Reviews tagging 'Injury/Injury detail'

The Terraformers by Annalee Newitz

10 reviews

raptorq's review

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adventurous hopeful slow-paced
  • Plot- or character-driven? A mix
  • Strong character development? It's complicated
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? It's complicated

3.5


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scifi_rat's review against another edition

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adventurous medium-paced
  • Loveable characters? No

2.5


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yourbookishbff's review against another edition

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adventurous funny hopeful informative sad tense medium-paced
  • Plot- or character-driven? A mix
  • Strong character development? Yes
  • Loveable characters? Yes
  • Diverse cast of characters? It's complicated
  • Flaws of characters a main focus? It's complicated

5.0

Futuristic sci-fi meets multi-generational family-ish saga meets climate crisis, with a three-part plot tracing three different generations of terraforming Environmental Rescue Team (ERT) engineers as they fight their planet's corporate owner and its greedy colonizing violence. A few key things that worked really well for me:

1) The structure. Short, fast-paced chapters within a clearly defined three-part story. This seems trivial, but I honestly felt like this accessible structure made it easy to follow the characters and the action and kept the plot moving. In each of the three parts we have a core cast (with connections between each generation) and an evolving picture of Sask-E, and because each generation has its own corporate obstacles, there is always a clear (and unique) central conflict. 

2) The world-building. For as many creatures and constructs of human-level intelligence as there are in this story, it's surprisingly easy to get acclimated. A world in which "The Great Bargain" has determined which creatures can participate as equals in self-governance means a world in which a moose or a cow or an earthworm may be your partner in the field. I loved our wacky cast of characters, and appreciated that the moments of levity are counterbalanced with moments of uncomfortable reflection. Ideas of defining personhood and measuring intelligence reminded me of Martha Wells' Murderbot universe, as did the futuristic corporate-colonizing space-race. 

3) The audio! There are so many implied/described sound effects in the story that are brought to life in the audiobook - Crisp and Hellfire's doubled speech, our various bots' conversational sound effects, the train song in part three (perhaps my favorite part of the entire story!). This narration elevated the reading experience for me (and I say this as a reader who generally has not enjoyed Graphic Audio productions that include sound effects). 

I wouldn't consider this a sci-fi entry point for newer readers to the genre, but it is a thought-provoking and unique read for sci-fi fans!

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greystory's review

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DNF 47% - I would rate what I read so far 4 stars, for what it's worth, but the overall feeling of being misled or bamboozled by the book as a whole would have ultimately dropped any rating to 3 max.

Sooo when I borrowed this book from my library, the blurb for it only mentions Destry's story and that it spans thousands of years. Nowhere is Misha or another major character mentioned like the Goodreads blurb so I was completely unprepared for the sudden time jump and announcement that the vast majority of all characters I'd come to know and was invested in were now dead. 

Had I known that - had I seen the blurb here where it mentions a second story about Misha, I would have looked into it more. I would have tried to determine if these are two stories told at the same time or what, and discovered that they're told chronologically. Had I done all that, I would have decided to not read this book.

I feel like I'm starting a second book after the first book had only a mildly satisfying but too short ending. I get that the overall story for this book is meant to be about the planet and the very, very long-term repercussions of ecological decisions but I can't bring myself to give a shit. I'm not invested in the planet. The planet is a backdrop, an interesting place to build your story but not strong enough to be The Story itself. Even in the universe Newitz created, the planet Sask-E could have easily been replaced with any other planet in the system and the story would have felt the same. 

It was the people, the characters, making the story special and that's what you spent half the book getting me invested in. I don't want to start over with a second story about new characters, and judging from the goodreads blurb mentioning a future child, I don't even trust that I wouldn't have this second set of characters ripped from me as well to have a third character story going at the end. No thank you.

ETA: I skimmed a lot of other reviews after I decided not to continue and I agree that the good vs bad distinction was pretty black and white, that the ecoconservatism was very heavy handed (although it didn't bother me as much), and a lot of stuff was cool in terms of world-building but storywise not necessarily nuanced.

