Reviews tagging 'Fire/Fire injury'

Eleanor Oliphant Is Completely Fine by Gail Honeyman

421 reviews

autumnpayne's review against another edition

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dark emotional reflective sad medium-paced
  • Plot- or character-driven? A mix
  • Strong character development? Yes
  • Loveable characters? It's complicated
  • Diverse cast of characters? No
  • Flaws of characters a main focus? It's complicated

3.5


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corinnelora95's review against another edition

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sad medium-paced
  • Plot- or character-driven? Character
  • Strong character development? It's complicated
  • Loveable characters? It's complicated
  • Diverse cast of characters? No
  • Flaws of characters a main focus? Yes

3.0

"The covers are of very little help, because they always say only good things, and I've found out to my cost that they're rarely accurate. "Exhilarating" "Dazzling" "Hilarious." No." (Eleanor Oliphant Is Completely Fine, p 265)

This quote stuck out to me because the cover reviews for "Eleanor Oliphant Is Completely Fine" are part of what led me to pick up and read this book. I found that it was not "beautifully written and incredibly funny," as Reese Witherspoon described it to be. It was not "hilarious and moving," as People claimed. And it certainly was not "completely wonderful," as Purewow said it would be.

For everyone who recommends this book because it's "light-hearted" or "funny," I have to wonder why. I found the majority of the book to be frustrating and depressing. Eleanor annoyed me for the entirety of the "Good Days" part of the book. She was slightly better in the "Bad Days" and "Better Days" parts, but I still found myself questioning why she was written to be so socially inept. It was maddening.

Overall, the book was easy to read, but it left me asking, "Why am I reading this?" over and over. I ultimately decided around the halfway point that I'd finish the book because I was too invested in Raymond and the other positive characters to quit. Raymond's care for Eleanor is what earned it the third star for me, but just barely.

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beriboo's review against another edition

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adventurous emotional funny hopeful inspiring reflective sad medium-paced
  • Plot- or character-driven? Character
  • Strong character development? Yes
  • Loveable characters? Yes
  • Diverse cast of characters? No
  • Flaws of characters a main focus? It's complicated

4.0

Eleanor Oliphant Is Completely Fine by Gail Honeyman is a beautifully written novel that delves deep into the life of the main character, Eleanor Oliphant. At first glance, Eleanor may seem like an odd and socially awkward individual, but as the story unfolds, we learn about the trauma and loneliness that have shaped her into the person she is today. 

What I loved most about this book is how the author skillfully balances moments of humor and light-heartedness with the darker themes of loneliness, mental health, and trauma. Despite the heavy subject matter, Honeyman's writing style is engaging and witty, making it a surprisingly uplifting read.

The character development in this book is truly exceptional. Eleanor is a complex and nuanced character, and as the reader, I found myself deeply invested in her journey towards self-discovery and healing. The relationships she forms with those around her, particularly with Raymond, are heartwarming and genuine, adding depth and warmth to the story.

Overall, Eleanor Oliphant Is Completely Fine is a thought-provoking and emotionally resonant novel that stayed with me long after I finished reading it. I highly recommend this book to anyone looking for a captivating and moving story about the power of human connection and the resilience of the human spirit.

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mekay's review against another edition

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dark emotional sad medium-paced
  • Plot- or character-driven? Character
  • Strong character development? Yes
  • Loveable characters? Yes
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? It's complicated

5.0

Excellent story with a dark plot twist. Contains some cussing and minimal amounts of cursing. 

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dar0822's review against another edition

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emotional funny hopeful sad medium-paced
  • Plot- or character-driven? Character
  • Strong character development? Yes
  • Loveable characters? Yes
  • Diverse cast of characters? No
  • Flaws of characters a main focus? Yes

4.5


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mattybax's review against another edition

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dark emotional sad medium-paced
  • Plot- or character-driven? Character
  • Strong character development? Yes
  • Loveable characters? Yes
  • Diverse cast of characters? No
  • Flaws of characters a main focus? Yes

4.0

After finishing this book I can’t help but be slightly frustrated by the unnecessary plot twist which is injected into the final pages on the book - it seemed like the author got to the end of the book and was like ‘shit I forgot to add a plot twist’. That stops this book from having a higher score imo.
Aside from that, this book is a fantastic read for anyone who has ever felt lonely at any point in their life. I greatly appreciated  the author highlighting societies habit of shaming people who are lonely, as opposed to helping them.
I’m probably going to come back to this the more I think about it - but overall the book is well written and really challenges how we view people who were raised differently to how we were.

