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bex4dayz's review against another edition
- Plot- or character-driven? Plot
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? No
4.0
Graphic: Sexual content
Moderate: Violence
kaneebli's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
4.5
Graphic: Sexual content, Violence, and Classism
Moderate: Death, Suicide, and Murder
Minor: Rape, Vomit, Pregnancy, and Fire/Fire injury
caelfind's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
5.0
This was a lyrical, heartbreaking, triumphant conclusion to The Last Binding trilogy.
Jack and Alan’s story was one of trauma, healing, love, and family, and I loved every single word. The historical accuracy was stunning, the romance both sexy and deeply moving, and the prose raw and evocative. Marske’s unique magic system is once again skilfully expanded and brilliantly realised, while her vibrant characters continue to captivate the reader.
There is little else to say other than that this trilogy is breathtaking, and Marske has established herself as a powerful new voice within the Historical and Fantasy genres. This is a book (and a trilogy) that I will read over and over again.
Graphic: Sexual content
Moderate: Death, Suicide, Violence, Grief, and Classism
Minor: Torture and Injury/Injury detail
stacyaj's review
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
5.0
Graphic: Violence and Blood
bootrat's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? It's complicated
5.0
Graphic: Sexual content and Violence
Moderate: Death
tomoshiekah's review against another edition
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? It's complicated
- Flaws of characters a main focus? Yes
5.0
Graphic: Death, Sexual content, and Violence
Moderate: Suicide
akirokis's review
- Plot- or character-driven? A mix
- Strong character development? It's complicated
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? It's complicated
5.0
Graphic: Sexual content, Violence, Kidnapping, and Injury/Injury detail
Minor: Suicide and Grief
cassielaj's review
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.5
Graphic: Sexual content, Suicide, Violence, and Blood
Moderate: Fire/Fire injury
lillelow's review against another edition
- Plot- or character-driven? A mix
- Strong character development? It's complicated
- Loveable characters? It's complicated
- Diverse cast of characters? It's complicated
- Flaws of characters a main focus? Yes
3.25
It is not the sweet sweep-me-of-my-feet kind of romance turned fiery passion, but rather some weird angry hate-fuck setup that has its only, very shallow, foundation in that Hawthorn is filthy rich and Alan is poor. This, to Alan, seems to be the most awful thing a person can be, so for most of the book he complains about how horrible everyone is and how he hates them. Especially Hawthorne. And still they… very explicitly… everywhere. Yeah, I don’t get it.
As to Alan, he is constantly moody and depressed and not at all the mischievous, fun “sure let’s get into trouble” pickpocket from the second novel. The same change goes for Hawthorne. I was beginning to like him in the second novel, seeing him warming up to the others and somewhat reluctantly joining the crew. Yet in this one he’s just grumpy again, and not in the somewhat shy and caring way. I get that these are character traits that are well founded in both character’s backstories, and they’re written to overcome them, but I simply didn’t enjoy listening to half a book about moody characters who only complains. And no, adding kinky hate fuck scenes that I really didn’t understand the point of didn’t help.
I felt there was a shift about halfway through the book though, where things started to gain pace. We did get some heist action and some grand magical gala action… but in the end, I didn’t care much about ‘the Last contract’. Which I guess is the actual plot of the series (adding so much focus on relationships makes one loose track of the overall goal). I did expect answers in this one, but sadly realised I still didn’t understand most of was going on, who people were and why things happened.
Final rant: I expected Hawthorne’s sister‘s death to have MUCH more relevance. Adding Mrs Doufey only felt like a way to dump exposition no one asked for. WHY didn’t Adelaide get her own point of view? The grand showdown was underwhelming and quite confusing. I didn’t understand what happened to the last contract 🤷🏼♀️
Graphic: Death, Sexual content, and Murder
Moderate: Suicidal thoughts, Suicide, Violence, Grief, Suicide attempt, and Classism
Explicit, spicy, kinkyreinynights's review
Graphic: Child death, Sexual content, and Violence
Moderate: Bullying, Grief, Death of parent, Murder, and Classism