Reviews with content warning for Grief - Le Maître des illusions

very unlike anything i've read before and i loved it. the pace was quite slow, the chapters unusually long, and some descriptions of surroundings really verbose, but i was completely captivated after the first chapter/ first 10% of the book. the sometimes long-winded descriptions really were not boring at all but let me imagine everything just more vividly, and the details of rather mundane situations made everything more real and established the relationships between of all characters really well.

i usually prefer third-person pov, but this first person pov was so well written, i often even forgot about it. i loved richard as a narrator. it really felt like a friend telling you a long story - drifting off topic occasionally, going into detail for things that might not matter much to anybody but him. even though he is relatively detached as a narrator, it was very clear how he saw and felt about his friends, which made me love the other main characters - at least until it got complicated, by the ending i had mixed feelings, but i suppose that is exactly what it was supposed to be like. either way, all of them are really well fleshed-out unique characters, so even if you don't like them, you can be intrigued with them. who i liked best fluctuated throughout the story, but i think in the end it's richard and francis for me.

the story itself was very compelling. there were some things i figured out before they happened, but generally i was surprised by the major plot points (at least the ones that hadn't been purposely been given away in the beginning). it felt eerily realistic, exciting, fascinating, but at the same time really relatively mundane, bleak, "normal", like this could have happened to anybody.

i'm glad i didn't read the content warnings before reading the book because they definitely contain spoilers, at least in the sense that some things wouldn't be as surprising anymore. some scenes were disturbing, even relatively graphic, but i enjoyed being caught off-guard.

i'm very much looking forward to re-reading the story. i feel like it's one of those books that will be amazing on the second read when you can pick up on little details and foreshadowing that you missed on the first read.

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angel_kiiss's review against another edition

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challenging dark mysterious tense medium-paced

Plot- or character-driven? A mix
Strong character development? Yes
Loveable characters? It's complicated
Diverse cast of characters? No
Flaws of characters a main focus? Yes

4.0

I do love reading about bad people. If you don’t like reading about bad or morally grey people I guess don’t read this very good book?

An exceptionally interesting book that is paced well up until the end. The third act is slow but ironically rushes in the end.

I did, however, spend the whole book trying to figure out what part of the character of Bunny or the story inspired Mona Awad to write her novel. So far I’ve still made no connection between the two Bunnys to make sense of it. Other than the fact that it’s about to poor kids getting caught up in the lives of their rich peers while at an exclusive university.

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carefulfearanddeaddevotion's review against another edition

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dark emotional mysterious sad tense slow-paced

Plot- or character-driven? A mix
Strong character development? No
Loveable characters? No
Diverse cast of characters? No
Flaws of characters a main focus? Yes

2.75

This book has been on my TBR for a decade, and sadly, it disappointed.

The only thing that saved this book from being a 1 star read is the writing. The scenes are well-paced, the conversations natural, the descriptions--both of location and feeling--are extremely vivid. Unlike The Goldfinch, I was able to finish this book. Like The Goldfinch, I found the characters bland and insufferable. I really just could not empathize or even sympathize with any of them. When Bunny was alive, he was bigoted and not very likeable. Once he died, I did feel bad for him, but only because I am not a psychopath and I think murdering a friend because they found out you murdered someone else is bad, actually.

I did find myself actively enjoying the book after

Julian finds out that Henry (and the whole friend group, really) killed Bunny

. Richard is finally able to see how he built up Julian and the whole group to be these perfect, aspirational people, when really they're not perfect, not at all. I could feel his panic, and his disgust, and this is when he started to feel more real, and therefore more enjoyable.

Not really that important overall, but was I actually meant to believe that he's in love with Camilla?? I'd sooner believe that he's in love with Cloke. He definitely had much more believable chemistry with all the boys in the group (or even Judy) than he did with Camilla. Just like Meredith and Oliver(?) in If We Were Villains I don't buy it, I really don't. Stop with the forced heterosexuality, stop shoving that shit down my throat. /lh

ALSO we find out that, actually, Bunny was right and Camilla and Charles ARE fucking. ewewewewewewwwwww.

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deathmetalheron's review against another edition

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challenging dark mysterious reflective sad slow-paced

Plot- or character-driven? A mix
Strong character development? Yes
Loveable characters? No
Diverse cast of characters? No
Flaws of characters a main focus? Yes

4.25

This is one of those books that comes with a lot of hype, a lot of culture surrounding it, and if you even dip your toes in it's hard to sort of step back and give an honest rating. I had never heard of it til this year so it makes sense that it's a "modern" classic, but it's important to sit back and give it a sober impression.
First off, there is so much good in this book--in spite of being slow-paced, it's an incredibly gripping read. Richard + crew are exactly what you want out of morally compromised protagonists, they are flawed and overall bad people but they are compelling enough to read about. The references and the overlying theme of Greek tragedy playing out slowing in postmodern Vermont is really a stroke of genius. You can get little treats if you go back and read the parts in ancient languages again, learning new aspects about the characters and early foreshadowing in some cases.
The strongest aspect of this book is its condemnation, or rather strong criticism of elite academia and university. While there is no "hammer to anvil" moment where Richard goes on a diatribe about why college/"university" is dumb (and the text is all the better for it), the overlying theme of this permeates the vast majority of the text and creates the relationship dynamic with Richard and thew crew. By the end Richard has his realization that while college was somewhere he wanted to go and where he felt he had to, to the other Classics (particularly Henry) life is nothing more than an extremely extended stint in college, due to their wealth. Julian (arguably the true antagonist and representation of the entirety of academic excess) is basically the end-goal for Henry.
The other factor that shines is how even though everyone is unlikable to some extent, Bunny, who features some of the more obvious detestable traits like elitism, bigotry, and begging for money, it is

still remarkably sad that his murder is what the story is framed around, and by the end when Henry and the rest are revealing their true characters you come to realize that in his soul Bunny was no worse than any of them. In that sense his death feels extremely tragic.

Now, where do I find critique with this text? For one, the obsession with the aesthetic of this damn book leaves a sour taste in my mouth--this is certainly one of those books where it's easy to get lost in "no, you don't get it, this is the real point" I do feel that moping around smoking cigarettes and wearing New England prep fashion is not exactly the takeaway you want from this book. I have the benefit of reading this in my 30s, and I knew people like the Classics when I was in college. The Magicians is much more hokey and goofy but it gets away with making fun of dark academia without making it feel sexy. The reaction to that makes me wonder if the themes of anti-elitism should have been more prominent and we didn't need to spend as much time going over the times Richard walks around drunk or how many Bloody Marys Charles orders and how fast he drinks them. At around 400 pages the prose begins to dip and we get extended, plodding sections that really betray the pace.
It's a phenomenal book, and I have so much good to say about it. But at the risk of falling into the milieu of takes on this book, there is a very clear set of themes to me, and yes, you can miss it if you get too lost in the aesthetic.

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komiification's review against another edition

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adventurous challenging dark emotional mysterious reflective sad tense slow-paced

Plot- or character-driven? A mix
Strong character development? Yes
Loveable characters? Yes
Diverse cast of characters? Yes
Flaws of characters a main focus? Yes

5.0

One of the greatest pieces of literary fiction I've ever read. Unsurprising that this created an entire subculture.

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