Scan barcode
markieh's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? No
4.75
It never felt slow to me. It's been a long time since I stayed up all night to finish a book because I wanted to, and not because I had nothing else to do during ADHD insomnia.
Beatriz thinks she has made a practical choice to keep herself comfortable. That she can settle for contentment if it means safety and stability, but from the minute she enters the hacienda at San Isidro, something is wrong. It starts to slowly unfold. Maybe she imagined that. Maybe it was the wind. Maybe that was a cat, but we along with Beatriz know something is wrong.
The author did a great job mixing the prejudices of the time period with the horror element, adding to the tension when she's dismissed by the local priest.
Actually my only complaint about the book is that I wish Padres Andres had a better back story revelation. I feel like we missed a very key piece of who he was and had to sort of put it together in pieces, and not in a fun discovery way. At first I thought it had been a typo or something.
Still, this book was everything. A haunted house murder mystery with some forbidden love against the backdrop of a post war uneasy peace and racial divide. I can't wait for the next one.
Moderate: Alcoholism, Rape, Blood, and Murder
Minor: Violence, Abortion, and War
alisonvh's review against another edition
- Plot- or character-driven? Plot
- Strong character development? No
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? It's complicated
4.0
Graphic: Confinement, Death, Mental illness, Racism, Violence, Xenophobia, Blood, Religious bigotry, Death of parent, Murder, Fire/Fire injury, Gaslighting, Abandonment, Colonisation, and Injury/Injury detail
Minor: War
yvo_about_books's review against another edition
5.0
“When a man makes a promise, he makes it on his honor. When a witch makes a promise, they feel it in their bones.”
Ever come across a book that you just know you are going to love, but somehow it takes you ages to pick it up anyway? This is exactly what happened with The Hacienda for me. The blurb gave me Mexican Gothic vibes, which had me immediately intrigued. It is being compared to the classic Rebecca as well, which I confess I still have to read myself... But I'm definitely going to remedy that after finishing The Hacienda. Why? Let's just say that this debut blew me away completely, and I loved every single minute with this historical fiction/gothic horror/paranormal read. The pace in The Hacienda is actually quite a lot slower than I would usually like, but somehow it really worked for this story. This probably has a lot to do with the fact that the writing itself is fantastic; I fell in love with the way this story was written from the very beginning, and the gothic vibe is done is a sublime way. The building up of the tension, the uncertainty about what is really going on, the doubts about if the main character is just imagining things or something a lot more sinister (and supernatural) is going on... It was just all done in such a natural way, and the result was glorious. Add the historical fiction aspect with the 19th century Mexican setting, the religious aspect and the political/cultural issues, even the slowburn romance, and I couldn't give this debut anything less than the full 5 stars it deserved. Guess who will be reading a vampire book in the future even though she is usually allergic to any stories about vampires?
Graphic: Body horror, Confinement, Cursing, Death, Domestic abuse, Gore, Infidelity, Misogyny, Racism, Rape, Toxic relationship, Violence, Xenophobia, Blood, Grief, Religious bigotry, Abortion, Death of parent, Murder, Fire/Fire injury, Gaslighting, Abandonment, Alcohol, Colonisation, War, Injury/Injury detail, and Classism
horizonous's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.25
Graphic: Animal death and Fire/Fire injury
Moderate: Death, Gore, Misogyny, Racism, Self harm, Blood, Vomit, Murder, Injury/Injury detail, and Classism
Minor: Alcoholism, Rape, Terminal illness, Abortion, Death of parent, Colonisation, and War
leweylibrary's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? It's complicated
4.25
Quotes:
- Our relationship was founded on one thing and one thing only: my world was a dark, windowless room, and he was a door. (29)
- Roldolfo's message was plain: if San Isidro does not agree with you, come to the capital.
And do what? Wait on the generals who ordered my house to be burned and killed my father? Simper and smile with their obedient wives?
No. San Isidro was freedom. San Isidro was mine.
