Reviews tagging 'Medical content'

On Earth We're Briefly Gorgeous by Ocean Vuong

57 reviews

lia_mills's review against another edition

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emotional reflective sad slow-paced
  • Plot- or character-driven? Character
  • Strong character development? It's complicated
  • Loveable characters? It's complicated
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? It's complicated

3.5

Method: audiobook

To be honest, I found Part I of this book to be difficult to get through, in a "this feels like homework" kind of way (and this is coming from someone who usually enjoyed doing English homework).

I suspected choosing the audiobook may have been a mistake - this book uses a lot of poetic language in a way that often works on the page but can be a little exhausting to listen to, and the way the story moves back and forth across memories over years or decades, although effective in helping us understand the narrator, can be a little confusing in audiobook form.

But from Part II onwards it picked up for me - maybe I just got used to it. It's certainly an evocative story, with a lot of insights into the life of a shy, thoughtful, working-class, queer, Vietnamese-American young man, and a level of emotional depth that makes me understand why it's been so highly regarded.

Some quotes I found particularly interesting:

• "The thing is, I don't want my sadness to be othered from me, just as I don't want my happiness to be othered. They're both mine. I made them, damn it."
 "Too much joy, I swear, is lost in the desperation to keep it."
 "You asked me what it's like to be a writer, and I'm giving you a mess, I know. But it's a mess, Ma. I'm not making this up. I made it down."

Works (2) this made me think of: 

My Sister's Keeper (2004 family/medical/legal drama novel by Jodie Picoult): has a similar aspect of moving through time (although from a variety of different narrators rather than the one here), and a similar reliance on (and, to my mind, borderline overuse of) explanatory metaphor and symbolism.
Call Me By Your Name (2007 coming-of-age novel by Andre Aciman): has a similar exploration of a secret MM relationship, from the first-person perspective of the more (comparatively) introverted partner. 

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littleghostelli's review against another edition

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challenging emotional hopeful inspiring reflective sad medium-paced
  • Plot- or character-driven? Character
  • Strong character development? Yes
  • Loveable characters? Yes
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? No

5.0


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maxthebeetlesheep's review against another edition

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challenging dark emotional inspiring reflective medium-paced
  • Plot- or character-driven? A mix
  • Diverse cast of characters? Yes

5.0

A stunning book that i knew i would rate 5 stars from the very first chapter. absolutely captivating and such an important read. if i could only choose one book to read this year, it would be this one.

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gvstyris's review against another edition

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challenging emotional reflective sad slow-paced
  • Plot- or character-driven? Character
  • Strong character development? It's complicated
  • Loveable characters? It's complicated
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? Yes

4.75

I had thought sex was to breach new ground, despite terror, that as long as the world did not see us, its rules did not apply. But I was wrong.
The rules, they were already inside us. 

On Earth We're Briefly Gorgeous is an epistolary novel defined by its premise: the letter's intended recipient -- the main character's mother -- is illiterate, and will thus never read it. This permits a unique vulnerability, which, in addition to Vuong's lyrical prose and sensitivity towards his characters, is perhaps the greatest strength of this narrative.

That being said, I understand why this novel won't be for everyone. Our protagonist, Little Dog, tells his life story through a series of non-linear digressions that echo his mind's messy categorisation of 20+ years of memories. Little Dog himself notes that "I'm not telling you a story so much as a shipwreck--the pieces floating, finally legible." It's a structure quite uncommon in Western literature, utilising the Japanese narrative technique of kishōtenketsu to reject a clear plot in favor of replicating reality. Vuong's writing asked me to reconsider what it means to write a "novel," and I'm completely in awe of his creative process. I'm similarly excited to check out more of his poetry.

On an emotional level, I found Little Dog's story of coming-of-age (or as Vuong puts it, "coming-of-art") as a queer Vietnamese-American boy to be incredibly eye-opening. His empathy towards his grandmother/mother's struggles with PTSD really stuck with me, as well as his consideration of his place in wider American culture. In truth, I initially struggled to read about Little Dog's relationship with queerness because of its emphasis both on physicality/sex and trauma. I've since finished the novel, however, with an increased understanding of why we need to represent a range of queer experiences -- and do so with sensitivity.

