Reviews tagging 'Lesbophobia'

Brainwyrms by Alison Rumfitt

5 reviews

lynxpardinus's review against another edition

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challenging dark emotional reflective tense

4.5


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seawarrior's review against another edition

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4.0

Brainwyrms is as dark, disgusting, and wormy as promised. Rumfitt excels at ironic wit and at writing thorny characters who encounter brutal pulses of horror within their otherwise mundane lives.

The leads in Brainwyrms treat themselves and others with an aggressive disregard that unfurls into gruesome violence of cosmic proportions. I recognized their ideas and actions in some of the worst and most unwell people I've ever had the displeasure of meeting. Rumfitt is obviously someone who has grown up on the Internet, and was able to depict its underbellies and relentless noise of voices with deftness. However, I did not understand how some of the plots and themes of the book related to one another. This may be because I read the book so quickly, or it may be because I had no familiarity with Edgar Allen Poe's "The Conqueror Worm", which should be a prerequisite for this novel. I would recommend this book to other readers willing to sit with their disgust and read a story that makes no attempt to alleviate their fear of the future. The future for transgender people may be a horrifying one, and Rumfitt knows it. 

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erica_reads_things's review against another edition

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challenging dark tense medium-paced
  • Plot- or character-driven? Plot
  • Strong character development? It's complicated
  • Loveable characters? No
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? Yes

4.0

My second read by Alison Rumfitt and I was so excited to be brought back into her world and unique writing voice. I was not disappointed in that regard! I do think this would be a 5 star for me on my second read, as the themes were a bit harder to follow than in Tell Me I'm Worthless. Im for sure going to give this a second read in the future to focus more on what it all means, what the wryms represent, and so on. That's really a huge part of what I have loved about Alison's work thus far. 

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maecaitlin's review against another edition

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challenging dark tense medium-paced
  • Plot- or character-driven? Character
  • Strong character development? No
  • Loveable characters? No
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? Yes

4.25

So grotesque - I loved it. The content warnings should definitely be heeded before starting the book.

I had to take multiple breathers and breaks to get through due to how graphic the horror is. But, it’s a really effective analysis of the horror of this TERF Island. 

The only reason this hasn’t been rated higher is that I’m not a massive fan of how the book sometimes structurally derails itself into rambles every now and again. Sometimes the portrayals of kink were just too much for my innocent mind.

I would not recommend this to any of my friends or family as I fear they would have their opinion forever changed of me, and I feel that’s a good sign of a strong horror. 

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gia0203's review against another edition

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challenging dark reflective sad tense medium-paced
  • Plot- or character-driven? Character
  • Strong character development? It's complicated
  • Loveable characters? It's complicated
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? Yes

4.75

Rumfitt’s narrative voice is very clear and direct in this book - the purpose of the novel felt very clear compared to her last one. I very much enjoyed it, in a different way from Tell Me I’m Worthless.

The same themes pervade both books: being transgender in Britain, and how it links sexuality and trauma. Rumfitt writes about how it feels like we’re going backwards. She touches again and again on how extremist ideas spread. Interestingly in this novel, the internet is also a major theme, for example the fetish community. She pulls at the tension between fetish communities as a bit of fun, a sanctuary and as a coping mechanism.

This book is at times very satirical. I really enjoyed that. It isn’t scared to expose the underbelly of hypocrisy in modern politics. There’s a passage in this book that says everything is about sex, and people just like to pretend that it isn’t. This book is daring when Britain at the moment is leaning towards conservatism and tradition.

In this book, the worms are the metaphor for extremism, similar to the haunted house in Tell Me I’m Worthless. But Rumfitt’s books can’t really be defined as just one thing. She juggles many metaphorical plates at once.  I criticised Tell Me I’m Worthless for it’s lack of clarity, and I don’t hold the same criticism for this book. In many ways it’s a stronger novel. Rumfitt is growing really well as an author.

Subjectively however, I think the difference between them is that Tell Me I’m Worthless was more emotional, more zoomed in on the two people at the heart of it, whereas Brainwyrms takes a broader perspective. I prefer Tell Me  I’m Worthless on a personal level, but Brainwyrms is the better book. 

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