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blewballoon's review
dark
reflective
slow-paced
- Plot- or character-driven? Character
- Strong character development? It's complicated
- Loveable characters? No
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
2.0
I found the experience of reading this to be generally unpleasant. Backwards as it may be, the more a book is considered a "literary darling," the more skeptical I become that I will enjoy it. The forward praising the book before it actually started made me appropriately apprehensive.
I imagine there must be readers who like the main character Janet, but I did not find her relatable or sympathetic. In some ways she strikes a "not like other girls" chord to the extreme. She's above frivolous things like learning how to clean and sew, she is too busy with poetry and flouncing around her family's estate. She has the drama of Anne of Green Gables but none of the charm. Her single redeeming quality is that she likes animals and doesn't want them to suffer, but this is oddly juxtaposed with a total lack of empathy or understanding of people.She can't mercy kill a pigeon, but she did try to kill her baby sister and she nearly killed another baby sibling by handling her with the care of a bowling ball. She also didn't care about sending two boys to get seriously injured in a decaying building. These boys in particular were just children who hadn't done anything against her. It's often hard to tell what age Janet or the other children are meant to be at a given point in the story, but even so, their behavior (specifically Janet's) and lack of understanding feels too strange to be explained by childhood. I mean, not to victim blame, but a lot of Janet's suffering is because of her own choices. She makes really bad ones. Janet isn't the only one, though. Every human character sucks, sometimes more and sometimes less, but none of them are a positive presence. The Jackdaw is the best character, but he's only there for a very small part of the book, and he's a bird.
There are many instances of animal cruelty and death that are hard to read, and they contribute to the overall somewhat gross and disturbing tone of the book. Theasylum scene and the scenes with a variety of male characters after Janet has gone through some puberty also contribute to this vulgar tone, and there's a little fatphobia sprinkled in as well.
I listened to this on audiobook and the narrator was fine, but any parts where there were poetry or song recitations in the text felt grating to me. I felt myself clenching my teeth when they'd pop in.
I imagine there must be readers who like the main character Janet, but I did not find her relatable or sympathetic. In some ways she strikes a "not like other girls" chord to the extreme. She's above frivolous things like learning how to clean and sew, she is too busy with poetry and flouncing around her family's estate. She has the drama of Anne of Green Gables but none of the charm. Her single redeeming quality is that she likes animals and doesn't want them to suffer, but this is oddly juxtaposed with a total lack of empathy or understanding of people.
There are many instances of animal cruelty and death that are hard to read, and they contribute to the overall somewhat gross and disturbing tone of the book. The
I listened to this on audiobook and the narrator was fine, but any parts where there were poetry or song recitations in the text felt grating to me. I felt myself clenching my teeth when they'd pop in.
Content Warnings
Graphic: Animal death, Sexual harassment, and Animal cruelty
Moderate: Violence, Alcoholism, Bullying, Murder, Alcohol, and Death
Minor: Sexual assault and War
kirstym25's review against another edition
dark
sad
medium-paced
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
4.0
Content Warnings
Graphic: Murder, Death, and Animal death
Moderate: Animal cruelty, Sexual harassment, and Bullying
jesshindes's review against another edition
dark
emotional
funny
sad
fast-paced
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? It's complicated
- Flaws of characters a main focus? Yes
4.75
Well, after getting held up on my previous read, I raced through this one. O Caledonia was great fun in lots of ways but also oh, it was a bit poignant to my heart. If you like Cold Comfort Farm or I Capture the Castle, that's the vibe: big crumbling country house, extremely dysfunctional family, teen heroine, very funny (relentlessly funny), but underpinning it all something essentially sad.
