Reviews tagging 'Mental illness'

Lapvona by Ottessa Moshfegh

95 reviews

dark reflective medium-paced
Plot or Character Driven: A mix
Strong character development: Complicated
Loveable characters: Complicated
Diverse cast of characters: No
Flaws of characters a main focus: Yes

What the fuck.

This book felt like watching a medieval play; the fiefdom is nothing more than a backdrop to watch our characters act out their darkest desires. It worked really well as a vehicle to tell the story of the human condition of trying to find meaning in life and how people's perspectives shape the way they experience the world and make sense of the things that happen to them and the choices they make. The story is told with an omniscient narrator that jumps from character to character, which does make for some telling-not-showing issues here and there. But overall the writing was well done, and Moshfegh is very intentional about each and every word she chooses to really dial up the grotesque imagery that fills every page. In Lapvona, babies are not birthed, they are plunked out.

The characters we follow are like caricatures of the worst people you have ever met. You have the perpetual victim Jude, who sees it as his manly duty to beat his child and rape women; the pitiful Marek who makes excuses for his own actions but judges the actions of others; the pious holier-than-thou servant Lispeth, who denies herself all mortal desires except a single piece of cabbage every day; the imbecile lord Villiam that can't be alone with his thoughts for more than 2 minutes
and lies to the villagers about bandit raids and droughts
; and the priest Barnabas that preaches gospel (despite knowing nothing about the Bible) so he can live in comfort at the manor. 

The characters are exasperatingly self-serving. They don't think about others except to judge them. Their interactions with each other are always transactional, full of projections that each casts onto the other.
"You're too kind, young sir," Villiam said. "It is all a testament to God's glory, not mine." He looked at  the priest to say something further, but Barnabas was picking the bones out of his fish stew. He'd been ornery and distracted lately. Perhaps the priest suffered from envy--Villiam would soon be a father to the son of God; Barnabas would never attain such glory.
At this point in the story, the priest is distracted and ornery because he's
having a complete psychotic breakdown, believing the supposed immaculately conceived baby to be God punishing him for lying about his religious knowledge.

 
Each character spends all their time in their own head, constantly feigning moral superiority over arbitrary rules, lacking empathy and self-reflection. At the same time, the reader can see bits of themselves in each character too which causes a bit of ironic self-reflection. I, too, cannot eat my dinner without watching a silly little guy dance for me on a screen.

The idiocy of the characters and the disgusting plot that ensues opens up a commentary on things like religion, moral piety, putting certain ideas or people on pedestals, all that jazz. It explores the idea of perspective and uses a lot of (disgusting) imagery about eyeballs.

I don't want to say this book was funny because of its horrifying content, but the whole book was filled with a sardonic tone that worked really well for me. Characters had sarcastic, dry one-liners that did make me chuckle:

"Why do I feel unhappy?" he asked Lispeth.
She shrugged her shoulders.
"Don't you have any wisdom?"
"No."

 The witchy character, Ina, adds a bit of dark fairytale imagery that lends itself well to the setting and overall themes of religion and perspective. Don't get me wrong, she is also a terrible person that abuses everyone she comes across for her own benefit, but her storyline in particular is super interesting and its fairytale-esque quality adds a bit of supernatural mystery and causes reflection on things like higher powers and idols.

This was a good introduction into horror, even though this book doesn't really get classified as horror. I definitely think it leans more on the literary side, but it reads like a depressing gothic fairytale and calls upon some of the imagery that is often used in horror such as religion and inner turmoil, but with a sarcastic, ironic twist. Yeah I liked this a lot despite (or in part, because of?) its gratuitous depravity. I really liked how Moshfegh used horror elements to an absolutely absurd degree. I read a lot of reviews saying that the horrific scenes served no purpose except cheap shock value, which I definitely can see, but to me it felt like that was exactly what she was going for. They are needlessly graphic to the point that they veer into absurdity which only amplifies the characters' issues with moral superiority and lack of self-reflection.

If you like horror or want to try to get into horror I think this would be a good read for you. 

Expand filter menu Content Warnings
challenging dark tense slow-paced
Plot or Character Driven: Character
Strong character development: No
Loveable characters: No
Diverse cast of characters: No
Flaws of characters a main focus: Yes

Expand filter menu Content Warnings
dark funny tense slow-paced
Plot or Character Driven: Plot
Strong character development: No
Loveable characters: No
Diverse cast of characters: No
Flaws of characters a main focus: Yes

 
Zu Ostern waren die Räuber wieder da...