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woolerys's review against another edition

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hopeful inspiring reflective medium-paced
  • Plot- or character-driven? A mix
  • Strong character development? It's complicated
  • Loveable characters? Yes
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? No

4.25

Writing - 4/5 
Plot - 3/5 
Characters - 5/5 
Setting - 5/5 
Genre - 4/5 
Clarity/coherence - 3/5 
Imagination - 5/5 
TOTAL:  4.14 
 
I felt unsettled and confused by how the world was constructed (everything is so engineered), but really enjoyed how it set the stage for such an expansive definition of "person" and how that figured into the story. It seemed to me (someone without much science education) that the science in the world-building was a mix of really accurate, specific things (eg atmospheric differences in the Archaen period vs Pleistocene) and really far-fetched, barely-sketched-out things (eg anti-gravity mesh). I loved all the characters and was always sad to leave one behind even as I was excited to meet a new one—the main characters change over the course of the book, which is divided into three parts that are each several hundred years apart. On the flip side, you get to see how a character’s legacy plays out over a longer time period, which was cool. 

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jhbandcats's review against another edition

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adventurous dark emotional funny hopeful sad tense fast-paced
  • Plot- or character-driven? A mix
  • Strong character development? Yes
  • Loveable characters? Yes
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? Yes

4.0

I love Annalee Newitz’s books and will always want to read their novels. However, I found this one disappointing because it was overly didactic. It’s a transparent diatribe against the rich, big corporations, the destruction of the environment, forced labor, and racism. I’m very left-wing and agree with everything Newitz is saying, but I don’t want to be hit over the head with her arguments. 

I liked the characters and I thought the plot was interesting. It was fun to think that every thing, not just humans and robots, could be autonomous from earthworms to trains. I liked the way each section was about a thousand years later than the one before so we could see how much had changed. That reminded me of Kim Stanley Robinson’s Mars trilogy but much smaller. 

Overall I thought this had great potential but it was just TOO much. 

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schnaucl's review

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adventurous dark emotional hopeful inspiring sad tense medium-paced
  • Plot- or character-driven? A mix
  • Strong character development? Yes
  • Loveable characters? Yes
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? It's complicated

4.5

This wasn't really what I was expecting.  For some reason I was expecting a book about climate change (which is on me).   Instead, this was a story about terraforming (...hence the title), colonialism, gentrification, class solidarity and the ravages of capitalism.  

The most horrifying part to me was the constraints the corporations put on creatures with a low intelligence assessment except what a low rating really meant was that their brains were designed so that they physically couldn't verbalize other than what they were allowed.  In the case of a mount, the limitation was polysyllabic words, in the case of a cook, it was anything not related to her job.  They can still understand other words and concepts, but they couldn't verbalize them.   It's discovered in the first book what the limitation does, and that it can be at least partially reversed and then it just...isn't?  I get that it was possible because the mount was injured and in the course of treating him they were able to mitigate the limitation.  But there's no real discussion about whether it might be possible to use the same technology even in the absence of a severe wound.   The people with the artificial limiters can and do find ways around the limitation but it's exhausting.


I did like the concept of the minority getting one concession from the majority that the minority gets to specify when a vote is taken, although I feel like that only really works if there's agreement on why the minority is voting against the majority.   And if everyone is operating in good faith, of course.  

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tigger89's review

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adventurous hopeful tense medium-paced
  • Plot- or character-driven? A mix
  • Strong character development? It's complicated
  • Loveable characters? Yes
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? No

4.0

I loved the grand scope of this book. Despite taking place over roughly 1,600 years, Newitz's choice to focus on three distinct, pivotal moments prevented the timeline from muddling together the way many long epics tend to. Each section of the book brought its own cast of characters — with a few crossovers — that still managed to feel loosely connected to each other through mentorship and family. In addition, the evolving maps(who saw that third one coming?) and subtly different narrative styles brought a different flavor to each of the three parts. If the idea of getting to know three different sets of characters in one novel seems daunting, perhaps think of it as reading three closely-connected novellas.

For the most part, I also found the characters to be a major strength. They do have a distinctly Becky Chambers vibe to them, though with variations on human and animal genomes rather than alien physiologies. This book has homo sapiens, neanderthal throwbacks, designer human genomes, robotic drones, sentient infrastructure, intelligent animals, collective beings, and many flavors of mechanical enhancement to biological bodies. The explorations of personhood were particularly intriguing, if horrifying when pushed to their inevitable conclusion under capitalism.