But San Isidro was also trying to break me, and I did not doubt the force of its will. (92) - A historical novel is more than the dates of its battles and politicians jockeying for power in affluent capitals. It is the sum of a thousand strokes of a mad artist's brush: it is droughts and floods, new inheritance laws, fabrics and building materials becoming cheap or too expensive, taxes imposed to be paid or ignored, the privilege of one language over another. It is the rhythms of daily life and towns that are silenced, the spirits that move in the shadows cast by the conquerors' history books. (340)
- Reading historical fiction can teach us about world's long gone, but in doing so, It must also inspire reflections on the present. As a historian, a Mexican-American woman, and a fellow reader, I hope the novel inspires the courage, anger, and compassion. We all need to face the ghosts of colonialism that linger today. (342)
Graphic: Sexual violence, Violence, Religious bigotry, Fire/Fire injury, and Colonisation
Moderate: Rape and Abortion
Minor: Death of parent and War
lorriss's review against another edition
- Plot- or character-driven? Plot
4.0
Graphic: Body horror, Confinement, Death, Domestic abuse, Gore, Misogyny, Physical abuse, Racism, Sexism, Violence, Blood, Police brutality, Religious bigotry, Murder, Fire/Fire injury, Sexual harassment, Colonisation, Injury/Injury detail, and Classism
Moderate: Cursing, Emotional abuse, Rape, Sexual assault, Sexual violence, Vomit, Medical content, Grief, Stalking, Abortion, Death of parent, Gaslighting, Toxic friendship, Alcohol, War, and Pandemic/Epidemic
Minor: Addiction, Alcoholism, Animal death, Child abuse, Child death, Gun violence, Sexual content, Forced institutionalization, and Pregnancy
fifteenthjessica's review against another edition
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.0
It's a horror and historic fiction hybrid, and while I don't read the former much and can't say how well it holds up to others (it's the best of the few I've read), but the historic fiction aspects are excellent. Isabel Canas shows an expertise of the era of history she has set this in, and I think she gets around the issue of delivering exposition about the setting to readers less familiar with life in the era by making its presence related to some of the emotional wounds of her primary characters and really most of the cast. Canas demonstrates an excellent knowledge of how social issues like sexism, racism, colorism, and classism impact people/characters, and I find it hard to completely hate most of the antagonists.
The prose is gorgeous and at times macabre. I (and a few members of the book club I read this for) quickly learned that reading it at night is not a good idea as we were quite jumpy afterwards.
It's not a flawless debut. While the book focuses heavily on the casta class system in Mexico, the few members of the servant class that get development is almost entirely Andres and his family, which I think slightly undercuts the theme. Rodolfo also feels more like a plot device than a character, which I'm not sure how I feel about it. His decision to leave the hacienda in Beatriz and Juana's hands while he rubs elbows with politicians in the capital is necessary for character motivation, it leaves him underdeveloped, and readers are left on their own to reconcile the Rodolfo who his first wife adores and the one who (sexual abuse mention and a spoiler)
There is also something about the ending that left a bad taste in my mouth.
Graphic: Misogyny, Racism, Sexism, Blood, Colonisation, and Classism
Moderate: Animal death, Child abuse, Confinement, Cursing, Death, Emotional abuse, Gore, Infidelity, Mental illness, Physical abuse, Violence, Murder, Fire/Fire injury, Gaslighting, and Injury/Injury detail
Minor: Rape, Sexual content, Vomit, Abortion, Alcohol, and War
itsheyfay's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? It's complicated
3.5
Graphic: Body horror, Death, Blood, Death of parent, Murder, Injury/Injury detail, and Classism
Moderate: Confinement, Cursing, Rape, Sexual assault, Grief, Abortion, Pregnancy, Fire/Fire injury, and Gaslighting
Minor: Physical abuse, Torture, and War
bookishcori's review against another edition
4.5
Graphic: Death, Blood, and Murder
Moderate: Racism, Colonisation, War, and Classism
ivy123's review against another edition
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? No
4.25
Although i did like the lyrical writing style i did find this took away from some of the scares at times. Overall highly recomend to people looking for a haunted house story as the culture threaded theoughout makes this a stand out read.
Graphic: Racism and Colonisation
Moderate: Abortion and Death of parent
Minor: Rape and War