- Lapvona, 1%
 

🎧 gehört als Hörbuch 


Als erstes: dieses Buch braucht alle Trigger-Warnungen, die es gibt.


Sehr beklemmende Stimmung mit einem Cast von Charakteren die verstörend, pervers und interessant sind. Ihre absurden Handlungen machen in ihrem abstrusen Weltbild Sinn.

Ehrliche Zitate wie dieses sind in dieser Welt, in der Armut und Verwahrlosung herrscht, erfrischend:

... das Produkt einer Vergewaltigung war nicht mehr als das BeweisstĂĽck eines Verbrechens...
- Lapvona, 66%


Die Allegorie zu unserer Welt, wo die Reichen in Luxus schwelgen und die Ressourcen für sich beanspruchen, während der 'Pöbel' von früh bis spät schuftet und trotzdem verhungert und verdurstet, geht zu 100% auf.
Villiam und Barnabas erinnern mich an den BĂĽrgermeister der Seestadt + seinen Gehilfen im Hobbit 2+3 (Film).
Menschen, wie Grigori, die das ganze durchschauen, sind die Ausnahme und trauen sich nichts zu sagen, da sie von der Dorfgemeinschaft sonst nur als verrĂĽckte abgestempelt werden.

... Wer nichts besaĂź, dem konnte nichts gestohlen werden...
- Lapvona, 94%


Warum nur 3 Sterne?
Ich finde ab der zweiten Hälfte ist die Geschichte nur mehr dahin geplätschert, um zum Ende (ab 90%) nochmal spannend zu werden.
Es wurden noch einige neue Charaktere gegen Ende eingeführt (zB Grigori + Familie), während andere einfach ignoriert wurden und nur mehr wenig oder gar nicht mehr behandelt wurden (zB Jude, Agatha).
Dadurch ergab sich fĂĽr mich irgendwie ein unrundes Bild.

Wenn man ĂĽber so etwas hinweg sehen kann, ist das s ein empfehlenswertes Buch fĂĽr jemanden mit starken Magen.

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wow this book made me uncomfortable. but i loved it? 

it really is a weird lit fic read for the weird girlies. 

now i need to find someone to talk about this one with. otherwise i might go crazy. 

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dark medium-paced

Debauchery is a great word for this book. Ottessa is really good at making characters you want to feel bad for and then two sentences later make you hate. I don’t even know what to say. I like dark books, but I think I flew too close to the sun on this one. It was still good. Very very fucked. But good.
Marek is a little fucking weirdo and I cannot believe what he did that the end, well, I can. But dude.
I don’t think I’ve ever hated characters as much as I hated the ones in this book. The ending was expected and felt a little rushed and just lackluster I guess. It was still good. And it will be on site shovel in hand beating these mfs 

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dark funny mysterious reflective

one of the strangest things I've ever read and one of the best. tore through this and loved every page

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challenging dark emotional sad tense fast-paced
Plot or Character Driven: A mix
Strong character development: Yes
Loveable characters: No
Diverse cast of characters: Yes
Flaws of characters a main focus: Complicated

LOVE LOVE LOVE 

Expand filter menu Content Warnings
dark medium-paced
Plot or Character Driven: Plot
Strong character development: Complicated
Loveable characters: No
Diverse cast of characters: Complicated
Flaws of characters a main focus: Complicated

This book is not for the faint-hearted. Definitely good for those who can stomach Moshfegh's style of writing, but it is hard to get through. Be prepared for incredibly graphic scenes of human debauchery.

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adventurous challenging dark emotional sad tense medium-paced
Plot or Character Driven: Character
Strong character development: No
Loveable characters: No
Diverse cast of characters: No
Flaws of characters a main focus: Yes

I forced myself to read this in a day and I’m so glad I did. I truly love it. It’s exceptional. But this story is not one you can carry in your mind for long. It’s heavy. It’s demented. And the allegorical messages are superbly written. I’d recommend reading this if you’ve got a strong stomach.

Expand filter menu Content Warnings
challenging dark mysterious reflective sad tense medium-paced
Plot or Character Driven: A mix
Strong character development: Yes
Loveable characters: No
Diverse cast of characters: Yes
Flaws of characters a main focus: Yes

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