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nyara's review
challenging
dark
emotional
reflective
tense
medium-paced
- Plot- or character-driven? A mix
- Strong character development? It's complicated
- Loveable characters? It's complicated
- Diverse cast of characters? N/A
- Flaws of characters a main focus? Yes
5.0
softmellow's review
3.0
3.5
Bottling emotions and dragging out nonsensical problems really is such a juvenile thing. Basically....it's a canon event
Bottling emotions and dragging out nonsensical problems really is such a juvenile thing. Basically....it's a canon event
robyn1998's review
challenging
dark
emotional
reflective
sad
tense
medium-paced
- Plot- or character-driven? Character
- Strong character development? It's complicated
- Loveable characters? Yes
- Diverse cast of characters? No
- Flaws of characters a main focus? It's complicated
4.0
My favourite of the 3 Mieko Kawakami books I've read by far. This was horribly dark and sad at times, but I found the protagonist so interesting and the writing very beautiful. I absolutely hate hearing stories of bullying, they almost always make me cry, so I know this will stick with me for a long time. The ending was very uplifting though.
alexanderjamie's review
challenging
dark
sad
fast-paced
- Plot- or character-driven? Character
- Strong character development? No
- Loveable characters? Yes
- Diverse cast of characters? No
- Flaws of characters a main focus? It's complicated
4.75
Heaven is the book by Kawakami which makes her one of my favorite authors - this book takes on the theme of bullying brilliantly and has a healthy dose of well-done philosophy (though arguably above the level that the average 14-year old should be assumed to be capable of...) - the prose is great and the writing style kept me hooked and reading. In its short length, it does great things and it's definitely one of my favorite books of the year.
lillyp428's review
dark
emotional
sad
slow-paced
- Plot- or character-driven? Character
- Strong character development? It's complicated
- Loveable characters? No
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
3.25
rachellen's review against another edition
challenging
dark
emotional
reflective
sad
tense
medium-paced
- Plot- or character-driven? Character
- Strong character development? It's complicated
- Loveable characters? Yes
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
4.0
**** SPOILERS AHEAD ****
I really liked this story and the first person perspective that wasn’t too informal.
I was sad that Kojima never took the lead to heaven! (I also only now realise that the lead’s name is never provided, only what his bullies call him, which feels pretty representative of how he feels invisible in the world). Though, this could have been entirely metaphorical and something not fated for their relationship. If the lead followed Kojima directly in her self-destructive rebellions to her bullies and mother/step-father, which to me read sadly as self-harm fuelled by a desire to have some control in her life after her family and bullying situations, he may have truly followed her to heaven but only in death. He contemplates suicide rather seriously, discussing suicidality and suicidal ideation. Both are in tragic situations, but the lead’s decision to discuss his eyes led to their separation, because he wasn’t following Kojima anymore. He often just says yes I understand, without understanding, but not knowing how to express that. I think this was right, to separate, but it was heartbreaking. I wonder whether Kojima receives help.
The relationship between Kojima and the lead narrator is interesting to me, because whilst they found solace in one another’s company I did find that it was under Kojima’s perspective of what terms their relationship required to flourish. I found it really sad that Kojima failed to understand that the lead’s opportunity to receive a medical procedure to improve his eye condition was about his quality of life, to see the word, not metaphorically but in actuality, as everyone else did. It was not just about aesthetics. The lead never looks in the mirror, this saddened me. He frequently mentions how he injures himself due to double vision, his pains, how it affects him. This reminds us of the character’s ages, as though the lead is often remarkably wise or realistic, they both are only children and are attempting to navigate very difficult situations and lives.
It was clear to me that the lead wouldn’t intend to change or ‘become a sheep’ after surgery after his bully tells him that he wasn’t bullied for his eyes, but because he happened to be in their sight. It was apparently just bad luck (which was a horrible gaslighting monologue to read but showed how the bullies did not even care to give a reason nor explanation outside of philosophical drivel that made them feel intelligent to harm weak people in a survival of the fittest sense, which is laughable considering it was 1v5?). It made me sad for Kojima, because she isolated herself from her only friend when he never intended on leaving her. I felt the lead had love for her. Even without his eye condition, he knew he would get bullied or be isolated socially anyway and remain the same as her.
