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delvainy's review
adventurous
emotional
funny
medium-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
4.25
This used to be one of my absolute favorite books growing up. I was putting off rereading it for a little while because I only own one book in the series (Fire), and I knew that after I read them I’d want to own all of them. When this was featured in a dream of mine, though, I finally bit the bullet, and it was as good as I remembered. The drama of it all! I don’t know that I would be shocked by the plot twists if I read it for the first time as an adult, but I don’t have to be surprised to appreciate the storytelling. It felt like a bit of a homecoming to reread this book.
Content Warnings
Graphic: Child abuse and Death of parent
Moderate: Animal death and Animal cruelty
martine3's review
adventurous
emotional
inspiring
mysterious
reflective
sad
medium-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? No
- Flaws of characters a main focus? It's complicated
4.0
Content Warnings
Graphic: Violence and Animal cruelty
auri_underthing's review against another edition
adventurous
challenging
dark
emotional
inspiring
tense
fast-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? It's complicated
4.75
To describe this book in three words:
Journey. Love. Strength.
A sweeping tale about finding love, accepting oneself and a testament to the human spirit.
I loved it!
Also, I was so pleased with how quickly Leck died. The author didn’t dawdle with it and I’m so happy about that.
Journey. Love. Strength.
A sweeping tale about finding love, accepting oneself and a testament to the human spirit.
I loved it!
Also, I was so pleased with how quickly Leck died. The author didn’t dawdle with it and I’m so happy about that.
Content Warnings
Moderate: Animal cruelty
ottersilver's review
adventurous
challenging
dark
emotional
funny
tense
fast-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? It's complicated
- Flaws of characters a main focus? Yes
5.0
Know this is a first in a series which go very different directions than you’d expect. Don’t read the third book’s preview chapter, as I think it has a spoiler In it. This book has inspired me in ways I didn’t think of.
Content Warnings
Graphic: Blood, Emotional abuse, Gaslighting, Violence, and Injury/Injury detail
Moderate: Vomit, Murder, and Torture
Minor: Animal cruelty, Death of parent, and Confinement
lubotomy's review against another edition
adventurous
challenging
dark
emotional
hopeful
inspiring
mysterious
reflective
sad
tense
medium-paced
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? N/A
- Flaws of characters a main focus? Yes
4.75
Content Warnings
Graphic: Death, Violence, Injury/Injury detail, Animal cruelty, Animal death, Murder, and Death of parent
talonsontypewriters's review against another edition
adventurous
emotional
hopeful
medium-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? It's complicated
- Flaws of characters a main focus? Yes
4.25
Content Warnings
Graphic: Murder, Violence, Gaslighting, Injury/Injury detail, Animal death, and Death
Moderate: Emotional abuse, Child abuse, Death of parent, Domestic abuse, Kidnapping, Misogyny, Sexism, Sexual harassment, and Torture
Minor: Alcohol, Vomit, Sexual assault, Suicide, Pedophilia, Sexual content, War, Ableism, Animal cruelty, Incest, and Grief
Animal attack. Near drowning.lahars_little_library's review
adventurous
emotional
funny
fast-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.0
Content Warnings
Graphic: Animal cruelty and Abandonment
Moderate: Domestic abuse, Emotional abuse, Death of parent, Child abuse, Violence, Death, Torture, Gaslighting, Grief, and Misogyny
nannahnannah's review
1.0
I wanted to reread this because since I first read it (year), I’ve seen so many glowing reviews and couldn’t quite remember why I disliked it? So a reread was definitely in order! Warning: this review is long and negative.
In the seven kingdoms, having heterochromia means one is Graced . . . and being Graced either means working for the Kingdom or being treated as a lower class citizen. When Katsa’s eyes changed color, her Grace gave her better advantage in fights, and she became known as the “lady killer (unfortunately not as gay as it sounds)”.
Katsa can be described in two simple, stereotypical tropes: the “I’m not like other girls!” and “the TOUGH girl but not strong girl”. Now to address the first, it’s not even because she’s Graced. It’s more like internalized misogyny - in the character and in the author. It’s sad female authors write this so particularly well.
