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josisteacup's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? It's complicated
5.0
Graphic: Kidnapping, Slavery, Child abuse, Trafficking, Ableism, Confinement, and Violence
Moderate: Medical content, Child death, Death, Blood, and Grief
Minor: War, Physical abuse, Emotional abuse, Murder, Child death, and Domestic abuse
silver_valkyrie_reads's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? No
4.75
Graphic: Kidnapping
Moderate: Injury/Injury detail
Minor: Animal death, Death, Domestic abuse, Sexual violence, and Slavery
young_adult_bookshelf's review against another edition
- Plot- or character-driven? A mix
- Strong character development? No
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? It's complicated
5.0
Graphic: Kidnapping, Misogyny, Trafficking, Ableism, Violence, and Death
Moderate: Domestic abuse, Emotional abuse, Physical abuse, and Slavery
lacunaboo's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? No
4.0
Looking forward to the next part of Rae's story!
Moderate: Blood, Body horror, Child abuse, Confinement, Domestic abuse, Emotional abuse, Injury/Injury detail, Kidnapping, Slavery, Trafficking, and Violence
readingtheend's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
4.5
“Bren. Would it have been all right if I angered you and you punched me instead?”
“No.” His voice is suddenly hard, brooking no argument.
“Then why is it fine if I punch you?”
He looks at me, and the silence spreads out between us until I feel like I’m drowning.
“You see,” I say, my voice hoarse in my throat.
“No,” he says again. “Rae, there are certainly times when a woman punching a man is an irredeemable act of violence. When she is stronger, or more vicious, and she uses her actions to abuse him. But that wasn’t what happened…. In a fight between you and me, I would always win. We both know that. So your hitting me — it’s a sign of trust, in its way, that you could lash out and know that I wouldn’t hurt you back. It wasn’t abuse.”
“You’re right. I knew you wouldn’t hurt me back.” It hadn’t even occurred to me. “That doesn’t change the fact that I wanted to hurt you.”
“And you’d do it again?”
“No.”
“Then it is not all that you are, and it doesn’t have to define you. It’s something you did, which you regret. It’s not actually you.”
I look at him, his words clicking together in my mind: that this is the difference between me and [spoiler character], for his is a practiced violence, and mine was a single act, regretted. That I am not the same as him, for all that I was willing to let my anger ride me as it does him. I am and can and will be different; I do not have to let this break me.
I’ve seen plenty of books where a female protagonist hits a guy character who’s not specifically her enemy, but rarely have I seen the characters exploring the moral implications of the act afterward. I just appreciated this conversation so much! Rae knows that hitting someone in anger isn’t in line with her values, and the book gives her the time to explore what that action does and doesn’t mean about her.
Trust and truth are major themes in The Theft of Sunlight. Along a vast number of axes, Rae doesn’t know whom she can trust: Who will reliably accommodate her disability? Who will tell her what she needs to know in order to be Alyrra’s attendant? Who can share information about the child snatchers without placing Rae or themselves in danger? Who will tell her the truth, and who will lie? And the answers are, nearly always, complicated. Coming from a background where she has been able — most of the time — to speak the truth herself and trust the truth of what others tell her, Rae struggles to adapt to her new environment, where everyone around her is keeping some secrets, and she is, too.
I would like, also, to shout out the fact that a big piece of solving the mystery is TAX RECORDS. This is going to sound like a joke, but I am genuinely so high on this fact. Like, that’s so real! Financial records genuinely and truly answer questions, and point up new avenues for exploration. The fact that Rae acquires a friend and ally in the tax office just made my heart sing.
The presence of enslavers looms large in this book, so I do want to address how that’s handled (as the presence of enslaved people in fantasy novels tends to make me nervous). Khanani notes in an endnote that what’s being depicted here is inspired by, and draws from the experiences of, modern-day human trafficking, rather than historical instances of slavery. Because this book is the first part of a duology, Rae doesn’t come out of it with all the answers, but it’s clear that the problem of child theft depends on … drumroll please… corporate greed! While I tend to get nervous about depictions of fantasy slavery, I really appreciated that the book and its protagonist never lose sight of the horror of what’s happening. Any time another (upper-class) character casts doubt on what’s happening, someone else is there to insist on the urgency of the problem.
As a small warning, The Theft of Sunlight ends on a hell of a cliffhanger! I was forewarned about this by Legal Sister, and I was glad to know in advance what to expect. It’s a wonderful book that made me feel warm inside, a classic YA adventure that will leave you wanting more.
Note: I received a review copy of The Theft of Sunlight from the publisher, for review consideration. This has not impacted my review.
Moderate: Domestic abuse, Slavery, and Ableism
ballgownsandbooks's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.0
Though Thorn dealt with some important issues, the driving force of the story was really Alyrra’s internal growth, and the story overall really revolved around her. But while this is also first-person from Rae’s POV, and her emotional arc is a big part of the story, it’s somehow so much more expansive, with a much bigger and more fully-developed world. I wouldn’t call it political fantasy as such, but we do get to see so much more of the mechanics of power and control, which I loved, as well as themes of injustice, greed, inequality, and freedom.
It’s subtle, but if you know what you’re looking for, you can definitely see Khanani’s South Asian influences coming out in the worldbuilding details too, from the clothes to the wedding traditions! (And I have to say, it was very satisfying to see the European-inspired country be awed and intimidated by the much more powerful South Asian-inspired one!)
I absolutely loved Rae! She’s clever and determined and resourceful and so brave, and fiercely loyal and protective towards the people she cares about. At the same time, the near-constant ableism she faces due to her clubfoot has left her just full of anger, and automatically distrustful. A big part of her emotional arc is learning to be kind to herself and comfortable in her own body, and I loved that, though I can’t speak to the disability representation. Her resentment has made her particularly wary of conventionally beautiful people, and I also found the thread of her having to learn not to judge people based on their beauty, in the same way she wants them not to judge her for her disability, so interesting.
The side characters were also lovely, especially Rae’s family, who are so close and loving (with both parents alive!) – I was disappointed that we don’t see much of them once Rae comes to court, but certain plot threads make me certain that we’ll get more of them in the next book, and I can’t wait!
Alyrra and Kestrin are also prominent characters, and quite a lot of references are made to their backstory, so though this is technically a companion novel, it would definitely help to have read Thorn. Although this is Rae’s story, it’s also a satisfying continuation of theirs – I really liked seeing how their relationship has progressed and how Alyrra is settling into her place as princess.
I will say that this book absolutely does not stand alone: the cliffhanger at the end is BRUTAL, and there are a lot of plot threads, not all of which seem to be too connected at the moment – though I assume they will be tied together eventually, and I’m so excited to see how!
Graphic: Ableism
Moderate: Child abuse, Slavery, Violence, and Domestic abuse