Reviews

Retribution by Richard Anderson

kcfromaustcrime's review against another edition

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5.0

Another entry in the expanding Rural Noir category, it's sometimes hard not to come to these novels with a slight sense of foreboding. The "new big thing" is all too often a marketing ploy - more experienced in the hype than the actuality. Fear not however, RETRIBUTION is a good one, different, unusual and a refreshing twist on crime fiction as a whole. Up front - there's not a human murder to be seen here, although the fate of one animal in particular will not impress those readers from the "don't care what you do to the people, but touch one hair on that animal's head and..." camp. A category I will admit a leaning towards, particularly if there's the slightest sense that animal deaths are gratuitous, for shock value. In this case there's a sinking inevitability about it, but to be honest, the reaction of central character Graeme Sweetapple made up for that in many many ways.

But the book itself. RETRIBUTION is as laid back, disaffected and disarming as they come. The central character is an interesting choice in that you can almost see him flinching from the limelight. He's one of those blokes, last in a long line of farmers where the trickle down effect of kicking small farmers in the head over many generations has finally achieved something. His family farm shrunk to a small holding, his small place in the world supported by a bit of cattle rustling, a bit of horse handling for wealthier "townie" farmers, and a bit of whatever it takes to get you through the day. He's a resourceful, quiet, purposeful sort of a bloke, imbued with ingrained sadness and regret, possessed of enormous ingenuity when it comes, in particular, to the cattle rustling game. There were tricks of the trade revealed in this book that impressed - bald tyres, night time drives without headlights, and best of all a stunt to get around the DNA police that had never ever occurred. A slightly distant character, Sweetapple is a real and very appealing human being.

You can certainly see why he would appeal to young Carson - another local with little desire to move away, and yet an underlying yearning for something that she can't quite describe, but knows damn well is there. The attraction between these two is beautifully understated, underplayed and realistic. There is much here that is bittersweet - content in a way with their lot, never indulging in wool over eyes pretence, it kind of makes sense that when eventually jolted from a sort of life on auto-pilot scenario, there's something slightly haphazard about their response - as determined and utterly understandable as it is.

Add to this mix an incomer with agenda's in all directions, and you've got a catalyst, a nuisance, an explainer, a potential rival, part of a revenge plot and an instigator of one of his own and you've got a firey mix, destined to go pear-shaped no matter how you look at it.

Elegantly written, beautifully evocative of the sense of place, and people in it, Richard Anderson knows that of which he writes. The subtle interplay between incomer and long-time local, the tension between "amateur" farmer with money versus lifelong farmers with affinity for the land and the livestock is nicely done - never preachy, never overt. There's also heaps of social issues from the bush that are drawn out, from those local problems right through to the coal mine activists and the mixed feelings about their activities.

All in all this is good rural-noir. It comes from the place and the people that it's written about and it's got the authority, and the touch that comes from living in the world that it's describing.

https://www.austcrimefiction.org/review/retribution-richard-anderson-0

constantreader471's review against another edition

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4.0

3.5 stars rounded up to 4 stars for a slow starting story of crime in a small town in rural New South Wales, Australia.
The blurb summarizes the opening: Graeme Sweetapple, a man down on his luck, is heading home with a truck full of stolen steers when he comes across an upended ute {Jeep for Americans}that has hit a tree.
Because he stops to help, he becomes involved with protesters who have stolen a bomb from a mine.
Some of the other characters: Anna--protester who stole the bomb and gives it to Graeme
Luke--ostensibly another protester, but in reality a company spy
Carson--a young woman at loose ends and determined to escape the small town. She has a wild streak.
Caroline Statham--a local politician who recently lost the last election.
Bob Statham --Caroline's husband, and a ruthless, amoral businessman.
In the beginning I thought that this was a poor imitation of Elmore Leonard's books about crime among low life criminals, but it blossomed into more than that, with a bit of romance thrown in.
How these people interact makes for a satisfying mystery/thriller with an ending that will make animal lovers happy. You have to keep reading past the part where an animal is killed that moves the plot along.
The author bio states that he is a second generation farmer in northern New South Wales.
Thanks to Scribe/Richard Anderson/LibraryThing for sending me this book.

scribepub's review against another edition

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This book is fluently written around a story that is set squarely in the world that Anderson knows so well … Richard Anderson is a good writer and a good observer of human behaviour.
Dominion Post Weekend, Wellington

A captivating, incredibly well-written rural crime novel … At its core, Retribution is about punishment and vengeance – the dark things that people do to get what they want. But it’s also a book about the frailty of humans – our emotional vulnerability, and our innate desire to be loved and accepted … Retribution is a ripping thriller, deeply Australian, and an absolute must-read for all crime fans.
Better Reading

This powerful novel has thrills and emotions to spare … the evocation of dust and heat all come together for a tense tale of human emotions at their rawest. A genuine discovery and a unique voice.
Maxim Jakubowski, Crime Time

If you like your crime hot, gritty and dusty then this gem, set in rural Australia, is for you … A fine tale that’ll have you sweating with its heat and intensity.
Jon Wise, Weekend Sport

[A] slow-burning thriller that reads like a neo-Western … vividly captures the vast, rugged landscape and the brutal intensity of the heat in the back country.
Declan Burke, The Irish Times

Richard Anderson is … a fine writer … In lucid, unflashy prose, he relates how the theft of a priceless mare, retribution, results in a human pile-up for five utterly believable characters, good, bad and ugly.
Saga

Retribution is a good one, different, unusual and a refreshing twist on crime fiction as a whole … Elegantly written, beautifully evocative of the sense of place, and people in it, Richard Anderson knows that of which he writes.
Aust Crime Fiction

Retribution is full of interesting texture, fresh characters, authentic rural issues, and an absorbing storyline.
Craig Sisterson, Crime Watch

A lovely elegiac book about a horse and an unlikely love affair between a couple of lonely misfits … the book is a triumph of the very best kind of gritty Aussie writing.
Listener

nighthawk1818's review against another edition

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3.0

I was provided a review copy of this book.

Retribution by Richard Anderson is a third person, multiple perspective crime novel set in a small country town in Australia. The novel primarily tells the story of Graeme Sweetapple, a rancher who has had more bad times than good, and the things he does to improve his standing.

The pacing was a little inconsistent for me; at times the writing felt slow and meandering, but at others it seemed like we were skipping over parts of the story that would have been better off expanded upon. By the end, however, I found myself to be invested in the outcome of a few particular characters story arcs and felt the ending was a satisfying conclusion and tribute to the novel’s name.

hannahmayreads's review against another edition

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medium-paced
  • Plot- or character-driven? A mix
  • Strong character development? No
  • Loveable characters? No
  • Diverse cast of characters? No
  • Flaws of characters a main focus? Yes

2.5

There wasn't enough tension, and the character's motives felt too grandiose to be believable. It just coasted along and came to an inevitable conclusion. 
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