“A girl who didn’t want the husbands Randa pushed on her, perfectly handsome and thoughtful men, a girl who panicked at the thought of a baby at her breast, or clinging to her ankles.
“She wasn’t natural.” p.32-33
YIKES. ok this is TERRIBLE to tell young adults. First of all, we have lesbophobia, and then calling women who didn’t want children “unnatural”. Sure, it’s character-appropriate thinking, but you can’t say it’s Katsa’s PoV, because this book is written in omniscient tense . . . this wouldn’t make sense. It’s the omniscient narrator calling women like Katsa unnatural, which is . . . really offensive and harmful to young women.
There’s also this gem: “Katsa had no reason to interact with a woman servant.”
This is such a prime example of internalized misogyny and it’s never corrected in-book. :/ Just sticking “the queen was more than capable” or something in the text later . . . doesn’t quite do it. Especially if the PoV is omniscient . . .
God, Katsa even “refuses to have an opinion on the matter” of the color of tapestry in her room. I’m pretty sure you don’t have to be a man, woman, or otherwise to be able to like a color but what do I know? This is ridiculous, Katsa is ridiculous, and the fact I’m supposed to like her character is ridiculous. In the same vein, soft pillows and chairs are also out for her. Too girly. So if she has backaches, she probably still sits on concrete. Or maybe backaches are girly, too. Then again, her Grace apparently helps her to not feel pain like other people. But pain is also a signal of survival and damage, so if she doesn’t feel pain, it’s actually not a good survival tactic.
TOUGH girl but not strong
Katsa is the epitome of this awful trope, female characters who are obnoxiously physically strong . . . and that’s all there is to them. There’s no depth to their character. They typically hate anything feminine, hate other women, especially hate other feminine women, and look down on feminine traits. Because they’re TOUGH.
The moment I died?
When she began hating herself for feeling attraction to Po, for no other reason that “OMG but OTHER GIRLS feel attraction to boys! and I’M not like other girls!” I mean, if she hates liking boys so much, then why doesn’t she just start liking girls instead?
She also compared a sixteen-year-old girl getting harassed by a bunch of men “too much like a dumb, confused rabbit caught in a trap.” I swear, the internal sexism in this book is so difficult to bear. And to think it’s so highly recommended!
One more slash at Katsa, and then I’ll be done. The way she treats horses is absolutely abysmal. She runs them beyond ragged, with no care to their well-being, only that she gets to her destination as soon as possible, and that whoever can’t keep up with her is lazy. I’m ashamed this book is for young adults! Katsa actually lames a horse and doesn’t care! She says the horse can go on anyway, because she wants to go on. Of course, it’s said later the horse is actually lame. With no hard feelings towards Katsa. I just can’t believe it.
The writing isn’t much better than Katsa’s character, and I’m not surprised. There’s so many simple grammatical errors and awkward writing that I feel like Graveling is either horrendously edited or a rough draft that somehow got published. Somehow. Here are some marvels:
- Introducing a subject in a paragraph and switching it in the middle without introducing the new subject: “Katsa stared other plate. He was talking about brothers . . .” Katsa’s the subject here, and this is an entirely new scene! The HE here is finally introduced by name THREE pages later!
- Hundreds of incorrect commas used as pauses
- This ridiculous dialogue:
“Katsa, a man would be a fool to try to keep you in a cage.”
“But that doesn’t tell me how you’ll feel, always to be subject to my whim.”
“It isn’t your whim. It’s the need of your heart.”
- “I’m ever so slightly dizzy.”
- Strange sentence structures like “And that was enough of that, for it was Po she wanted to fill her eyes with” that fill the entire book.
- An incredible amount of summary over action/interesting areas, which just makes me feel cheated.
Now when it comes to Po and Katsa . . . things just aren’t that much better. They’re so plastic with each other. There’s no real emotion! It’s just we’re being told there’s emotion, so we’re supposed to feel it? Plus, Katsa is abusive. When Po’s grace improves, she gets SO angry, even though her Grace and talents are immense (she can start a fire with icicles, can hunt better than anyone, fight better than anyone, doesn’t feel pain/cold). Yet he improves on one aspect and bam! How dare he?! She’s literally abusive but it’s presented as a romantic relationship.