The book begins by letting us know that Janet, our protagonist, is going to be killed at the age of 16; that nobody except her pet jackdaw will much regret it. Then it whips us back to the start of Janet's brief life, born to a not-very-mumsy mother and doomed, apparently, to disappoint her from the outset. I feel like I've encountered Janet-like characters before: she's a bit lumpy, not very beautiful (wishes she were beautiful, as her younger sisters are); loves to read, alternates between being shy and showing off, annoys everybody by failing to pick up on social cues; is terribly un-sporty and struggles to make friends. I felt like I understood her environment, too; post-war, aspiring to gentility, boarding school for the children but not a prestigious one. That didn't mean I didn't enjoy either character or setting: Barker writes so confidently and precisely, with such anarchic humour, that it's impossible not to be charmed. (That said, the novel was written in 1991, which is intriguing to me: it could easily date from decades earlier and I'm not sure there's much in the way of modernity there at all.)
Barker is relentless in the development of chaotic, terrible, hilarious situations for Janet to hurtle through; there is a lot of that thing where something that makes sense to you as a child slides out of control and becomes something for adults to lambast you for (a terrible scene where Janet finds a slug in her salad - in her mouth - and doesn't feel like she's able to say anything at the table). I found her sympathetic, as probably most bookish people would. (For some reason I found myself thinking of one of my nieces, which probably contributed to my feeling of protectiveness over her; kids who feel a lot, sit in their imaginations, worry about the state of the world.) Other characters are depicted savagely, with lacerating precision: the girls at Janet's school, her siblings, teachers, her strange aunt Lila. 'O Caledonia' is so funny that it can get away with being bleak, and there are also moments of happiness, mostly around the natural world: Janet loves animals and she loves the wet, cold, wild environment around the Highland home into which the family moves fairly early in the book. Barker is an accomplished writer and there are moments of real beauty; but the overwhelming feeling that the book created for me was a kind of specific awkward unsettledness that I associate with adolescence in particular but which is definitely part of a lot of childhoods, too. It's that feeling where the world around you doesn't make much sense but you don't have any power to change it or its rules, and if you're someone who (like Janet) can't do much to change your emotions and reactions, you're always going to be spilling out of line.
I think what made the book so sad for me, then, was the fact that Janet gets arrested - interrupted - killed off - before she ever gets the chance to move beyond that and into the world. Who'd want to be stuck in that horrible teenage phase of feeling like nobody understands you, vaguely picturing a future where everything might be different, and then never attaining it? It's a pretty cruel blow. I was looking at other reviews and saw this described as a coming-of-age novel somewhere, and an anti-coming-of-age novel somewhere else; I think it's probably closer to the latter, in that Janet never moves beyond the sort of daydreamy unreality of her teenage years. She's edging towards it as the novel begins to wrap up, but the way that she dies is decisively characteristic of the Janet we know rather than some new, more sophisticated iteration. To some extent the fact that we know from the outset where the novel is going does something to cushion the blow of its ending - and the pace of the ending doesn't leave much room for mourning - but I still feel bad for Janet, never getting beyond the family and her uncomfortable place within it. I went back, once I'd read the end, to the beginning, where we're told that the jackdaw mourned her but also - just briefly - that her sisters cried. I guess I find that note intriguing; we never get anything of the sisters' interiority and it made me wonder about their view on Janet, what they made of her. We're so much in her head that we never really get outside it (which egoism is, again, characteristic of youth; you're so absorbed in figuring yourself out that other people are never fully realised). So there's something there to mitigate the blankness, but in general Barker is a pull-your-socks up sort of writer. Things happen, wham, deal with it, move on: it's what makes the book so funny, even in its darkest moments. I definitely recommend this, especially if you like the novels I listed above.
The book begins by letting us know that Janet, our protagonist, is going to be killed at the age of 16; that nobody except her pet jackdaw will much regret it. Then it whips us back to the start of Janet's brief life, born to a not-very-mumsy mother and doomed, apparently, to disappoint her from the outset. I feel like I've encountered Janet-like characters before: she's a bit lumpy, not very beautiful (wishes she were beautiful, as her younger sisters are); loves to read, alternates between being shy and showing off, annoys everybody by failing to pick up on social cues; is terribly un-sporty and struggles to make friends. I felt like I understood her environment, too; post-war, aspiring to gentility, boarding school for the children but not a prestigious one. That didn't mean I didn't enjoy either character or setting: Barker writes so confidently and precisely, with such anarchic humour, that it's impossible not to be charmed. (That said, the novel was written in 1991, which is intriguing to me: it could easily date from decades earlier and I'm not sure there's much in the way of modernity there at all.)
