You need to sign in or sign up before continuing.
Take a photo of a barcode or cover
3.83 AVERAGE
3.83 AVERAGE
The thing I think I liked most about this book is that it wasn't too complicated and it moved very much in "real time." I appreciate that once in awhile. I didn't like the ending, I rarely like it when anyone is happy in the end of a book. I want to read about drama and misery! Also, I had no idea this was ever a movie. I work at a bookstore and I had no idea!!!
funny
reflective
relaxing
medium-paced
Strong character development:
Yes
Loveable characters:
Yes
Diverse cast of characters:
No
Flaws of characters a main focus:
Yes
Grady Tripp is a writer of a few novels; following the success of his award winning novel The Land Downstairs he has set out to write his follow up. Seven years later his manuscript for Wonder Boys was over 2600 pages long and nowhere closer to being finished. In his personal life things were messed up, his wife has walked out on him, and his mistress Sara has revealed she was pregnant. Wonder Boys (1995) is Michael Chabon’s second novel following the success of his debut book The Mysteries of Pittsburgh (1988).
Michael Chabon spent five years writing a book called Fountain City following The Mysteries of Pittsburgh. Fountain City ballooned into a 1500 page novel about an architect building the perfect baseball stadium in Florida. Chabon stated that he “never felt like [he] was conceptually on steady ground.” Without telling his agent or publisher he abandoned the book and started Wonder Boys which steamed from the melodrama involved around Fountain City. The main character, Grady Tripp is apparently based on one of Chabon’s professors from University of Pittsburgh who had a 3000 pages manuscript which eventually was published in 2001.
This being my third novel by Michael Chabon, I was struck by how different this book was to the other two. The Amazing Adventures of Kavalier & Clay and The Yiddish Policemen’s Union play with intertextuality and genre blending but Wonder Boys didn’t have this at all. Sure there were some similarities, the frequent use of metaphors and recurring themes (particularly with Jewish identity) were still present but it felt very different. Wonder Boys felt raw and emotional, and now understanding the fate of Fountain City I can see the birth of this book.
Chabon plays on the ideas of how we view the stereotypical struggling writer; a person surrounded in melodrama. Wonder Boys is set over the course of one weekend in which Grady’s third wife has left him and his mistress has told him he will be a father. To make things worse, his mistress is the chancellor of the university he works at and her husband in the head of the English department, which makes him his boss. The drama continues to unfold as his agent has arrived in town in the hopes to get a peek at his new novel, which is far from finished. However that is not the half of Grady’s problems and this novel is overly dramatic to give the reader a chance to re-examine the ideas they have of a struggling writer; not all of them are Grady Tripp or Hank Moody (Californication).
Michael Chabon wanted to play with the idea of drama as a reflection of the internal struggle that is experienced with a novel that just isn’t working. Everything is over the top, much like the 1600 page novel that needs to be trimmed down and turned into a more accessible novel. However everything that Grady tries to do to make his life a little less complicated just makes everything worse. This metaphor plays out throughout the entire novel and I had to wonder if it is better to abandon the novel and start again or continue trying to fix it (this plays out near the end of this book but I won’t give spoilers). The fact this book is full of anxiety and raw emotions only serves to enhance the experience and the metaphor.
Wonder Boys was also turned into a movie starring Michael Douglas, Tobey Maguire, Katie Holmes and Robert Downey, Jr. I haven’t seen the movie yet but I can see what it working on a very fundamental level but I am not sure how it would translate. The movie does seem to have a cult classic status so maybe it translated onto the screen perfectly.
Yet again I find myself being impressed with the works of Michael Chabon and a little sad that is takes me so long to read another novel of his. I have Telegraph Avenue on my TBR bookcase waiting for me but it is a bit of a tome. I have so many big books I would love to read but they still scare me, I really need to work on this problem. Wonder Boys is a wonderful and emotional journey and a great place to start if you have never read Michael Chabon before.
This review originally appeared on my blog: http://literary-exploration.com/2014/12/03/wonder-boys-by-michael-chabon/
Michael Chabon spent five years writing a book called Fountain City following The Mysteries of Pittsburgh. Fountain City ballooned into a 1500 page novel about an architect building the perfect baseball stadium in Florida. Chabon stated that he “never felt like [he] was conceptually on steady ground.” Without telling his agent or publisher he abandoned the book and started Wonder Boys which steamed from the melodrama involved around Fountain City. The main character, Grady Tripp is apparently based on one of Chabon’s professors from University of Pittsburgh who had a 3000 pages manuscript which eventually was published in 2001.
This being my third novel by Michael Chabon, I was struck by how different this book was to the other two. The Amazing Adventures of Kavalier & Clay and The Yiddish Policemen’s Union play with intertextuality and genre blending but Wonder Boys didn’t have this at all. Sure there were some similarities, the frequent use of metaphors and recurring themes (particularly with Jewish identity) were still present but it felt very different. Wonder Boys felt raw and emotional, and now understanding the fate of Fountain City I can see the birth of this book.
