Scan barcode
oxfordcommas91's review
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.5
Marske certainly has a formula - in this installment, we get a dual POV from Hawthorne ("Jack") and Ross ("Alan"), but we see entirely new and more complex sides of both of these men who were originally introduced as fairly one dimensional to us in the first and second books, respectively. We learn in book one that Hawthorne is non-magical
As always, our two POV's are also the main romance arc - and I think Freya really hit her stride with the Hawthorne/Ross pairing. The chemistry and the tension between them was sizzling from the start - and I was particularly interested in the power dynamic element of their relationship and how Marske leveraged it as part of the ... spice in this novel. I think this type of dynamic has to be done carefully, and she did it in a way that felt hot while also still remaining respectful.
One of the best parts of the book for me (and also, ironically, why it got a 4.5 and not a 5 star from me...) was the fact that we had the whole cast of characters together in this novel. While it was a ton of fun to watch them team up and leverage their collective brains, magic, and power, I felt like there were lots of opportunities for the author to give us more thoughtful "peeks" into the established relationships between the characters. We spent so much time on Hawthorne & Ross that I was disappointed by the fact that it felt like we were skipping over other pivotal moments happening to other characters along the way! Despite Edwin being the "brains" behind the operation, there was so little in the way of character development on his end and I felt that we could have made some selective cuts to where Hawthorne and Ross interacted in favor of glimpses of the other relationships.
As always, there were moments that felt a bit slow in this book and I wish that an editor could have tightened up some of the lulls in the story so it built towards a more rapid conclusion, but that may be just my preference for more rapid pacing in a fantasy.
Freya overall delivered a home run for me with this neat conclusion to a thoughtful and intriguing premise for a trilogy. I liked the uniqueness of what she did here and her commitment to found family, LGBTQ+ relationships/characters, and discussions of power and class.
Graphic: Child death, Cursing, Death, Gun violence, Misogyny, Sexual content, Suicide, Violence, Blood, Grief, Murder, Gaslighting, Injury/Injury detail, and Classism
Moderate: Alcohol
Minor: Sexual assault, Torture, Kidnapping, Pregnancy, Outing, and Abandonment
zefancifulreader's review against another edition
- Plot- or character-driven? Plot
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
5.0
This book specifically had very dense, action packed plot, with deeply fascinating world-building as always, while also making time for FOUR of the spiciest, kinkiest, well-written sex scenes I’ve ever read. Power dynamics are so rarely written, especially in the romantasy genre, with proper boundaries and consent. This book absolutely has all the necessary checks in place and it was the better for it.
Bravo.
Graphic: Sexual content, Torture, Violence, and Grief
Moderate: Death, Gun violence, Homophobia, Racism, Suicide, and Fire/Fire injury
Minor: Police brutality, Pregnancy, and War
sephiefoxx's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.5
“I would take your heart between my ribs and guard it like my own. Is there any way I can make you believe it?”
- Queer romance with a dash of magic
- Arguing for arguments sake
- Found family
Graphic: Death, Sexual content, and Murder
Moderate: Suicide, Violence, and Classism
Minor: Rape, Sexual assault, Torture, and Pregnancy
_isabel_'s review
- Plot- or character-driven? Plot
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
5.0
I admit, my memory wasn't precisely cooperating at the beginning: I'd read Maud and Violet's installment more than a year ago, so I couldn't remember too many details (apart from: "Maud Blyth, I love you" and "Jack Hawthorn, I'd die for your grumpy, mean ass"), but thankfully Freya did a fabulous job at dropping enough hints and recaps for my brain to catch up.
I adored this final installment so so much! The plot was absolutely MASTERFUL, freaking addictive, complex, packed with twists and enough political (and magical) machinations to make my heart happy. I adored the world-building and the atmosphere even more! I've always praised Freya Marske's ability at creating wonderfully evocative and magical world-buildings, and this trilogy was a delight from that point of view.
I also LOVED the two protagonists, even though Jack had most of my heart.
Alan was a fabulous counterpart to Jack, angry and complicated and lovable, but Jack stole my freaking soul. Give me all the mean, angry, snarky asshole nobles hiding squishy hearts and vulnerable, damaged pasts: I'll never tire of them.