The character Bitterblue doesn’t feel real, either. She’s simply a plot device. No ten-year-old would be so calm in the face of her mother’s murder or all of the terror she’s facing! I don’t care if she’s “special”, it just doesn’t happen! It all just adds up to the book not feeling real. It’s just a series of bullet points playing out.
Now, to what I did enjoy: the bit in part three after Katsa and Bitterblue got through the mountain pass and reached the ship. It was entertaining, despite the awkward prose and dialogue. I’ll give it that, but I can’t say I enjoyed much more.
I’ll only read Fire because it’s part of a reading challenge I’m working on.
In the seven kingdoms, having heterochromia means one is Graced . . . and being Graced either means working for the Kingdom or being treated as a lower class citizen. When Katsa’s eyes changed color, her Grace gave her better advantage in fights, and she became known as the “lady killer (unfortunately not as gay as it sounds)”.
Katsa can be described in two simple, stereotypical tropes: the “I’m not like other girls!” and “the TOUGH girl but not strong girl”. Now to address the first, it’s not even because she’s Graced. It’s more like internalized misogyny - in the character and in the author. It’s sad female authors write this so particularly well.
“A girl who didn’t want the husbands Randa pushed on her, perfectly handsome and thoughtful men, a girl who panicked at the thought of a baby at her breast, or clinging to her ankles.
“She wasn’t natural.” p.32-33
YIKES. ok this is TERRIBLE to tell young adults. First of all, we have lesbophobia, and then calling women who didn’t want children “unnatural”. Sure, it’s character-appropriate thinking, but you can’t say it’s Katsa’s PoV, because this book is written in omniscient tense . . . this wouldn’t make sense. It’s the omniscient narrator calling women like Katsa unnatural, which is . . . really offensive and harmful to young women.
There’s also this gem: “Katsa had no reason to interact with a woman servant.”
This is such a prime example of internalized misogyny and it’s never corrected in-book. :/ Just sticking “the queen was more than capable” or something in the text later . . . doesn’t quite do it. Especially if the PoV is omniscient . . .
God, Katsa even “refuses to have an opinion on the matter” of the color of tapestry in her room. I’m pretty sure you don’t have to be a man, woman, or otherwise to be able to like a color but what do I know? This is ridiculous, Katsa is ridiculous, and the fact I’m supposed to like her character is ridiculous. In the same vein, soft pillows and chairs are also out for her. Too girly. So if she has backaches, she probably still sits on concrete. Or maybe backaches are girly, too.
TOUGH girl but not strong
Katsa is the epitome of this awful trope, female characters who are obnoxiously physically strong . . . and that’s all there is to them. There’s no depth to their character. They typically hate anything feminine, hate other women, especially hate other feminine women, and look down on feminine traits. Because they’re TOUGH.
The moment I died?
When she began hating herself for feeling attraction to Po, for no other reason that “OMG but OTHER GIRLS feel attraction to boys! and I’M not like other girls!” I mean, if she hates liking boys so much, then why doesn’t she just start liking girls instead?
She also compared a sixteen-year-old girl getting harassed by a bunch of men “too much like a dumb, confused rabbit caught in a trap.” I swear, the internal sexism in this book is so difficult to bear. And to think it’s so highly recommended!
One more slash at Katsa, and then I’ll be done. The way she treats horses is absolutely abysmal. She runs them beyond ragged, with no care to their well-being, only that she gets to her destination as soon as possible, and that whoever can’t keep up with her is lazy. I’m ashamed this book is for young adults! Katsa actually lames a horse and doesn’t care! She says the horse can go on anyway, because she wants to go on. Of course, it’s said later the horse is actually lame. With no hard feelings towards Katsa. I just can’t believe it.
The writing isn’t much better than Katsa’s character, and I’m not surprised. There’s so many simple grammatical errors and awkward writing that I feel like Graveling is either horrendously edited or a rough draft that somehow got published. Somehow. Here are some marvels:
- Introducing a subject in a paragraph and switching it in the middle without introducing the new subject: “Katsa stared other plate. He was talking about brothers . . .” Katsa’s the subject here, and this is an entirely new scene! The HE here is finally introduced by name THREE pages later!