Barker is relentless in the development of chaotic, terrible, hilarious situations for Janet to hurtle through; there is a lot of that thing where something that makes sense to you as a child slides out of control and becomes something for adults to lambast you for (a terrible scene where Janet finds a slug in her salad - in her mouth - and doesn't feel like she's able to say anything at the table). I found her sympathetic, as probably most bookish people would. (For some reason I found myself thinking of one of my nieces, which probably contributed to my feeling of protectiveness over her; kids who feel a lot, sit in their imaginations, worry about the state of the world.) Other characters are depicted savagely, with lacerating precision: the girls at Janet's school, her siblings, teachers, her strange aunt Lila. 'O Caledonia' is so funny that it can get away with being bleak, and there are also moments of happiness, mostly around the natural world: Janet loves animals and she loves the wet, cold, wild environment around the Highland home into which the family moves fairly early in the book. Barker is an accomplished writer and there are moments of real beauty; but the overwhelming feeling that the book created for me was a kind of specific awkward unsettledness that I associate with adolescence in particular but which is definitely part of a lot of childhoods, too. It's that feeling where the world around you doesn't make much sense but you don't have any power to change it or its rules, and if you're someone who (like Janet) can't do much to change your emotions and reactions, you're always going to be spilling out of line.
I think what made the book so sad for me, then, was the fact that Janet gets arrested - interrupted - killed off - before she ever gets the chance to move beyond that and into the world. Who'd want to be stuck in that horrible teenage phase of feeling like nobody understands you, vaguely picturing a future where everything might be different, and then never attaining it? It's a pretty cruel blow. I was looking at other reviews and saw this described as a coming-of-age novel somewhere, and an anti-coming-of-age novel somewhere else; I think it's probably closer to the latter, in that Janet never moves beyond the sort of daydreamy unreality of her teenage years. She's edging towards it as the novel begins to wrap up, but the way that she dies is decisively characteristic of the Janet we know rather than some new, more sophisticated iteration. To some extent the fact that we know from the outset where the novel is going does something to cushion the blow of its ending - and the pace of the ending doesn't leave much room for mourning - but I still feel bad for Janet, never getting beyond the family and her uncomfortable place within it. I went back, once I'd read the end, to the beginning, where we're told that the jackdaw mourned her but also - just briefly - that her sisters cried. I guess I find that note intriguing; we never get anything of the sisters' interiority and it made me wonder about their view on Janet, what they made of her. We're so much in her head that we never really get outside it (which egoism is, again, characteristic of youth; you're so absorbed in figuring yourself out that other people are never fully realised). So there's something there to mitigate the blankness, but in general Barker is a pull-your-socks up sort of writer. Things happen, wham, deal with it, move on: it's what makes the book so funny, even in its darkest moments. I definitely recommend this, especially if you like the novels I listed above.
Content Warnings
Graphic: Animal death and Vomit
Moderate: Bullying, Sexual assault, Murder, Alcoholism, and Animal cruelty
mynameisrebecca's review
challenging
dark
emotional
mysterious
reflective
sad
tense
slow-paced
- Plot- or character-driven? Character
- Strong character development? It's complicated
- Loveable characters? No
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
3.75
Content Warnings
Graphic: Animal cruelty, Animal death, Sexual harassment, Sexism, and Death
Moderate: Mental illness
kairhone's review
dark
mysterious
medium-paced
- Plot- or character-driven? Character
- Strong character development? No
- Loveable characters? It's complicated
- Diverse cast of characters? No
- Flaws of characters a main focus? No
4.5
Content Warnings
Moderate: Sexual assault, Emotional abuse, Animal cruelty, and Animal death
owenwilsonbaby's review against another edition
dark
emotional
funny
reflective
fast-paced
- Plot- or character-driven? Character
- Strong character development? It's complicated
- Loveable characters? Yes
- Diverse cast of characters? No
- Flaws of characters a main focus? It's complicated
4.5
“She was bad and she knew she was bad and she could see no end to it.”
