Reviews

The Sleep of Reason: An Anthology of Horror by C. Spike Trotman

readingwithstardust's review against another edition

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3.0

Great art, but I think most of these could've benefited from being just a little longer and more fleshed out, there was never quite a long enough lead up to build suspense for a real scare, although a couple managed to be vaguely unsettling and disquieting.

indeedithappens's review

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dark medium-paced
  • Plot- or character-driven? N/A
  • Strong character development? N/A
  • Loveable characters? N/A
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? N/A

3.5

arlingtonchamberofgay's review against another edition

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dark tense fast-paced
  • Plot- or character-driven? N/A
  • Strong character development? N/A
  • Loveable characters? It's complicated
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? Yes

4.75


Expand filter menu Content Warnings

f18's review

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dark lighthearted tense fast-paced
  • Plot- or character-driven? N/A
  • Strong character development? N/A
  • Loveable characters? N/A
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? N/A

3.25


3.3 average

4- The Child Eater by Meg Gandy
      cw:
language, body horror, child abuse, domestic abuse, physical abuse, verbal abuse, minor religious bigotry, blood

3- The Waiting Game by Carla Speed McNeil
       cw:
body horror, minor nudity, minor sexual content, suicidal thoughts, nudity
 
3.5- Found Object by britt c. h.
       cw:
death, gore, minor blood
 
0.5- The Grackle Bride by Randal Milholland
       cw:
minor gore, sexism, classism, minor colonialism
 
4- Proliferation by Lin Visel and J. R. Cullen
       cw:
death, animal death
 
2- I Want to Wake Up by Greg Stolze and Langdon Foss
       cw:
forced hospitalization, nonconsensual meds/treatment, police violence, suicidal thoughts,  minor guns, violence, minor blood, not explicit nudity but some of the imagery is nudity adjacent
 
4- The Untimely Death of Smokey II by Der-shing Helmer
       cw:
animal death, death
 
2.5- Temple by Hillary Blair
       cw:
eating disorder, self harm, minor language, minor blood, nudity
 
3- Artifacts by Evan Dahm
3.5- Do Better by Kristin Cheny
4.5- Old Echoes by Lety R-Z and Stevan Zivadinovic
       cw:
minor language
 
4- Weft by Kit Goode and Liz Edwards
       cw:
body horror, mental illness
 
3.5- Four PM is Tea Time by Ty and Lee Blauersouth
       cw:
body horror, minor blood
 
3- Alone by Blue Delliquanti
       cw:
body horror
 
4- Growth by Melanie Gillman
       cw:
vomiting, medical
 
3.5- Fungus City by Gerald Swanson
       cw:
body horror
 
2.5- Sunken Ship by Isaiah Smalley and Kev Anderson
       cw:
animal death, blood, vomit
 
2.5- Out of Chaos by Rachel Edidin and Kel McDonald
       cw:
blood, pregnancy/birth, fire 
 
4- I AM SICK by KC Green
       cw:
body horror, blood, gun violence, medical
 
4- Miracle by C. Spike Trotman
       cw:
body horror, medical, very minor nudity
 
4- Fairy Ring by Savannah Horrocks
       cw:
body horror, vomit 
 
4- The Collection by Ainsley Seago and Tristan Harrington
       cw:
body horror
 
5- Hostess by Gabby Schulz
       cw:
body horror, rape, gore, blood, vomit, minor nudity (anatomy diagram)
 
3- The Emperor Awakes by Jason Bradley Thompson
       cw:
medical, violence, vomit gore, minor nudity 
 
2.5- Anniversary by Sophie Goldstein
       cw:
murder, blood, nudity, trapped,   nudity 
 
3- It Comes Back by Brittney Sabo
       cw:
death 
 

mmparker's review against another edition

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3.0

Mixed bag, as any anthology will be. Some just needed a few more pages, some would have been better off with fewer, most just weren't scary. Lots of really good art, though.

I particularly liked: The Child Eater, I Want To Wake Up, The Untimely Death of Smokey ll, Temple, Miracle, and It Comes Back.

effingunicorns's review against another edition

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3.0

A few misfires, as with most anthologies, and I'm not really a fan of the more realistic horror--the stuff that probably wouldn't happen in the real world but might--but overall I'm left feeling creeped out and uncomfortable, so mission accomplished.

philipf's review against another edition

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4.0

As with any anthology, some of the stories are better than others. But overall, a nicely creepy assortment of horror tales. I do appreciate that when Spike was assembling the stories, she established some ground rules: No familiar monsters, no safe havens. It helps keep the stories fresh.

zapp's review against another edition

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3.0

Trigger warning for all the things. It's creepy and a lot of the art was amazing.

codalion's review against another edition

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3.0

A few items in this anthology were kind of spooky, but altogether they kind of highlighted how repetitive body horror is as a shock twist--and how repetitive short-form horror is in general. Ah, well, not everybody can be Junji Ito.

peyjturner's review against another edition

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3.0

As with almost any anthology, it is a mixed bag. However, as with almost anything successfully kickstarted by Iron Circus Comics, said bag tends to be of superior quality than any other, and 'The Sleep of Reason' is no different. Created as a way to break out of the standard cliches and tropes of horror, this anthology promised "No zombies. No vampires. No werewolves. No familiar solutions. No safe havens." and it more or less delivered on that promise. Contained within this comic anthology are twenty-six very different, and very scary, stories that can only be put under the category of horror. The art varies wildly, and your mileage may vary on how much you like them, but each story delivers a unique scare that, more often than not, relies on the horror trope of the 'bad ending.' Not that that's a bad thing and not that each story does it in the same way, but after reading halfway through, I saw the ending coming from the beginning of the story.

Oh, and also, these stories are short, almost vignettes, but they do make use of every page and panel that they have, so there's that. Overall, I highly recommend grabbing a copy, so long as there are some left, and to enjoy the anthology like one would a sampler platter: individually and voraciously.