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cavetoad's review
adventurous
medium-paced
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
5.0
unluckycat13's review
adventurous
dark
reflective
sad
medium-paced
- Plot- or character-driven? Character
- Strong character development? No
- Loveable characters? No
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
2.0
This is a portal fantasy-adjacent book in the long line of men who go to another world made up of their childhood dreams, ambitions and etc-- But are still incredibly sad and depressed and kind of losers even though they're also really cool. This seems to happen to men a lot in western fiction. Weirdly common plot point.
The setting has moments of being interesting but it's not all that unique once you strip the clown paint off, and at times it's a bit cringe. It's the plot structure of a western, pasted onto a dream world that's considerably more interesting. The whole book falls apart when you actually think about it though, which large chunks ultimately not making much sense when inspected against other parts of the book or the meaning of the plot. The whole thing becomes cringe when the author tries to undercut it all by showing how the book isn't taking itself too seriously, except all the times the book really wants you to take it as a serious work of literary fiction.
Overall I finished it and didn't hate the experience of reading it, but don't like it none the less.
The setting has moments of being interesting but it's not all that unique once you strip the clown paint off, and at times it's a bit cringe. It's the plot structure of a western, pasted onto a dream world that's considerably more interesting. The whole book falls apart when you actually think about it though, which large chunks ultimately not making much sense when inspected against other parts of the book or the meaning of the plot. The whole thing becomes cringe when the author tries to undercut it all by showing how the book isn't taking itself too seriously, except all the times the book really wants you to take it as a serious work of literary fiction.
Overall I finished it and didn't hate the experience of reading it, but don't like it none the less.
Content Warnings
Graphic: Alcoholism, Terminal illness, War, Child death, and Grief
ohclaire's review
3.0
Super weird, which is what I signed up for, and I'm here for the surreal dream clown western vibes, but I think I missed a lot of the references and the episodic structure made me feel a little lost (which, again, cost of a dreamscape, mostly on me).
tvevangelist's review
adventurous
challenging
mysterious
medium-paced
- Plot- or character-driven? Character
- Strong character development? It's complicated
3.25
a trippy dream of cowboys and clowns, gave me american gods vibes
jrrgordon's review
adventurous
funny
mysterious
reflective
fast-paced
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? It's complicated
- Flaws of characters a main focus? It's complicated
4.25
kleonard's review
5.0
This is a stunning novel of grief and escape and pain and imagination, and I'm recommending it to everyone. Where do realities end and begin, and how do parents cope with the loss of children? Where and how does one become a vigilante, or become resigned to events they cannot control? This novel dives deep into these questions, offering incredible sequences and plotlines of metaphor and diversion and emotion.
alecthelad's review
3.0
Almost a 3.5. The real world parts were too concrete. The Escapement itself felt very surreal and abstract. To tie too many parts of it to “reality” made it feel less mysterious and more like the author didn’t trust his own fantastical world.
pilebythebed's review
5.0
In his latest book, The Escapement, Lavie Tidhar shows his capacity to keep readers guessing. He has done alternate history and the multiverse (Unholy Land), science fiction (Central Station) and most recently a wild retelling of the Arthurian myth (By Force Alone). The Escapement is both easy and difficult to describe – it is a new weird Western, set in a shadow world or our own, but is also a story of love and loss and dealing with grief.
The Escapement has a double opening. The first is a man sitting by a hospital bed where his son lies in a coma. The appearance of a small red flower segues into the second opening to what is the main narrative, the story of the Stranger who is on a mission across a world known as the Escapement to find a rare flower, the Plant of the Heartbeat, one with the capacity to heal. But before he can do that, the Stranger comes across a massacre and together with a bounty hunter tracks down the perpetrators. The massacre is of eleven clowns (including Whitefaces, Augustes and Hobos), a native species in the world of the Escapement, killed for their scalps.
The world of the Escapement is one in which clowns are hunted, the major figures of the Tarot roam the land, and the people are trapped in an ongoing war between giant mythical creatures that leaves ordinary people forever changed. The Escapement also overlaps our own world with people moving between the two realities. The narrative sends the Stranger on a series of quests, missions and adventures as he makes his way across the landscape towards his ultimate goal. As he does so, Tidhar plays with a range of Western tropes – including a train robbery, saloons, grizzled war veterans and journeys of vengeance. But the narrative also drops in and out of the story of a father trying to deal with his son’s worsening condition in the “real world” (although the question is often asked – “So they dream us or do we dream them?”).
