Reviews

Shirley by Charlotte Brontë

bluestarfish's review against another edition

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3.0

A puzzling title (Shirley isn't introduced until page 147) but an excellent story. I did once give up reading this book, but this time I was utterly absorbed. This is definitely not "unromantic as Monday morning" - far from it.

n_19's review against another edition

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4.0

My second classic of the year and it was quite pleasurable.
The themes in this book were quite different from all other classic/ historical fiction that I have read- being set in the WW2 it focused more on the people living in their normal lives and dealt with the financial crisis that came with the war.
The characters, with their imperfections and flaws out on display, were interesting to read about. The writing style was poetic and good although felt too slow sometimes and some descriptions seemed pretty unnecessary.
As for the plot, I liked it but I would have liked it more if a few characters like Shirley and Louise would have made their appearance earlier in the story, for there small storyline was far more enjoyable than that of others.
As for Robert Moore, he was selfish man but an understandable man, I didn’t liked him but didn’t hate him either as for Caroline, she was not my favourite protagonist but I still sympathised with her.
Lastly, the story was far more interesting and enjoyable in last 150 pages, but still this classic recommended by me!

seth5678's review against another edition

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challenging reflective slow-paced
  • Plot- or character-driven? Character
  • Strong character development? Yes
  • Loveable characters? Yes
  • Diverse cast of characters? No
  • Flaws of characters a main focus? Yes

5.0

It's got a slow start but by the end I really enjoyed the characters and how they interact.

pollyched's review against another edition

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challenging emotional reflective slow-paced
  • Plot- or character-driven? Character
  • Strong character development? It's complicated
  • Loveable characters? It's complicated
  • Diverse cast of characters? No
  • Flaws of characters a main focus? No

4.0

sophiemckane's review against another edition

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my attention span was gone for it but will try it again 

lindseysparks's review against another edition

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4.0

This starts off slow and it wasn't until the narration switched to Caroline that I began to enjoy it. Caroline made me laugh, she likes learning, she avoids silly company whenever possible and she wishes she were a man so she could get a job and actually use her brain. The intro said she is modeled somewhat on Anne Bronte, which just makes me like Anne more, and makes sense considering my love for Anne's novels.

We don't meet Shirley until page 193 even though she's​ the title character! I enjoyed her and Caroline's friendship, and Shirley's ability to not take crap from anyone. When one character tries to pressure her into giving a bigger donation, she goes off on him and kicks him off her property. She also refused to be told who to marry or to appreciate being asked. She is perfectly content to stay single unless she falls in love. When her uncle questions her, she says she denies his right to the answer to his questions. She and Caroline also laugh at the idea of women having to hold the same opinions as their husbands. Overall, it's a very feminist novel except one scene where Shirley talks about wanting a husband who can master her, although I felt like she meant someone who can hold his own with her, but she still said "be her master" at one point. I know it was 1848 when she wrote this, but Anne's heroines wouldn't say such a thing. But Shirley and Caroline also talk about how they are wasted on domestic pursuits and not being able to use their brains to do more than keep house and raise children.
There was also a great scene where Caroline explains that her uncle likes shallow women who care only about their looks because it proves him right in his opinion that women are inferior, just toys to be played with.

The novel is also about the Luddites and although I appreciated her treatment of the mill owner I felt like those scenes tended to be less well developed. The novel is set about 40 years earlier and it seemed like she wanted to throw in a lot of details but didn't really blend it with the rest of the story and Robert just doesn't come alive like some of the other characters, even though I liked him.

I just reread Jane Eyre recently and had more problems with it this time. I am surprised that I actually liked Shirley more.

avareighenns's review against another edition

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challenging hopeful lighthearted medium-paced
  • Plot- or character-driven? A mix
  • Strong character development? Yes
  • Loveable characters? It's complicated
  • Diverse cast of characters? No
  • Flaws of characters a main focus? Yes

3.5

it reads very much like a classic literary work, but it is good and even fun. a reader with a good imagination will enjoy it!

colorfulleo92's review against another edition

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5.0

Gha i couldn't stop, I gulped up the last part of the book way to fast. It was just so intriguing and fascinating. I loved the well formed characters and the beautiful writing. Even if the book was slow and not much happening I didn't get bored. This is a book you should take in slowly to get fully emersed in the story, however I flew through it. I love the fact that Charlotte Bronte talks to the reader through the page time to time. It feelt very engaging. I enjoyed this far more then Jane Eyre

balletbookworm's review against another edition

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3.0

I did like the ironic voice of the narrator, but there seems to be too many lines of plot. It got a bit labyrinthine and the outcomes aren't very surprising. But I did like it.

ratgirlreads's review against another edition

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Having loved Jane Eyre, I had high hopes for Shirley.  Unfortunately, the book did not quite live up to them.  Partly this may simply be the genre, which is not to my taste—when I pick up a Brontë novel, I do so for the nineteenth century atmosphere and the intelligent social commentary, but at bottom they are also romance novels, and Shirley is certainly that.  With some heavyhanded editing, it might have been passable, but Charlotte seemed intent on wandering: passages such as the long chapters detailing the unpleasant habits and personalities of the young curates, without any eye towards commenting on the office or the people generally selected for it, when those characters have but a tangential relationship to the plot centering on Caroline, Shirley, and the Moores, made the novel interminable.  Her references to the established Church and the various dissenters seemed inconclusive and meandering, and thus nothing but an irritatingly extensive aside from the plot.  
Then, there is the character of Shirley herself.  Independent, intelligent, capable, she seems an ideal feminist heroine, but when she marries Louis Moore, she does so because she feels him not to be her equal but her “master,” and all of her good points then seem merely to exist to justify the long-held belief that all women just need a man to keep control of them.  
The book has its enjoyable points.  The children of the Yorke family—who play a minute role in the novel, but showse personalities and future fates Brontë insists on detailing at some length—and the effect of the adult Yorkes’ parenting style on their relationships seem interesting (and might have made a better nook than Caroline’s and Shirley’s long-drawn-out romances).  The broad historical perspective on the poor, working classes and the manufactureres during the Napoleonic wars is interesting.  But overall, the book is unnecessarily ponderous and fails to live up to the progressive ideals one hopes for from Charlotte Brontë.