What a read. I'll leave you with another line of Vuong's beautiful prose:

All this time I told myself we were born from war--but I was wrong, Ma. We were born from beauty.
Let no one mistake us for the fruit of violence--but that violence, having passed through the fruit, failed to spoil it. 


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zeldazonks's review against another edition

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challenging emotional reflective sad slow-paced
  • Plot- or character-driven? Character
  • Strong character development? It's complicated
  • Loveable characters? It's complicated
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? Yes

4.0

I listened to the audiobook narrated by the author which was genuinely an incredible way to take in the book. However it did mean that it felt like a 7 hour poetry reading, so I had to pace myself and probably listen in more instalments than if I'd physically read it. Not that that detracted from the book in anyway, but it's worth bearing in mind. Overall incredibly beautiful writing and a devastating story, very meditative and hops back and forth through time so it feels almost dream like or like memory. 

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marena02's review against another edition

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dark emotional sad tense fast-paced
  • Plot- or character-driven? Character
  • Strong character development? It's complicated
  • Loveable characters? It's complicated
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? Yes

3.75


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siebensommer's review against another edition

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challenging emotional reflective sad medium-paced
  • Plot- or character-driven? A mix
  • Strong character development? It's complicated

3.5

what is a country but a life sentence?

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grcompain's review against another edition

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challenging emotional reflective sad tense fast-paced
  • Plot- or character-driven? Character
  • Strong character development? Yes
  • Loveable characters? Yes
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? Yes

4.0

Vuong’s story is as deep and captivating as his writing style. This was a beautiful and heartbreaking story that keeps you down allowing you to come up for only brief and humorous pockets of air. This story was real and vivid. The writing was very poetic and the imagery provided, drops the reader right into the scene in the best and worst ways. I personally disliked the amount of the gruesome and gory details (animal abuse and body horror) which of course added emotional value but also distracted from the rest of the page. I found my mind stuck on horrible images long after turning the page. This book is beautiful and fearlessly describes the gorgeous, and the terrible. 

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carolinacortez's review against another edition

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emotional reflective tense slow-paced
  • Plot- or character-driven? Character
  • Strong character development? It's complicated
  • Loveable characters? Yes
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? Yes

4.0

"what I left behind becomes exactly what I'm running toward -- like I'm part of a family." 

Tengo que ser honesta, es un libro complicado de leer, no es una lectura que se lea en una sentada (aunque es cortito), es prácticamente poesía en forma de novela, entonces mi recomendación sería que se lea despacito, disfrutando cada palabra de Ocean. 

"The wound is also the place where the skin reencounters itself, asking of each end, where have you been? 
Where have we been, Ma?" 

Cada párrafo, cada capítulo, cada oración, son hermosos, yo no podía dejar de decir 'no puede ser' de lo bello que está escrito y se ve el amor que hay detrás de cada palabra, que pensó la mejor manera de mostrar una parte de la vida de mucha gente. 

"Ma. You once told me that memory is a choice. Buy if you were god, you know it's a flood."

En cuanto a las relaciones (tanto con su mamá, abuela, como con Trevor) están súper marcadas las diferencias, como la personalidad de little dog se moldaba según con quién estaba, según lo que la otra persona necesitará de el (muy mirrorball de su parte) 

"You once told me that the human eye is god's loneliest creation. How so much of the world passes through the pupil and still it holds nothing" 

En resumen es una novela preciosísima, solo hay que tener en cuenta que requiere su tiempo para digerirla bien. 

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yummosocks's review against another edition

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challenging dark emotional informative inspiring reflective slow-paced
  • Plot- or character-driven? Character
  • Strong character development? No
  • Loveable characters? It's complicated
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? Yes

3.75


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