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3.72 AVERAGE
3.72 AVERAGE
I really loved this book as a kid, but I'm surprised by how well it held up. A lot of other series I've tried to revisit as an adult have been either slightly cringey or downright unenjoyable, but this one really stood the test of time. The world-building is admirable (if a bit derivative and slightly steampunk-y) and the characters and tone are entertaining and endearing. Wonderful bit of fiction to get lost in, I'm looking forwarding to reading the next two.
While this book isn't my typical cup of tea, I really warmed up to it by the end. This is a fantasy book and for a non-fantasy reader, it really took me out of my comfort zone. The characters are fantastic, even the ones you loathe. The plot takes a few frustrating turns but by the conclusion of the first book, you are left with many questions that require the reading of the next book. While I'm not running out to read Book 2, I already have students in mind to recommend this series to. Not a favorite, but an interesting read to be sure.
A nice simple read. The world and creatures are very interesting.
I just couldn't get into it. I can say the author had a good flow and appeared to be a good writer.
3.5 stars.
I'm a bit on the fence about this one. On the one side, there's great world-building, with appendixes and maps and monsters and wicked-cool occupations with some amazing thought put into it. On the other side, there's about the blandest characters I've ever seen. Potential is definitely there but it's not quite showing its colours yet. Europe is probably my favorite character, simply because she's kinda a badass, but even she needed more. And backstory, oh my gosh!
So it was actually a bit of a chore to get through. I didn't really care one way or another about Rossamünd and it was slow-moving to boot. But I had to finish it and once I settled in, it started moving along a little quicker. Or at least it seemed that way.
Here's to hoping the characters live up to their amazing world in the rest of the series!
I'm a bit on the fence about this one. On the one side, there's great world-building, with appendixes and maps and monsters and wicked-cool occupations with some amazing thought put into it. On the other side, there's about the blandest characters I've ever seen. Potential is definitely there but it's not quite showing its colours yet. Europe is probably my favorite character, simply because she's kinda a badass, but even she needed more. And backstory, oh my gosh!
So it was actually a bit of a chore to get through. I didn't really care one way or another about Rossamünd and it was slow-moving to boot. But I had to finish it and once I settled in, it started moving along a little quicker. Or at least it seemed that way.
Here's to hoping the characters live up to their amazing world in the rest of the series!
Well that sounds interesting, doesn’t it? I certainly thought it did! And it's the best place to start because that blurb drew me in pretty quickly. Unfortunately that piece is a bit misleading. I don’t know about you but from reading that, I thought those would be adventures he’d be taking while working as a lamplighter. It certainly insinuates that, don’t you think?
But that would have to be a no. The whole book, all 311 (not including the 121 pages of reference) pages, is about Rossamund getting to the lamplighter office to report for his first duty. Him getting drafted is the catalyst that sets the ball rolling but once he sets out on his voyage, the whole lamplighter ploy doesn’t come back into play again until very close to the end. Him “traveling the Half-Continent” has nothing to do with the premise the flap employs, or more accurately takes a seat so far in the back its not even visible anymore.
Now it wouldn’t have bothered me so much if Rossamund wasn’t a simpering pussy for 3/4 of the book. He doesn’t have his own voice, he relies heavily on others to get him through to the end and between his departing the foundlingery and actually getting to the lamplighter place, not all that much happens plotwise. It’s all overrun by overburdening, worldbuilding info-dumps.
See, this whole book would have been, if I were writing it, something I would have cut and started on the last chapter which is where the story the bookflap was talking about actually starts. And Rossamund doesn’t really change all that much from the beginning to the end despite the fact that it was his first time really outside of the foundlingery. There’s a touch of toughness at the end but nothing that should have come from the experiences he had.
The entire book was a means for the author to expose readers to a very intricate world. I definitely give him credit. He spent something like 13 years developing this world, drawing maps and characters and creating all the little intricacies that I found while reading but I don’t think anyone told him that there is such a thing as too much worldbuilding. This is a prime example of that.
