Reviews with content warning for Emotional abuse - China Room

China Room follows two plots, one in 1999 with a young man and another with his great-grandmother, Mehar, in 1929. Mehar’s plot is much more fleshed out than the young man’s, although both were intriguing. Ultimately, however, Mehar’s plot plays out rather predictably, and the young man’s plot fizzles out anticlimactically.

Characters:

Most of Sahota’s characters have clear defining characteristics, but none are really explored as individuals. Sahota is more interested in the factors that motivate the characters—outside influences, relationships, etc. than he is in the people themselves.

Setting:

This book takes place in a small Indian village. As someone who has never been to India, Sahota does a good job capturing the stifling nature of the village. However, it could be hard to visualize as someone with little knowledge of India and Indian history. Of course, Sahota should not feel obligated to cater to white audiences—but this was just my experience reading the book. It gives a fascinating glimpse into rural Indian culture circa 1929.

Themes:

The main theme explored in China Room is relationships. Relationships between family and lovers. Characters navigate complicated relationships in complicated circumstances, often trapped between their own desires and societal expectations. For me, thematic exploration was the most compelling part of China Room.

Writing Style:

Sahota’s writing toes the line between dense and flowery. I never got overly frustrated with his writing, but at times I felt myself skimming over descriptive paragraphs to follow the plot.

Conclusion:

China Room is a challenging yet intriguing read, especially as a white American. The plot is captivating, especially initially, even if the resolution leaves something to be desired. Mehar’s plotline is much more interesting than the plot involving her great-grandson.

Other Points:

I did not connect to Mehar’s and Suraj’s relationship. I found it reflected more lust than love, so I wasn’t particularly rooting for them to make it to the end. Suraj seemed rather entitled and creepy (he did, after all, assault Mehar). I wished Mehar would find a place where she could be herself, but that place did not seem to be with Suraj.

Content Warnings

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Reviews tagging 'Emotional abuse'

China Room by Sunjeev Sahota

tlaynejones's review against another edition

internationalreads's review against another edition

emmagreenwood's review

thecriticalreader's review