The relationship I truly favoured was that of the lead and his step-mother. They have no blood relation, but do marital, and at first it seems they are rather cold with one another but then you grow to realise that they are actually just remarkably comfortable and similar to one another. When the mother gets hurt, quite badly, she noticeably plays it down and wishes to suffer alone, telling the lead to not tell his dad or accompany her to the hospital. She even laughs during the ordeal, and the lead has to clean the blood up once more. She only accepts company in her suffering when the lead offers to come with her to her sister’s funeral as the father wasn’t going. I couldn’t help but think that the lead learnt a sense of amiability or desire to suffer in silence from the mother and the very absent father. I was happy at her response about the bullying, as the bullies had made him believe he would be fucked to tell anyone, but he was not. In many ways, though dreadful, the climax of the story meant he could not hide what was happening to him anymore. He was forced into daylight. The character feels so very real. I suppose he is existent in many people’s lives.
I really could go on and on, I just found it to be such an interesting read. I recommend ‘Heaven’, as I do any Mieko Kawakami work!
I really liked this story and the first person perspective that wasn’t too informal.
I was sad that Kojima never took the lead to heaven! (I also only now realise that the lead’s name is never provided, only what his bullies call him, which feels pretty representative of how he feels invisible in the world). Though, this could have been entirely metaphorical and something not fated for their relationship. If the lead followed Kojima directly in her self-destructive rebellions to her bullies and mother/step-father, which to me read sadly as self-harm fuelled by a desire to have some control in her life after her family and bullying situations, he may have truly followed her to heaven but only in death. He contemplates suicide rather seriously, discussing suicidality and suicidal ideation. Both are in tragic situations, but the lead’s decision to discuss his eyes led to their separation, because he wasn’t following Kojima anymore. He often just says yes I understand, without understanding, but not knowing how to express that. I think this was right, to separate, but it was heartbreaking. I wonder whether Kojima receives help.
The relationship between Kojima and the lead narrator is interesting to me, because whilst they found solace in one another’s company I did find that it was under Kojima’s perspective of what terms their relationship required to flourish. I found it really sad that Kojima failed to understand that the lead’s opportunity to receive a medical procedure to improve his eye condition was about his quality of life, to see the word, not metaphorically but in actuality, as everyone else did. It was not just about aesthetics. The lead never looks in the mirror, this saddened me. He frequently mentions how he injures himself due to double vision, his pains, how it affects him. This reminds us of the character’s ages, as though the lead is often remarkably wise or realistic, they both are only children and are attempting to navigate very difficult situations and lives.
It was clear to me that the lead wouldn’t intend to change or ‘become a sheep’ after surgery after his bully tells him that he wasn’t bullied for his eyes, but because he happened to be in their sight. It was apparently just bad luck (which was a horrible gaslighting monologue to read but showed how the bullies did not even care to give a reason nor explanation outside of philosophical drivel that made them feel intelligent to harm weak people in a survival of the fittest sense, which is laughable considering it was 1v5?). It made me sad for Kojima, because she isolated herself from her only friend when he never intended on leaving her. I felt the lead had love for her. Even without his eye condition, he knew he would get bullied or be isolated socially anyway and remain the same as her.
The relationship I truly favoured was that of the lead and his step-mother. They have no blood relation, but do marital, and at first it seems they are rather cold with one another but then you grow to realise that they are actually just remarkably comfortable and similar to one another. When the mother gets hurt, quite badly, she noticeably plays it down and wishes to suffer alone, telling the lead to not tell his dad or accompany her to the hospital. She even laughs during the ordeal, and the lead has to clean the blood up once more. She only accepts company in her suffering when the lead offers to come with her to her sister’s funeral as the father wasn’t going. I couldn’t help but think that the lead learnt a sense of amiability or desire to suffer in silence from the mother and the very absent father. I was happy at her response about the bullying, as the bullies had made him believe he would be fucked to tell anyone, but he was not. In many ways, though dreadful, the climax of the story meant he could not hide what was happening to him anymore. He was forced into daylight. The character feels so very real. I suppose he is existent in many people’s lives.
I really could go on and on, I just found it to be such an interesting read. I recommend ‘Heaven’, as I do any Mieko Kawakami work!
Content Warnings
Graphic: Vomit, Physical abuse, Injury/Injury detail, Bullying, Gaslighting, and Blood
almondlatte's review
dark
emotional
reflective
sad
fast-paced
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? No
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
3.0