Chabon plays on the ideas of how we view the stereotypical struggling writer; a person surrounded in melodrama. Wonder Boys is set over the course of one weekend in which Grady’s third wife has left him and his mistress has told him he will be a father. To make things worse, his mistress is the chancellor of the university he works at and her husband in the head of the English department, which makes him his boss. The drama continues to unfold as his agent has arrived in town in the hopes to get a peek at his new novel, which is far from finished. However that is not the half of Grady’s problems and this novel is overly dramatic to give the reader a chance to re-examine the ideas they have of a struggling writer; not all of them are Grady Tripp or Hank Moody (Californication).
Michael Chabon wanted to play with the idea of drama as a reflection of the internal struggle that is experienced with a novel that just isn’t working. Everything is over the top, much like the 1600 page novel that needs to be trimmed down and turned into a more accessible novel. However everything that Grady tries to do to make his life a little less complicated just makes everything worse. This metaphor plays out throughout the entire novel and I had to wonder if it is better to abandon the novel and start again or continue trying to fix it (this plays out near the end of this book but I won’t give spoilers). The fact this book is full of anxiety and raw emotions only serves to enhance the experience and the metaphor.
Wonder Boys was also turned into a movie starring Michael Douglas, Tobey Maguire, Katie Holmes and Robert Downey, Jr. I haven’t seen the movie yet but I can see what it working on a very fundamental level but I am not sure how it would translate. The movie does seem to have a cult classic status so maybe it translated onto the screen perfectly.
Yet again I find myself being impressed with the works of Michael Chabon and a little sad that is takes me so long to read another novel of his. I have Telegraph Avenue on my TBR bookcase waiting for me but it is a bit of a tome. I have so many big books I would love to read but they still scare me, I really need to work on this problem. Wonder Boys is a wonderful and emotional journey and a great place to start if you have never read Michael Chabon before.
This review originally appeared on my blog: http://literary-exploration.com/2014/12/03/wonder-boys-by-michael-chabon/
There's no denying that it's well written and more fun than your average 'rich intellectual man is cheating on his wife' tale, but that's the still a big part of the tale it's telling and the world has far too many of these novels. There was also some very jarring transphobia in the first quarter that I found it pretty hard to get past.
So, let me just say I had to read this for a class. Otherwise I wouldn't have picked this up. Usually, I give the books I'm assigned to read a chance, the benefit of the doubt. I hate this book, but it's not because it was assigned. However, it's not really my personal taste.
The main character is the biggest douche-bag I have ever had the misfortune to read. Now, I'm not one of those people that needs to have the main character be a perfect, super likable, awesome person. However, I expect characters to change over the course of the story, which did not happen here. Grady starts out a douche-bag and ends a douche-bag. He doesn't learn a damn thing.
His best friend, Crabtree, is gay (possibly bisexual, it's never stated I think). When he first appears in the novel he's accompanied by a character who is either a transwoman or a drag queen. The novel wasn't clear which and I'm not entirely sure the author knows the difference. The main character proceeds to constantly point out that this person, who is presenting as a woman, has a penis. I think it was supposed to be funny but for me it came off as the immature and juvenile.
Anyways, Crabtree at one point meets James Leer, one of Grady's students. Despite the age difference and the fact that James has considerable mental issues he has a plan to seduce him in an almost predatory way. Since that's obviously what gay men do.
The plot is weird and melodramatic. Which, I'm not against, it simply didn't fit anything. I didn't enjoy the drama and the weirdness didn't keep me captivated. Things just randomly happened and they didn't feel connected.
If you like stories that highlight how dysfunctional people can be, how miserable and chaotic life is, which no character development or satisfying resolve to the story - by all means, give this a chance.
The main character is the biggest douche-bag I have ever had the misfortune to read. Now, I'm not one of those people that needs to have the main character be a perfect, super likable, awesome person. However, I expect characters to change over the course of the story, which did not happen here. Grady starts out a douche-bag and ends a douche-bag. He doesn't learn a damn thing.
His best friend, Crabtree, is gay (possibly bisexual, it's never stated I think). When he first appears in the novel he's accompanied by a character who is either a transwoman or a drag queen. The novel wasn't clear which and I'm not entirely sure the author knows the difference. The main character proceeds to constantly point out that this person, who is presenting as a woman, has a penis. I think it was supposed to be funny but for me it came off as the immature and juvenile.
Anyways, Crabtree at one point meets James Leer, one of Grady's students. Despite the age difference and the fact that James has considerable mental issues he has a plan to seduce him in an almost predatory way. Since that's obviously what gay men do.
The plot is weird and melodramatic. Which, I'm not against, it simply didn't fit anything. I didn't enjoy the drama and the weirdness didn't keep me captivated. Things just randomly happened and they didn't feel connected.
If you like stories that highlight how dysfunctional people can be, how miserable and chaotic life is, which no character development or satisfying resolve to the story - by all means, give this a chance.
