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akirokis's review against another edition
adventurous
medium-paced
- Plot- or character-driven? Character
- Strong character development? It's complicated
- Loveable characters? Yes
- Diverse cast of characters? It's complicated
- Flaws of characters a main focus? It's complicated
3.5
Content Warnings
Graphic: Murder, Sexual content, Death, and Injury/Injury detail
therainbowshelf's review against another edition
adventurous
challenging
dark
emotional
funny
mysterious
reflective
tense
medium-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? It's complicated
- Flaws of characters a main focus? Yes
4.75
Another enjoyable entry in this series. I was delighted to meet Ross and Violet and get to know Maud and Hawthorn more in this volume. I enjoyed the first book a bit more, because the pacing was better, but I felt the character connections just as strongly and laughed out loud just as often with this. Super excited for the next book!
Content Warnings
Graphic: Grief, Blood, Sexism, Sexual violence, Sexual content, Murder, Torture, Injury/Injury detail, and Violence
Minor: Homophobia
yourbookishbff's review against another edition
adventurous
funny
mysterious
reflective
tense
medium-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
4.5
Middle books so often feel meandering in a trilogy, and Marske's decision to make this a confined, liminal story, existing entirely on a ship crossing the Atlantic, really worked for me. I loved the attention to detail on the ocean liner, which made this setting feel so vivid and unique. I loved the concept - murder mystery on an ocean liner with a cobbled together crew of vigilantes - and enjoyed the moments of true eccentricity (The actual menagerie?! The jewelry thief and circulating erotica?!).
The romance is very realist cally built and ends in a way that feels authentic for these characters, who each need more time to determine their own futures and identity individually as well. I loved Violet's high-walled heart and Maude's steadiness and vulnerability. I think some readers will want a romance arc that feels more conplete and more familiar, as we had in book one, but I didn't mind this personally.
The expanded magic system!! I loved exploring illusions, as well as American approaches to magic, and I LOVED cradle speak. Learning more about the Forsythia Club adds even more to the world-building and our understanding of the magic system, and I loved how much of the origin story we get in this installment.
Marske's writing is, as always, stunning, and I loved the audio production and narration for this book. There were lines that stayed with me, even as I listened - a feeling of cold water poured between bones, a voice searching for a bruise to press, music that sounds as though someone had passed their hand across velvet, the wrong way and then the right way. I just love Marske's writing.
The romance is very realist cally built and ends in a way that feels authentic for these characters, who each need more time to determine their own futures and identity individually as well. I loved Violet's high-walled heart and Maude's steadiness and vulnerability. I think some readers will want a romance arc that feels more conplete and more familiar, as we had in book one, but I didn't mind this personally.
The expanded magic system!! I loved exploring illusions, as well as American approaches to magic, and I LOVED cradle speak. Learning more about the Forsythia Club adds even more to the world-building and our understanding of the magic system, and I loved how much of the origin story we get in this installment.
Marske's writing is, as always, stunning, and I loved the audio production and narration for this book. There were lines that stayed with me, even as I listened - a feeling of cold water poured between bones, a voice searching for a bruise to press, music that sounds as though someone had passed their hand across velvet, the wrong way and then the right way. I just love Marske's writing.
Content Warnings
Graphic: Blood and Injury/Injury detail
Moderate: Misogyny, Classism, Death, Murder, and Confinement
becca303's review against another edition
adventurous
emotional
inspiring
mysterious
medium-paced
- Plot- or character-driven? Plot
- Strong character development? It's complicated
- Loveable characters? It's complicated
- Diverse cast of characters? It's complicated
- Flaws of characters a main focus? Yes
4.25
Content Warnings
Graphic: Cursing, Sexual content, and Classism
Moderate: Toxic friendship, Blood, Alcohol, Murder, Death of parent, Injury/Injury detail, and Violence
ramakn22's review against another edition
adventurous
dark
emotional
funny
inspiring
mysterious
reflective
tense
medium-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
4.75
Content Warnings
Graphic: Violence, Injury/Injury detail, Sexual content, Misogyny, and Murder
Moderate: Confinement, Blood, Classism, and Alcohol
maryellen's review against another edition
adventurous
challenging
dark
emotional
funny
hopeful
mysterious
tense
medium-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? It's complicated
5.0
Content Warnings
Graphic: Sexism, Sexual content, Classism, Death, Blood, Murder, and Injury/Injury detail
Moderate: Cursing
20sidedbi's review against another edition
adventurous
emotional
funny
mysterious
medium-paced
- Plot- or character-driven? Plot
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? No
- Flaws of characters a main focus? No
4.25
Content Warnings
Graphic: Sexual content, Murder, and Death
Moderate: Classism, Injury/Injury detail, and Misogyny
Minor: Racism
jencolumb0's review against another edition
adventurous
hopeful
lighthearted
reflective
medium-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? It's complicated
5.0
The rare second book that manages to be better than the first.