I can see why this is a beloved classic! Maggie O’Farrell’s introduction was particularly insightful. I love a coming-of-age story, and the Scottish voice and quick, considered pacing made this much more absorbing than previous failed attempts to read similar material, like I Capture The Castle. I do think the pacing was to the books detriment in the last chapter, as the ending felt a bit too sudden for me, but the rest of the book more than makes up for it. Barker’s talent for linguistics makes imagery and description rhythmic, beautiful, technically precise and often deeply moving. The teenage voice feels very careful; not so much authentic as deliberately and cautiously crafted, to great effect. Having also read The Vanishing of Esme Lennox, I do love the similarities; the perhaps unintentional narrative of embracing neurodivergence but simultaneously being cast out and punished for it was strangely modern and insightful. It feels like this could have been written last year.
I can see why this is a beloved classic! Maggie O’Farrell’s introduction was particularly insightful. I love a coming-of-age story, and the Scottish voice and quick, considered pacing made this much more absorbing than previous failed attempts to read similar material, like I Capture The Castle. I do think the pacing was to the books detriment in the last chapter, as the ending felt a bit too sudden for me, but the rest of the book more than makes up for it. Barker’s talent for linguistics makes imagery and description rhythmic, beautiful, technically precise and often deeply moving. The teenage voice feels very careful; not so much authentic as deliberately and cautiously crafted, to great effect. Having also read The Vanishing of Esme Lennox, I do love the similarities; the perhaps unintentional narrative of embracing neurodivergence but simultaneously being cast out and punished for it was strangely modern and insightful. It feels like this could have been written last year.
Content Warnings
Moderate: Alcohol, Animal death, Animal cruelty, Bullying, Cursing, Grief, Toxic friendship, Blood, Forced institutionalization, and Sexual harassment
layton93's review
dark
sad
tense
medium-paced
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? No
- Flaws of characters a main focus? It's complicated
3.5
Content Warnings
Graphic: Child death and Murder
Moderate: Sexual harassment, Animal cruelty, Animal death, and Emotional abuse
thearchivist03's review against another edition
challenging
dark
emotional
reflective
sad
fast-paced
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? No
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
3.5
This coming of age tale is really dark, but it's reflective. I wish the author hadn't spoiled that the main character is dead in the first few pages as I think it took away from the surprise at the end when you learn of the truth behind the murder mystery.
That being said, the prose was so beautiful. This was excellently written out, scenery and Janet' character and her inner monologues were spelled out perfectly in feeling and in words. I wish the plot had more to it, but it does follow a person's life, which doesn't give room to be creative. It was very linear storytelling, very static, and I think that's what threw me off personally. The ending and moral of this story is dark, but it does make me think and wonder of the existence and societal responsibilities placed on children, especially the eldest. Very tragic tale, not too enjoyable and lighthearted, but thought provoking.
That being said, the prose was so beautiful. This was excellently written out, scenery and Janet' character and her inner monologues were spelled out perfectly in feeling and in words. I wish the plot had more to it, but it does follow a person's life, which doesn't give room to be creative. It was very linear storytelling, very static, and I think that's what threw me off personally. The ending and moral of this story is dark, but it does make me think and wonder of the existence and societal responsibilities placed on children, especially the eldest. Very tragic tale, not too enjoyable and lighthearted, but thought provoking.
Content Warnings
Graphic: Sexual assault, Animal cruelty, Animal death, Bullying, Sexism, Death, Misogyny, and Murder
Moderate: Sexual content, Sexual harassment, and Sexual violence
Minor: Toxic relationship and War
waybeyondblue's review against another edition
dark
funny
mysterious
reflective
tense
medium-paced
- Plot- or character-driven? Character
- Strong character development? No
- Loveable characters? It's complicated
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
2.5
Content Warnings
Moderate: Murder, Animal cruelty, Sexual harassment, and Animal death
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