And yes, this is an extremely anti-capitalist book. In fact, if I'm going to point to anything as its flaw, it's probably related to that. Specifically, the two primary villains, the faces of the evil corporations, felt very one-dimensional to me. I'm someone who appreciates a nuanced villain. I see where Newitz did try to add some layers to the two of them, a cycle of revenge spanning hundreds of years, but ultimately it felt like their primary motivation to be evil was because they're part of a corporation, and didn't you know corporations are evil profit-suckers? I especially felt that the primary villain of the last section escalated from like 25% evil to 125% evil out of nowhere. I suppose it could have been a result of the 900-year time skip between sections two and three, in the sense that having so much time to stew might drive anyone to extremes. But there were other long-lived characters who didn't fall off the deep end while we weren't watching, so if that was Newitz's idea there(and I'm speculating, really), I think they needed to explore that contrast a little more in order to do those ladies justice.

This book has a number of LGBTQ(and probably some other letters that don't exist yet) characters, for those who are interested. Minor themes of chosen family might also be relevant to many readers. There are a few sexy scenes, skimmable if that's not your vibe. Nothing massively plot-relevant happens in them, just character development and curious physiology(I'm never going to look at a flower the same way again, there's knowing flowers are sexy and then there's knowing). All in all, I'd recommend the read. As I said before, parts of it feel cozy, but there's also a violence and sense of revolution to it that contrasts very nicely with the cozier parts. It also ends on a note that's undeniably hopeful, yet not saccharine.

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maryellen's review

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adventurous challenging dark emotional funny hopeful informative inspiring reflective sad tense medium-paced
  • Plot- or character-driven? A mix
  • Strong character development? Yes
  • Loveable characters? Yes
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? It's complicated

5.0

Oh, I loved this book so much! All the characters were lovable,  and the world building was so deep and layered. I think it's destined to be one of my all-time favorites. 

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azrah786's review against another edition

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3.5

 [This review can also be found on my BLOG]

**I was gifted a copy of the book from Orbit Books UK in exchange for an honest review**

CW: violence, injury, death, animal death, animal cruelty, medical content, ableism, sexual content, colonisation, displacement
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This book is something totally different to anything I’ve read before.
Sectioned into 3 stories which take place in the far future each a couple of centuries apart, The Terraformers narrates the development of a planet called Sask-E which is being made into an “old Earth” away from Earth by the private corporation that owns it.

The first story follows a member of the Environmental Rescue Team – who help oversee the terraforming project – and a conundrum that she faces when she stumbles across a civilisation believed to be extinct living in secret on the planet. The second story follows another group of characters developing a viable transit system for the planet who start to uncover some of the questionable dealings that the ruling corporations are involved with, and this particular storyline is further explored in the third story.

Each story is linked to the next through certain actions and events that occur in the previous one and I really liked how through this span of time we got to see the long term evolution of the setting and the communities of this world. This is something that much longer series fail to do but Newitz has done really well to capture in just over 300 pages.

The extensive worldbuilding which encompasses such a distinctive future is full of feats in science and technology which will equally awe and perplex you. There are a vast array of characters that come into the fray ranging from humanoids to animals and even robots all of varying levels of intelligence and personhood – this includes a flying sentient train who is one of the leading protagonists. Outlandish concepts aside, it allowed the story to bring into discussion many prominent social and ecological issues.

However, just how many moving parts there were in this book was probably the greatest drawback. There was always so much going on that the individual character arcs didn’t feel like they were given enough room to breathe. Also the flow of time made the relationships that were developed feel sort of rushed. From the three parts it was Destry’s story that I was most engaged with because the direction of the plot and her character development was the clearest.

That’s not to say that the other characters weren’t good because I was very much invested in the welfare of the various individuals we meet across the whole book, they just didn’t stand out much on their own.

All in all this is an admirable book that both has a cosy feel to it but is also one that gives the reader much to think about. Definitely one to check out if you’re a fan of the work of Kim Stanley Robinson in terms of themes and Becky Chambers in terms of characters.
Final Rating – 3.5/5 Stars 

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