example, Kira's comments about both the song and cover for 'Stick in It.' Her stuff with Mike Watt after D. Boon died was really interesting to learn more about.
I also liked that he didn't interview Henry Rollins, this wasn't another Henry Rollins story about Greg and SST. I do wish there was more 1:1 interviews with Dukowski but I was really glad it took the majority lens through Joe Carducci. Again, wish the author could've gotten Raymond Pettibon to contribute - probably declined - because he was such a huge part of its history and then decline as a label (his removal).
Highly recommend.
I also liked that he didn't interview Henry Rollins, this wasn't another Henry Rollins story about Greg and SST. I do wish there was more 1:1 interviews with Dukowski but I was really glad it took the majority lens through Joe Carducci. Again, wish the author could've gotten Raymond Pettibon to contribute - probably declined - because he was such a huge part of its history and then decline as a label (his removal).
Highly recommend.
dadoodoflow's review
funny
informative
inspiring
reflective
fast-paced
4.0
Great. Especially the second half when the book became more about the label, and telling stories that weren’t so familiar.
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