Scan barcode
inquesoitrust's review against another edition
dark
emotional
reflective
- Plot- or character-driven? N/A
- Strong character development? N/A
- Loveable characters? N/A
- Diverse cast of characters? N/A
- Flaws of characters a main focus? N/A
3.0
bookiss's review against another edition
dark
emotional
inspiring
reflective
relaxing
fast-paced
- Plot- or character-driven? Plot
- Strong character development? No
- Loveable characters? No
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
3.0
ethanawang's review against another edition
adventurous
mysterious
fast-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
3.75
smartinez9's review against another edition
5.0
If I had to do an Ocean’s 8 with nineteenth century English authors, I’ll take Rossetti, Charlotte, Emily, Jane, Eliot, E.B.B., Mary Wollstonecraft, and Mary Shelley (I feel like Gaskell couldn’t really be bothered and Anne would be above it all)
eileenthecrow's review against another edition
4.0
5 stars for Goblin Market. (which was amazing)
3 stars for every other poem in this collection.
3 stars for every other poem in this collection.
earth222emilie's review against another edition
5.0
Not exaggerating when I say this has changed my life. Some poems are sweet and spring-time-summery (like 'sound sleep' and 'an apple gathering' and, of course, 'spring'), some are dark (like the titular 'the goblin market' and many of the devotional pieces), and some are devoted ('the convent threshold'!! 'blood's a bar I cannot pass' ahh <3).
I adore any & all springtime imagery as it's my favourite time of year, and so even reading this in late summer has been a blessing, has felt like a necessary ritual. The titular poem easily made the strongest impression on me, but I am just obsessed with the pastoral, whimsical, comedic, yet subtle and half-given-away feeling of much of Rossetti's collection. 'No Thank You, John' is a particularly timeless and witty poem, which I've since chosen to learn by heart.
And so many lines stand out in this realm of comic, sapphic, sunny divinity (for even the inexplicitly devotional contains footsteps of Rosetti's strong faith); 'I counted rosiest apples on earth/Of far less worth than love (An Apple Gathering), 'They sucked their fruit globes fair or red' (The Goblin Market), 'The wicked, quaint fruit-merchant men,/ Their fruits like honey to the throat' (The Goblin Market), 'That all my past results in "if"-/ If I might see another Spring' (Another Spring), 'Flowers preach to us if we will hear' ("Consider the Lilies of the Field"). These are just the ones I can remember without opening the book.
The true joy of this collection, for me, is Rossetti's rhythmic, rhymic talent. Each poem seems singable, in a way I've truly never experienced before when consuming poetry. Her use of rhyme is so pleasing and gentle. Everything flows. Language shines. Themes and narratives shine. I know I will be rereading these forever and ever and I am so grateful that I got to exist in a world with Christina Rossetti's poetry in it.
I adore any & all springtime imagery as it's my favourite time of year, and so even reading this in late summer has been a blessing, has felt like a necessary ritual. The titular poem easily made the strongest impression on me, but I am just obsessed with the pastoral, whimsical, comedic, yet subtle and half-given-away feeling of much of Rossetti's collection. 'No Thank You, John' is a particularly timeless and witty poem, which I've since chosen to learn by heart.
And so many lines stand out in this realm of comic, sapphic, sunny divinity (for even the inexplicitly devotional contains footsteps of Rosetti's strong faith); 'I counted rosiest apples on earth/Of far less worth than love (An Apple Gathering), 'They sucked their fruit globes fair or red' (The Goblin Market), 'The wicked, quaint fruit-merchant men,/ Their fruits like honey to the throat' (The Goblin Market), 'That all my past results in "if"-/ If I might see another Spring' (Another Spring), 'Flowers preach to us if we will hear' ("Consider the Lilies of the Field"). These are just the ones I can remember without opening the book.
The true joy of this collection, for me, is Rossetti's rhythmic, rhymic talent. Each poem seems singable, in a way I've truly never experienced before when consuming poetry. Her use of rhyme is so pleasing and gentle. Everything flows. Language shines. Themes and narratives shine. I know I will be rereading these forever and ever and I am so grateful that I got to exist in a world with Christina Rossetti's poetry in it.