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kellemerson's review against another edition

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challenging dark emotional funny hopeful reflective sad tense medium-paced
  • Plot- or character-driven? Character
  • Strong character development? Yes
  • Loveable characters? It's complicated
  • Diverse cast of characters? N/A
  • Flaws of characters a main focus? Yes

5.0


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arukeni's review against another edition

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emotional hopeful reflective sad medium-paced
  • Plot- or character-driven? Character
  • Strong character development? Yes
  • Loveable characters? No
  • Diverse cast of characters? No
  • Flaws of characters a main focus? Yes

3.75


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sophiab27's review against another edition

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dark emotional reflective sad slow-paced
  • Plot- or character-driven? Character
  • Strong character development? Yes
  • Loveable characters? It's complicated
  • Diverse cast of characters? No
  • Flaws of characters a main focus? Yes

4.0


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hello_lovely13's review against another edition

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dark emotional hopeful sad medium-paced
  • Plot- or character-driven? Character
  • Strong character development? Yes
  • Loveable characters? Yes
  • Diverse cast of characters? No
  • Flaws of characters a main focus? Yes

3.5

This was so much weirder than I was expecting it to be (you have no idea what you're getting into just from the blurb). However, the ending really turned it around for me (it was an absolutely fantastic ending, and anyone that is thinking of DNFing while in the first half of the book should endure to the end because it is so worth it). This has interesting things to say about loneliness, which is what my first impression was, then it got...weird. During the first half of the book, I found Eleanor relatable at times, but mostly extremely judgmental and amoral to the point where I wasn't really rooting for her. However, from the midpoint of the book onwards, as she became less isolated and more ingrained into a social life, she became more and more understanding. Then, at the 75% mark, she finally snaps out of what really made me uncomfortable about her behavior (
her literally stalking a musician she became obsessed with
) and then really addressed all the things I didn't like about her and showed her change and willingness to continue to work on changing for the better (therapy and all). In the last ten minutes of the audiobook, the twist that was revealed was one I did not see coming at all (I guessed most of her backstory, but not about
the fact that her mother was dead the whole time and that she died in the fire!
I was so shocked that I had to take a brief pause before finishing the book). I liked that the ending was a bit open (even though I usually hate open endings) because that last moment could be taken in one of two ways, and I definitely have a strong preference between the two (
the entire time I was dreading that they would try to make Raymond and Eleanor be romantic, and I am adamantly against it! It is unnecessary and doesn't make any sense. That is why I am so glad that the final kiss on the cheek could be taken as either a purely platonic, affectionate gesture or a hesitant romantic beginning. In my head, it is the former.
). I wasn't too connected to Sammy, as we didn't see too much of him and we didn't see Eleanor and him form that strong of a connection, and they only really interacted about 3 times in the entire book. Raymond and Eleanor's friendship was a bit more developed, though I honestly wasn't overly attached to Raymond as a character or their relationship. It is done well, and they have an ease, understanding, and support to their friendship that enriches the novel. However, the way that Eleanor spoke of him for most of the first half of the novel slightly lessened it's effect for me (I know it was addressed why she thought and acted the way she did, and that was done well, but it still put that distance for me in the relationship, so I couldn't fully be invested; perhaps upon a reread (though I don't know when or if I ever will reread this), with the knowledge of how the book ends I can have more appreciation for their relationship). The true relationship that Eleanor interacts with in this book is with herself and her mental health and trauma, and the payoff is well-done (there could have been a more cathartic end to a certain source of negativity (
her weekly calls with her mother, though the twist really took care of that
), but it was nonetheless satisfactory and satisfying in a slightly more realistic way). Overall, much weirder than expected, but one that I will recommend.

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