Reviews tagging 'Abortion'

Brainwyrms by Alison Rumfitt

9 reviews

arlenren's review against another edition

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challenging dark emotional tense fast-paced
  • Plot- or character-driven? Plot
  • Strong character development? It's complicated
  • Loveable characters? It's complicated
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? Yes

5.0


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anxiousnachos's review against another edition

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challenging dark

5.0


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djbobthegirl's review against another edition

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fast-paced
  • Plot- or character-driven? A mix
  • Strong character development? No
  • Loveable characters? No
  • Diverse cast of characters? It's complicated
  • Flaws of characters a main focus? Yes

1.0


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emmalouisereads's review against another edition

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challenging dark medium-paced
  • Plot- or character-driven? A mix
  • Strong character development? It's complicated
  • Loveable characters? It's complicated
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? Yes

4.0


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jemmers's review against another edition

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challenging dark emotional sad tense slow-paced
  • Plot- or character-driven? Character
  • Strong character development? It's complicated
  • Loveable characters? It's complicated
  • Diverse cast of characters? It's complicated
  • Flaws of characters a main focus? Yes

3.5


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minxtte's review against another edition

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dark fast-paced
  • Plot- or character-driven? A mix
  • Strong character development? It's complicated
  • Loveable characters? No

5.0

I had to physically force myself to stop reading this for my own welfare. Obsessed. 

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gia0203's review against another edition

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challenging dark reflective sad tense medium-paced
  • Plot- or character-driven? Character
  • Strong character development? It's complicated
  • Loveable characters? It's complicated
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? Yes

4.75

Rumfitt’s narrative voice is very clear and direct in this book - the purpose of the novel felt very clear compared to her last one. I very much enjoyed it, in a different way from Tell Me I’m Worthless.

The same themes pervade both books: being transgender in Britain, and how it links sexuality and trauma. Rumfitt writes about how it feels like we’re going backwards. She touches again and again on how extremist ideas spread. Interestingly in this novel, the internet is also a major theme, for example the fetish community. She pulls at the tension between fetish communities as a bit of fun, a sanctuary and as a coping mechanism.

This book is at times very satirical. I really enjoyed that. It isn’t scared to expose the underbelly of hypocrisy in modern politics. There’s a passage in this book that says everything is about sex, and people just like to pretend that it isn’t. This book is daring when Britain at the moment is leaning towards conservatism and tradition.

In this book, the worms are the metaphor for extremism, similar to the haunted house in Tell Me I’m Worthless. But Rumfitt’s books can’t really be defined as just one thing. She juggles many metaphorical plates at once.  I criticised Tell Me I’m Worthless for it’s lack of clarity, and I don’t hold the same criticism for this book. In many ways it’s a stronger novel. Rumfitt is growing really well as an author.

Subjectively however, I think the difference between them is that Tell Me I’m Worthless was more emotional, more zoomed in on the two people at the heart of it, whereas Brainwyrms takes a broader perspective. I prefer Tell Me  I’m Worthless on a personal level, but Brainwyrms is the better book. 

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lovelylilelle's review against another edition

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dark emotional sad fast-paced
  • Plot- or character-driven? A mix
  • Strong character development? It's complicated
  • Loveable characters? It's complicated
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? Yes

4.25


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doubledagger's review against another edition

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challenging dark fast-paced
  • Plot- or character-driven? Character
  • Strong character development? It's complicated
  • Loveable characters? No
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? Yes

3.0

Still find Rumfitt’s writing incredibly compelling but this just didn’t quite work for me. 

The very heavy Gross felt pretty numbing and flat by the end. 

The occasional glimpses of the wider concept were excellent, but that taking a backseat to the relationship of the two leads made the ending feel incredibly abrupt. 

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