An unrestrained Chabon where he is more blatant and overwhelming than his usual somber subtle self. Mostly witty and at time poignant, the characters become larger than life by the end of the ordeal.
I really enjoyed this, the odd escapades and the not-exactly-happy ending that somehow fits the characters
Michael Chabon was a young phenom, publishing his debut novel when he was only 25. He found himself stuck when he tried to pen his follow-up, though, and from this experience he found the inspiration for what became his second book, Wonder Boys. The novel tells the story of Grady Tripp, a one-time literary wunderkind who's published two books to both critical acclaim and popular success but has gotten completely mired in his third. Tripp works as a professor at a small liberal arts school in his native Pennsylvania, and his life is a bit of a mess when we meet him. His agent, who has also been his best friend since college, is coming into town to talk about his book, which he is nowhere near finishing even though he's written over 2,000 pages. An odd but talented student, James, is exhibiting strange behavior. His wife, the third Mrs. Tripp, has just apparently left him. And his mistress, who is the dean of the college and who is married to the head of Tripp's department, is pregnant.
It makes for a wild weekend, as Grady tries to keep his agent from actually reading his manuscript in the hopes that he can figure out what to actually do with it, keep track of James, who turns out to be a bit of a pathological liar and compulsive thief, attend a seder dinner with his in-laws (with James in tow) to see if he can patch things up with his wife, and figure out what to do about his mistress's pregnancy. There's also a running plotline about the car Tripp is driving, which he won in a poker game and might actually be stolen, and Tripp's crush on the young student that rents out the basement in his house and is never seen without her red cowboy boots. In the end, somehow, improbably, it all turns out about as well as it could have.
I don't even necessarily think that's a spoiler there, because there is a movie version out there of this book and it's fairly faithful to the text, though it does cut out some plot threads while giving others greater weight. The movie bombed, though I actually quite liked it myself, and I honestly think it might work better in some ways than the book...mostly for its willingness to purge extraneous details. Chabon's a wonderful writer with a great sense of how to tell a story and clear, insightful prose, but there was really just too much going on here. Too many characters, too many "side quests" (so to speak), too much detail...it feels cluttered and starts to strain the bounds of credulity. How much weird stuff, after all, can happen to one guy over the course of one weekend?
While I've loved the two books of Chabon's that I've read before, this one just didn't resonate with me. I think part of it was let-down, because what I've read from him before has been so good that I had very high expectations going in, and part of it is that I'm just not in a place where stories about overgrown man-children are especially charming to me. The thought of the amount of emotional labor a person like Tripp pushes onto the women in his life because he can't be assed to get himself together is enraging, so I actually kind of hated him. Comedy-of-errors-style plots like this one aren't my cup of tea either. I think my lack of connection with this book is as much about me and my preferences as it is about the book itself, though, so while I can't recommend it, I'm not going to affirmatively suggest avoiding it either. If reading this has made you think that this sounds like a delightful narrative, you'll probably like it. If not though, skip.
It makes for a wild weekend, as Grady tries to keep his agent from actually reading his manuscript in the hopes that he can figure out what to actually do with it, keep track of James, who turns out to be a bit of a pathological liar and compulsive thief, attend a seder dinner with his in-laws (with James in tow) to see if he can patch things up with his wife, and figure out what to do about his mistress's pregnancy. There's also a running plotline about the car Tripp is driving, which he won in a poker game and might actually be stolen, and Tripp's crush on the young student that rents out the basement in his house and is never seen without her red cowboy boots. In the end, somehow, improbably, it all turns out about as well as it could have.
I don't even necessarily think that's a spoiler there, because there is a movie version out there of this book and it's fairly faithful to the text, though it does cut out some plot threads while giving others greater weight. The movie bombed, though I actually quite liked it myself, and I honestly think it might work better in some ways than the book...mostly for its willingness to purge extraneous details. Chabon's a wonderful writer with a great sense of how to tell a story and clear, insightful prose, but there was really just too much going on here. Too many characters, too many "side quests" (so to speak), too much detail...it feels cluttered and starts to strain the bounds of credulity. How much weird stuff, after all, can happen to one guy over the course of one weekend?
While I've loved the two books of Chabon's that I've read before, this one just didn't resonate with me. I think part of it was let-down, because what I've read from him before has been so good that I had very high expectations going in, and part of it is that I'm just not in a place where stories about overgrown man-children are especially charming to me. The thought of the amount of emotional labor a person like Tripp pushes onto the women in his life because he can't be assed to get himself together is enraging, so I actually kind of hated him. Comedy-of-errors-style plots like this one aren't my cup of tea either. I think my lack of connection with this book is as much about me and my preferences as it is about the book itself, though, so while I can't recommend it, I'm not going to affirmatively suggest avoiding it either. If reading this has made you think that this sounds like a delightful narrative, you'll probably like it. If not though, skip.
Again, as usual, I am destroyed and built anew by Chabon and his complicated tales of what it is to be a man, an artist, a human, and a reader. Shit, man.