In his Afterword, Tidhar expresses his debt to the influences behind The Escapement. This includes a Hebrew fairy tale from the 1930s, Mesopotamian and Greek mythology, the Tarot, the poem “Ozymandius” and Sergio Leone’s 1966 Western The Good, the Bad and the Ugly. But for all that, the book itself reads like a cross between China Miéville’s new weird aesthetic and Stephen King’s fantasy Gunslinger styling, even though neither of these influences are credited. Just as an example, this is part of the description of what happens when a “chthonic bomb” explodes in the middle of a city:
A man pushing a food cart looked briefly puzzled and then turned into a pink flamingo. He spread his wings experimentally and took to the air.
The towers of the city began to melt. A horse-drawn cart swerved sharply to avoid a swirl of tomatoes which had drawn together into a humanoid shape and ran down the street, leaving juicy footprints in its wake. The horse reared back and its legs turned to glass in the air and it remained there, suspended, only the eyes still alive and blinking.
Each chapter of The Escapement is its own, self-contained story in a broader overall narrative, drawing from a different part of the Western tradition but in a sideways, off-kilter way. But The Escapement is more than this, particularly in its links to the “real world” and the potential that it is all just an escape for a man dealing with a personal tragedy. Taken together, The Escapement is another eye-opening, brain busting, heart rending and page-turning novel from Tidhar.
The Escapement has a double opening. The first is a man sitting by a hospital bed where his son lies in a coma. The appearance of a small red flower segues into the second opening to what is the main narrative, the story of the Stranger who is on a mission across a world known as the Escapement to find a rare flower, the Plant of the Heartbeat, one with the capacity to heal. But before he can do that, the Stranger comes across a massacre and together with a bounty hunter tracks down the perpetrators. The massacre is of eleven clowns (including Whitefaces, Augustes and Hobos), a native species in the world of the Escapement, killed for their scalps.
The world of the Escapement is one in which clowns are hunted, the major figures of the Tarot roam the land, and the people are trapped in an ongoing war between giant mythical creatures that leaves ordinary people forever changed. The Escapement also overlaps our own world with people moving between the two realities. The narrative sends the Stranger on a series of quests, missions and adventures as he makes his way across the landscape towards his ultimate goal. As he does so, Tidhar plays with a range of Western tropes – including a train robbery, saloons, grizzled war veterans and journeys of vengeance. But the narrative also drops in and out of the story of a father trying to deal with his son’s worsening condition in the “real world” (although the question is often asked – “So they dream us or do we dream them?”).
In his Afterword, Tidhar expresses his debt to the influences behind The Escapement. This includes a Hebrew fairy tale from the 1930s, Mesopotamian and Greek mythology, the Tarot, the poem “Ozymandius” and Sergio Leone’s 1966 Western The Good, the Bad and the Ugly. But for all that, the book itself reads like a cross between China Miéville’s new weird aesthetic and Stephen King’s fantasy Gunslinger styling, even though neither of these influences are credited. Just as an example, this is part of the description of what happens when a “chthonic bomb” explodes in the middle of a city:
A man pushing a food cart looked briefly puzzled and then turned into a pink flamingo. He spread his wings experimentally and took to the air.
The towers of the city began to melt. A horse-drawn cart swerved sharply to avoid a swirl of tomatoes which had drawn together into a humanoid shape and ran down the street, leaving juicy footprints in its wake. The horse reared back and its legs turned to glass in the air and it remained there, suspended, only the eyes still alive and blinking.
Each chapter of The Escapement is its own, self-contained story in a broader overall narrative, drawing from a different part of the Western tradition but in a sideways, off-kilter way. But The Escapement is more than this, particularly in its links to the “real world” and the potential that it is all just an escape for a man dealing with a personal tragedy. Taken together, The Escapement is another eye-opening, brain busting, heart rending and page-turning novel from Tidhar.
daramillz's review
4.0
Sad and surreal; a fun house mirror of a book. Don’t read if you’re afraid of clowns