I loved their dynamic (FREAKING FIRE), and I adored the build-up of their relationship: they made me swoon and ache and nearly cry. Ugh, they deserve happiness so freaking much!
I knew Elsie's story, and Jack's bond to her, were going to destroy me, but the reality was even worse: her death was SO DAMN UNFAIR, and my heart still hurts for poor Jack and what he was forced to hide and endure.
The story is pretty much packed with these more bittersweet moments, so beware, but they made me fall in love with the book even more. I came out of it elated, satisfied and worryingly close to sobbig my eyes out: who would have thought?!
I loved all the side characters to bits, and I loved seeing all the gang interact and scheme, fight and plot their way into saving Britain's magic from the greedy hands of those looking for the Last Contract. A special mention to Maud for being FABULOUS, to Robin for being an absolute dreamboat (and a rugby icon), to Edwin for breaking my heart, to Violet for being a badass (and a wonderfully dramatic actress) and to Adelaide for being a competent queen.
Ugh, I'm going to miss these characters so much. But I'm so happy I finally gave in and finished this series. It's been a fun, emotional ride, one I won't forget anytime soon.
Moderate: Death, Suicide, Torture, Violence, and Grief
Minor: War
caelfind's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
5.0
This was a lyrical, heartbreaking, triumphant conclusion to The Last Binding trilogy.
Jack and Alan’s story was one of trauma, healing, love, and family, and I loved every single word. The historical accuracy was stunning, the romance both sexy and deeply moving, and the prose raw and evocative. Marske’s unique magic system is once again skilfully expanded and brilliantly realised, while her vibrant characters continue to captivate the reader.
There is little else to say other than that this trilogy is breathtaking, and Marske has established herself as a powerful new voice within the Historical and Fantasy genres. This is a book (and a trilogy) that I will read over and over again.
Graphic: Sexual content
Moderate: Death, Suicide, Violence, Grief, and Classism
Minor: Torture and Injury/Injury detail
beepbeep101's review
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.5
Graphic: Death, Sexual content, Blood, Grief, and Classism
Moderate: Bullying, Emotional abuse, Gun violence, Physical abuse, Torture, Violence, Police brutality, and Injury/Injury detail
grace_b_3's review against another edition
- Plot- or character-driven? Plot
- Strong character development? No
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? No
3.0
In comparison to the other novels in this series, this is more of an ensemble piece. As such, we spend less time with Jack and Alan and their romance feels less developed than Edwin’s and Robin’s.
Perhaps I had just gotten used to the author, or A Restless Truth just opened my eyes, but this book just felt thin. Similarly to A Restless Truth, I feel like the more I think about A Power Unbound, the less I’ll like it.
Graphic: Sexual content and Murder
Moderate: Torture
Minor: Suicide
abnormal_shadow's review
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
5.0
I started this book series like I start all the books i read: Bliond. I didnt know what i was getting into and i am happy to say that I had a wonderful experience with this book. The characters are all distinct and identifiable, all we it different interesting and complementing personalities. The twists that made me gasp the biggest gasps and the the loudest "omg nooooooooooo". Everyone seems to have this mutual queer understanding ang it thinks their entire friend group is astonishing. If I don't get to be the Addie in room with Violet, Maudie, Robion, Edwin, Alan and Jack, will I don't want the fucking group.
Graphic: Cursing, Death, Misogyny, Sexual content, Violence, Blood, Murder, Injury/Injury detail, and Classism
Moderate: Child death, Gore, Racism, Torture, Religious bigotry, and War
Minor: Gun violence, Toxic relationship, Death of parent, Pregnancy, and Alcohol
carolined314's review
- Plot- or character-driven? Plot
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.0
Graphic: Sexual content
Moderate: Child death, Death, Physical abuse, Torture, Violence, Blood, Grief, and Colonisation
Minor: Suicide and Alcohol
faephoenix's review
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? It's complicated
- Flaws of characters a main focus? It's complicated
5.0
Graphic: Sexual content
Moderate: Torture and Violence