- Hundreds of incorrect commas used as pauses
- This ridiculous dialogue:
“Katsa, a man would be a fool to try to keep you in a cage.”
“But that doesn’t tell me how you’ll feel, always to be subject to my whim.”
“It isn’t your whim. It’s the need of your heart.”
- “I’m ever so slightly dizzy.”
- Strange sentence structures like “And that was enough of that, for it was Po she wanted to fill her eyes with” that fill the entire book.
- An incredible amount of summary over action/interesting areas, which just makes me feel cheated.
Now when it comes to Po and Katsa . . . things just aren’t that much better. They’re so plastic with each other. There’s no real emotion! It’s just we’re being told there’s emotion, so we’re supposed to feel it? Plus, Katsa is abusive. When Po’s grace improves, she gets SO angry, even though her Grace and talents are immense (she can start a fire with icicles, can hunt better than anyone, fight better than anyone, doesn’t feel pain/cold). Yet he improves on one aspect and bam! How dare he?! She’s literally abusive but it’s presented as a romantic relationship.
The character Bitterblue doesn’t feel real, either. She’s simply a plot device. No ten-year-old would be so calm in the face of her mother’s murder or all of the terror she’s facing! I don’t care if she’s “special”, it just doesn’t happen! It all just adds up to the book not feeling real. It’s just a series of bullet points playing out.
Now, to what I did enjoy: the bit in part three after Katsa and Bitterblue got through the mountain pass and reached the ship. It was entertaining, despite the awkward prose and dialogue. I’ll give it that, but I can’t say I enjoyed much more.
I’ll only read Fire because it’s part of a reading challenge I’m working on.
Content Warnings
Graphic: Sexual harassment and Animal cruelty
Minor: Pedophilia
screeching_panda's review
adventurous
tense
fast-paced
- Plot- or character-driven? Character
- Strong character development? It's complicated
- Loveable characters? No
- Diverse cast of characters? N/A
- Flaws of characters a main focus? It's complicated
3.25
This 2008 book did not age well, but a necessary evil to influence the tough girls in fantasy.
Katsa is not like other girls. She's tough, has different eye colors, and was born to kill ever since she accidentally killed a pervert. It was exhausting to listen to her compare her to her comrades and horse, and how they won't push on because they need to do silly things like rest and eat while she can survive off of just a few hours. And on the topic of the horse? Poor animal doesn't get a name, but Katsa forces it through snow and uses it as a battering ram.
At one point, Katsa and Po, the love interest, protect a child and they play family. It was a weird dynamic to bring Katsa and Po together, but fails to make Katsa seem compassionate.
The plot twist of Katsa's real power was kind of interesting, but the villian was pretty obvious.Youre telling me the guy with the eyepatch, a disguise to hide his mismatched eyes, is a Graceling? *shocked pikachu face*
Katsa is not like other girls. She's tough, has different eye colors, and was born to kill ever since she accidentally killed a pervert. It was exhausting to listen to her compare her to her comrades and horse, and how they won't push on because they need to do silly things like rest and eat while she can survive off of just a few hours. And on the topic of the horse? Poor animal doesn't get a name, but Katsa forces it through snow and uses it as a battering ram.
At one point, Katsa and Po, the love interest, protect a child and they play family. It was a weird dynamic to bring Katsa and Po together, but fails to make Katsa seem compassionate.
The plot twist of Katsa's real power was kind of interesting, but the villian was pretty obvious.
Content Warnings
Minor: Animal cruelty and War
jselliot's review
adventurous
emotional
mysterious
medium-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
5.0
The first book of this series is just the best (though I'll grant that Bitterblue is a close runner-up - have not read the fourth book that was recently released yet). The main character is fleshed out well, if a little counter-culture defined by genre expectations of the time, and even the side characters beyond the love interest are equally well developed. I also found the magical system, Grace, interesting.
Content Warnings
Graphic: Murder, Death, and Violence
Moderate: Child abuse and Emotional abuse
Minor: Pedophilia, Animal cruelty, Animal death, and Sexual content