This book is understandable without reading A Marvellous Light but you will miss some charming pieces if you cheat yourself of the first book in this series. I was initially skeptical of a mystery set on a boat; it’s not a typical setting for the books I usually like but Marske wove romance and self-discovery and class/race issues and mystery and magical world building into a truly wonderful read. I cannot *wait* for the third in the trilogy.
This book is understandable without reading A Marvellous Light but you will miss some charming pieces if you cheat yourself of the first book in this series. I was initially skeptical of a mystery set on a boat; it’s not a typical setting for the books I usually like but Marske wove romance and self-discovery and class/race issues and mystery and magical world building into a truly wonderful read. I cannot *wait* for the third in the trilogy.
Content Warnings
Graphic: Blood and Death
Moderate: Injury/Injury detail
Minor: Death of parent
booksthatburn's review against another edition
adventurous
emotional
lighthearted
mysterious
tense
medium-paced
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? It's complicated
- Flaws of characters a main focus? Yes
5.0
A witty and enchanting follow-up, A RESTLESS TRUTH follows Maud Blyth as she tries to secure a piece of the Last Contract.
This continues the general mission of collecting the pieces of the Last Contract and securing them to protect the other magicians of Britain, it also follows Maud (Robin's sister) who briefly appeared in A MARVELLOUS LIGHT. It doesn't completely wrap up anything left hanging from the first book, but it does move forward on a variety of plot points in a way that's suitable for the second book in a trilogy. There's an entirely new storyline related to Maud and Violet, as well as the mostly self-contained issue of the murder and Last Contract piece on the cruise ship. The restricted location makes this feel like a bottle episode in a way I wasn't expecting but is pleasant to read. Oftentimes the middle book in a trilogy can feel a bit neglected, existing only to bridge between the beginning and the finale, but partly because it changed narrators and has an entirely new location this feels fresh and can almost entirely stand on its own. Several major things are introduced and resolved, including but not limited to the immediate issue of figuring out who committed the murder and how to keep them from achieving their broader aims.
The plot is a mix of complicated hijinks and social navigation as they try to find a missing item and solve a murder, all while avoiding the attention of the culprits even when they haven't yet figured out who is involved. This would mostly make sense to someone who hadn't read the first book, the relevant backstory is explained as needed and generally avoids feeling like infodumping. The corollary is that it doesn't spend much time explaining what happened in the first book, since at a certain point that isn't crucial to Maud's experience since it happened to her brother instead of her. Maud and Violet are new narrators to the series, and their perspectives feel very distinct. Violet is guarded even in her own head, in a way that means I came away understanding the shape of her reticence more than the details of her history.
Maud and Violet's relationship has a lot of care and deliberate exploration of them as people. Maud wants to know everything about Violet, but Violet is a much more guarded person and isn't ready to show more of herself to someone she just met a few days ago. I appreciate how their levels of physical and emotionally intimacy are treated as two distinct things, both needing attention but not necessarily lining up precisely.
My favorite character is Lord Hawthorn (due mostly to my personal preferences and not implying any fault with the others), I was excited to see him playing more of a role here than he did in the first book, and I'm very hyped for the forthcoming third book which stars him and Alan Ross.