There were so many new and unusual terms that I found myself skimming a good portion of the time because I couldn’t keep everything straight. A lot of the terms were names for things that exist in the real world but it appears he didn’t want to keep names that people could actually recognize and relate to. One example that stands out in my head is bright-black leather. According to the glossary (did I mention there’s 121 pages of encyclopedia and appendices?) it’s patent leather. Nothing special about it. It doesn’t do anything that patent leather doesn’t do. It’s just a different name. Why? Would keeping the name patent leather been detrimental to the world? Would it have affected it that much?
The Turkey City Lexicon agrees with me on this one -
*
"Call a Rabbit a Smeerp"
A cheap technique for false exoticism, in which common elements of the real world are re-named for a fantastic milieu without any real alteration in their basic nature or behavior. "Smeerps" are especially common in fantasy worlds, where people often ride exotic steeds that look and act just like horses. (Attributed to James Blish.)
I felt so disassociated from this book because I couldn’t keep the terms straight (and I’ll be damned if I’m constantly referencing a fictional glossary while reading for pleasure just to do so), because he went into more detail about the odds and ends of the world instead of creating some kind of plot and because Rossamund was a ninny! I couldn’t figure out just how old he was but I think it’s somewhere between 14 and 16 and you’d think a kid that’s been beaten on most of his life would have built up some resemblance to testicles but this kid really didn’t have them. He really was a wussy and the fact that he was such a pushover really turned me off from reading any more about him in the next book. I just don’t care if he grows into his own later down the info-dumped plotline. It was only a week in time story-wise but he went through high hell and came out relatively the same as he went in. Was he able to go through what he did without breaking down and curling up into a fetal position? Yes but he didn’t come out a stronger person for it. His persona within the last couple of chapters really wasn’t much different than the first couple and that really bothered me. A character is supposed to grow as the story carries on and Rossamund is in dire need of some extra strength milk.
Yes, there is a sequel; one that I know of. I don’t know how many more are planned or are actually out but I, for one, am not going to read them. Like I said, I give the author a ton of credit because this world really is just amazing and intricate and carries with it so much depth, not to mention the drawings are beautiful, but man, draw a line. Now I know how much worldbuilding is way too much. There was definitely a very sizable chunk of this book that could have been sacrificed for the sake of furthering the plot which was grossly lacking in comparison to the world’s backstory and bits and bobs.
The real story, the whole lamplighter quest that the bookflap boasts, starts at the end. Now I’m wishing I just skipped to the second book right off the bat because now I just don’t want to read it and it’s the story that that book contains that initially interested me. I feel had.
In terms of rating, this book is pretty unique. When it comes to plot, it's pretty lacking. There is one but it doesn't read like that's the emphasis. With characters, I actually liked Europe and her helper and even the scurvy captain that was embezzling cargo. But Rossamund I just didn't like and, unfortunately, he is the main character so that ends up being a pretty big mark against it all. However the world is just astounding. If this were another book and it didn't have this rich and lavish world, the bite rating would have been lower but I had to make a compromise. I would say read this story if you're looking for an extraordinary world but don't expect too much else beyond that since the rest has an overwhelming tendency to take a backseat to it.
But that would have to be a no. The whole book, all 311 (not including the 121 pages of reference) pages, is about Rossamund getting to the lamplighter office to report for his first duty. Him getting drafted is the catalyst that sets the ball rolling but once he sets out on his voyage, the whole lamplighter ploy doesn’t come back into play again until very close to the end. Him “traveling the Half-Continent” has nothing to do with the premise the flap employs, or more accurately takes a seat so far in the back its not even visible anymore.
Now it wouldn’t have bothered me so much if Rossamund wasn’t a simpering pussy for 3/4 of the book. He doesn’t have his own voice, he relies heavily on others to get him through to the end and between his departing the foundlingery and actually getting to the lamplighter place, not all that much happens plotwise. It’s all overrun by overburdening, worldbuilding info-dumps.
See, this whole book would have been, if I were writing it, something I would have cut and started on the last chapter which is where the story the bookflap was talking about actually starts. And Rossamund doesn’t really change all that much from the beginning to the end despite the fact that it was his first time really outside of the foundlingery. There’s a touch of toughness at the end but nothing that should have come from the experiences he had.