This continues the general mission of collecting the pieces of the Last Contract and securing them to protect the other magicians of Britain, it also follows Maud (Robin's sister) who briefly appeared in A MARVELLOUS LIGHT. It doesn't completely wrap up anything left hanging from the first book, but it does move forward on a variety of plot points in a way that's suitable for the second book in a trilogy. There's an entirely new storyline related to Maud and Violet, as well as the mostly self-contained issue of the murder and Last Contract piece on the cruise ship. The restricted location makes this feel like a bottle episode in a way I wasn't expecting but is pleasant to read. Oftentimes the middle book in a trilogy can feel a bit neglected, existing only to bridge between the beginning and the finale, but partly because it changed narrators and has an entirely new location this feels fresh and can almost entirely stand on its own. Several major things are introduced and resolved, including but not limited to the immediate issue of figuring out who committed the murder and how to keep them from achieving their broader aims.
The plot is a mix of complicated hijinks and social navigation as they try to find a missing item and solve a murder, all while avoiding the attention of the culprits even when they haven't yet figured out who is involved. This would mostly make sense to someone who hadn't read the first book, the relevant backstory is explained as needed and generally avoids feeling like infodumping. The corollary is that it doesn't spend much time explaining what happened in the first book, since at a certain point that isn't crucial to Maud's experience since it happened to her brother instead of her. Maud and Violet are new narrators to the series, and their perspectives feel very distinct. Violet is guarded even in her own head, in a way that means I came away understanding the shape of her reticence more than the details of her history.
Maud and Violet's relationship has a lot of care and deliberate exploration of them as people. Maud wants to know everything about Violet, but Violet is a much more guarded person and isn't ready to show more of herself to someone she just met a few days ago. I appreciate how their levels of physical and emotionally intimacy are treated as two distinct things, both needing attention but not necessarily lining up precisely.
My favorite character is Lord Hawthorn (due mostly to my personal preferences and not implying any fault with the others), I was excited to see him playing more of a role here than he did in the first book, and I'm very hyped for the forthcoming third book which stars him and Alan Ross.
Content Warnings
Graphic: Grief, Death, Sexual content, Blood, Violence, and Murder
Moderate: Classism, Cursing, and Injury/Injury detail
Minor: Pregnancy, Mental illness, Vomit, Car accident, Suicide, Slavery, and Death of parent
wilybooklover's review against another edition
adventurous
mysterious
medium-paced
4.5
While this didn’t quite live up to the first book for me, I still found it gorgeously enchanting. Freya Marske’s prose is as lush and evocative as ever. Sometimes beautiful prose can get in the way of the narrative and leave the reader (at least, this reader) confused about what’s actually going on, but this was eminently readable.
I’ve found that many sapphic romances are lacking in the tension and sexiness that you find in other romances — not so in this book! This book was delightfully horny. Violet and Maud are both deeply flawed and almost mirror images of each other, in a way; where Maud is naive on the surface and unwaveringly strong inside, Violet is confident and sophisticated on the outside but soft and scared on the inside. I especially loved Violet’s characterisation: how she used illusion and artifice as a shield, how she was all defensive sharp edges whenever someone tried to get close to the real Violet, which in turn made it all the sweeter when she dropped those defences and let Maud in. Their story ends on a very satisfactory HFN note that felt right for the characters and their short acquaintance.
While I missed the magical houses and murderous mazes of the first book, I did enjoy the ship setting, and I thought the magical world and its rules were deftly expanded. The reveal at 50%, that Maud is a medium was a really fun addition and took me by genuine surprise. The mystery was fun and engaging, mostly due to the hijinks and banter of Maud’s assembled group of investigators but also in part to some very creepy villains. The comparison to Knives Out was a very apt one.
I think (hope!) that the next book will feature Hawthorn and Ross, because they both made fantastic side characters in this.
Content Warnings
Graphic: Sexual content, Blood, Death, Grief, and Murder
Moderate: Injury/Injury detail, Kidnapping, Violence, Torture, Sexism, Confinement, and Misogyny
Minor: Homophobia, Classism, Fire/Fire injury, Racism, Death of parent, and Sexual harassment