The entire book was a means for the author to expose readers to a very intricate world. I definitely give him credit. He spent something like 13 years developing this world, drawing maps and characters and creating all the little intricacies that I found while reading but I don’t think anyone told him that there is such a thing as too much worldbuilding. This is a prime example of that.
There were so many new and unusual terms that I found myself skimming a good portion of the time because I couldn’t keep everything straight. A lot of the terms were names for things that exist in the real world but it appears he didn’t want to keep names that people could actually recognize and relate to. One example that stands out in my head is bright-black leather. According to the glossary (did I mention there’s 121 pages of encyclopedia and appendices?) it’s patent leather. Nothing special about it. It doesn’t do anything that patent leather doesn’t do. It’s just a different name. Why? Would keeping the name patent leather been detrimental to the world? Would it have affected it that much?
The Turkey City Lexicon agrees with me on this one -
*
"Call a Rabbit a Smeerp"
A cheap technique for false exoticism, in which common elements of the real world are re-named for a fantastic milieu without any real alteration in their basic nature or behavior. "Smeerps" are especially common in fantasy worlds, where people often ride exotic steeds that look and act just like horses. (Attributed to James Blish.)
I felt so disassociated from this book because I couldn’t keep the terms straight (and I’ll be damned if I’m constantly referencing a fictional glossary while reading for pleasure just to do so), because he went into more detail about the odds and ends of the world instead of creating some kind of plot and because Rossamund was a ninny! I couldn’t figure out just how old he was but I think it’s somewhere between 14 and 16 and you’d think a kid that’s been beaten on most of his life would have built up some resemblance to testicles but this kid really didn’t have them. He really was a wussy and the fact that he was such a pushover really turned me off from reading any more about him in the next book. I just don’t care if he grows into his own later down the info-dumped plotline. It was only a week in time story-wise but he went through high hell and came out relatively the same as he went in. Was he able to go through what he did without breaking down and curling up into a fetal position? Yes but he didn’t come out a stronger person for it. His persona within the last couple of chapters really wasn’t much different than the first couple and that really bothered me. A character is supposed to grow as the story carries on and Rossamund is in dire need of some extra strength milk.
Yes, there is a sequel; one that I know of. I don’t know how many more are planned or are actually out but I, for one, am not going to read them. Like I said, I give the author a ton of credit because this world really is just amazing and intricate and carries with it so much depth, not to mention the drawings are beautiful, but man, draw a line. Now I know how much worldbuilding is way too much. There was definitely a very sizable chunk of this book that could have been sacrificed for the sake of furthering the plot which was grossly lacking in comparison to the world’s backstory and bits and bobs.
The real story, the whole lamplighter quest that the bookflap boasts, starts at the end. Now I’m wishing I just skipped to the second book right off the bat because now I just don’t want to read it and it’s the story that that book contains that initially interested me. I feel had.
In terms of rating, this book is pretty unique. When it comes to plot, it's pretty lacking. There is one but it doesn't read like that's the emphasis. With characters, I actually liked Europe and her helper and even the scurvy captain that was embezzling cargo. But Rossamund I just didn't like and, unfortunately, he is the main character so that ends up being a pretty big mark against it all. However the world is just astounding. If this were another book and it didn't have this rich and lavish world, the bite rating would have been lower but I had to make a compromise. I would say read this story if you're looking for an extraordinary world but don't expect too much else beyond that since the rest has an overwhelming tendency to take a backseat to it.
adventurous
lighthearted
fast-paced
Plot or Character Driven:
Character
Strong character development:
No
Loveable characters:
No
Diverse cast of characters:
No
Flaws of characters a main focus:
No
adventurous
slow-paced
Plot or Character Driven:
Character
Strong character development:
No
Loveable characters:
N/A
Diverse cast of characters:
No
Flaws of characters a main focus:
Yes
It was a good story that I could relax with. But I was very disappointed when I saw that the actual story ended much sooner than the book itself because there's something like a lexicon at the very end and it's looong. I have nothing against that, it was just unexpected to see such a long lexicon. Anyway, I'm looking forward the next books.